Have you heard the news? After J.J. Abrams' Star Wars Episode VII: We're Using Goddamn Puppets, there will be a slew of new Star Wars films from such directors as Looper's Rian Johnson, Godzilla's Gareth Edwards, and Chronicle's Josh Trank. You know, directors with a track record of making generally entertaining science fiction movies! Isn't that good news?
Well, not exactly. Although we know next to nothing save some very basic facts about these upcoming films, this iota of information is more than enough to ascertain some extremely big conclusions. Namely, that these eagerly awaited future classics are pretty much fucked up from conception, not unlike the way some wizard bacteria got mad horny one day and knocked up Darth Vader's mom.
#4. They're Imitating the Marvel Movies
Disney's new creative model -- that is, simply buying companies more creative than them -- has paid off huge with Marvel's Avengers franchise. So after snatching up Lucasfilm, it makes perfect sense that Disney wouldn't think twice about adopting the same model for Star Wars and plan "at least three" spinoff films to go with the new core trilogy starring Hollywood starlets Lupita Nyong'o and Max von Sydow.
And considering what we know of Disney's record with sequels -- see 2007's seminal Cinderella III: A Twist in Time -- it's safe to say some of those spinoffs will score at least one sequel, right? But there's a problem with that. Take a look at the Marvel universe:
"HAIL MARVEL! Cut a franchise, and two more shall take its place!"
Sure, a bunch of those above superheroes are stuck in movie deals with Fox and Sony, but Marvel Studios nonetheless has access to stacks of decades-old main characters, each with gobs of secondary characters and villains. Now look at the Star Wars universe:
The left side of this is pretty much worthless.
That's 23 faces, and four of them are the same character. Take away the redundancies and assorted Stormtrooper helmets, and we're down to a cast of 16 central and secondary characters total. Well, 17 characters, when you realize that poster is a racist.
"This deal's getting worse all the time."
Our point is, after Lucasfilm threw out the 35 years of stories from books, comics, and TV shows in the Star Wars Expanded Universe -- much of which was admittedly garbage (more on that in a second) -- we're left with three plot options for the spinoff films:
1) Movies about established characters nobody cares about (e.g., Star Wars: The New Adventures of the Guy Who Carried the Ice Cream Machine on Bespin)
2) Movies about entirely new characters (one spinoff will be written by the guy who wrote After Earth, so interpret that as you will)
3) And finally, movies about established characters everybody knows and likes. What could go wrong with that?
#3. They're Origin Stories (For Characters Who Don't Need It)
If there was ever a single smoking gun for the potential shittiness of these films, it's Disney's chief financial officer declaring them to be "origin stories." But there's another word for "origin stories" that Disney deliberately seems to be avoiding: "prequels." That's right -- the new Star Wars spinoffs will be prequels. Remember how awesome that worked out before?
We could spend all day analyzing why the prequel films stank like Jabba the Hutt's bidet, but the undeniable truth is that they sucked because we didn't need them to exist.
Did we need to see, for three fucking films, how Darth Vader got bad? Obi-Wan explains it in one sentence in A New Hope. Was anybody desperate to know where C-3PO came from? Anyway, the names being tossed around for the prequel spinoffs are Boba Fett, Han Solo, and Yoda. This may sound awesome, but what exactly would we gain from seeing Han Solo become a scruffy-looking nerfherder? Isn't A New Hope already his origin story? As for Yoda, do we really want to see 150 minutes of him flipping around like a Muppet on meth?
"But what about Boba Fett's origin story?" you ask. To that we give you this image:
"Hey, kid, do you at least want to take the head out before you start playing with that?"
Remember, the whole reason everyone loves Boba Fett is because he says EXACTLY FOUR LINES in the original films like a waste-no-words badass. Why in the world would we want to see him yapping through an entire movie?