These movie-based games can never muster up anything greater than "You're playing as a thing that has the same name as that thing you like! Isn't that enough for you goddamn nerds?" And if your idea of ultimate joy is knowing that the red-and-blue guy you're clumsily controlling on screen was in a movie you just saw, you'll dig them. If you need more to validate your purchase, they're like a visit from drunk Santa. On one hand, yay, Santa's here. On the other, Santa just puked into the back of his truck.

karenwarfel/Pixabay
On Dasher. On Dancer. On Oxycontin.

I would much rather have a Spider-Man game with an uneven story that wasn't meant to fit into some larger movie plot than one that was. The earlier Spider-Man movie games fixed this by just presenting the movie plots with crazier shit added to them. You got to fight the Green Goblin after you fought his unlimited army of robots. The Amazing games are set before, during, and after the plots of the movies, and if this sounds like a weird way to produce enthusiasm for anything, then you are vastly over-qualified to write a new Spider-Man game. Superhero games love to do this, and they never fail to produce continuity errors in later movies, turning what should be an epic story into the time that the X-Men fought a giant robot and, oh wait, never mind, that didn't happen at all.

And since they're blindly trying to not ruin the continuity of a movie series, you end up fighting all of the villains that probably won't show up in the next film. This means that you get to fight guys like Mysterio, Kraven, Rhino, and fucking Scorpion (aka Spider-Man minus webs, plus tail) every few years. Studios are happy to pit you against Hammerhead in a game because they assume that they probably won't have to worry about shoving him into a movie until they reach Spider-Man 14.

But even superhero games with original stories fail, because ...

The cover of X-Men: Destiny prominently featured eight famous mutants on it, and you got to play as none of them. Instead, you got to "choose your destiny" and play as one of the three ambiguous primary colors on the bottom of the box. Sure, the X-Men and the Brotherhood of Evil Mutants make cameos, but "You get to talk to ... WOLVERINE" should only be a selling point if Hugh Jackman pops out of your TV to have breakfast with you.

Activision
Why PLAY as Wolverine, when you can CHAT with Wolverine? That's what the kids want these days.

Even if they do allow you to play as the first half of the title, somewhere along the line, the makers of superhero games decided that playing as a superhero in a functional, engaging way wasn't enough. No, the game really had to be about the internal struggle between good and evil, or about forcing you to play as different versions of the same character. I'm talking about Spider-Man games again for the most part, because between 2004 and 2014, we received the annual gift of a game that was only sort of about enjoying Spider-Man, and mainly about the different ways that they could get you to not play as regular Spider-Man.

What's so awful about regular Spider-Man that we're always asked to be a shittier version of him? When Amazing Fantasy #15 came out in 1962, was there a silent outcry of people who thought the comic would be way better if Spider-Man just left bystanders to die if he didn't feel like saving them? When I was 13, enraptured by Sam Raimi's Spider-Man, I never once thought "This is good, but what it's missing is more of Spider-Man being a needless dick to the innocent."

Columbia Pictures
"With great power comes the ability to be an ass to anyone who's not as strong as you."

If I'm playing as Venom or wearing the black alien costume, sure, I'll beat villains to death if I have to, because I'm evil as hell. But if I'm playing as classic Spider-Man and the game gives me that tired "OH, THE CHOICES!!!" thing, I'm gonna rescue every civilian from every bomb threat in the five boroughs, because I'm Spider-Man, and when I'm Spider-Man, I do Spider-Man things. And when I'm playing something like Shattered Dimensions, I'm going to be disappointed whenever they interrupt my delight to make me control a goggle-wearing Spider-Man with fewer powers. Give that guy his own game so that I don't have to worry that I'm going to finish a normally-powered level, only to be thrust back into "noir" world where my strengths are sneaking around and quips, and my weakness is everything.

Activision
It's not wish fulfillment if I can survive more gunshots than the radioactive freak I'm playing as.

Batman: Arkham Knight had a ton of flaws, but when they plastered "BE THE BATMAN" on their box and promotional materials, they didn't mean it as "BE THE BATMAN, and maybe shoot some people if you feel so inclined." They meant it as "You get to play as Batman, the solemn After-School Detention Administrator of the comics world." But the worst game gimmicks aren't just reserved for dumb plot points ...

And such puzzles aren't difficult because they're inherently tricky; they're difficult because, as a player and as a Batman, I'm not going to be too adept at using the clunky item combination that I just invented. You can play through the game perfectly, and then die two dozen times at the end because the explosive accelerated line launcher consistently throws Batman into the various bodies of water that populate the basement of every asylum and factory in Gotham City rather than dropping him where he needs to go. Batman's greatest enemy isn't the Joker. It's whatever random voice-controlled hacking bomb he decided to scrap together that morning.

Warner Bros. Interactive Entertainment
All aboard the Doom Train. Next stop: Right beside wherever you aimed.

They're surely available. Over time, you can unlock things like "web bomb" and "web shield" and "fury cut" and "advanced laser blast," but unless these can be accomplished in a situation where I'm still me, all I'll be using is "web shoot" and "standard laser blast." Usually, I'd say "I'm not bad" at video games, but "I'm not bad" in this situation could mean anything from "Trust me, I know how to turn the system on" to "Fear me, mortals, for among you walks your god." So in lieu of that, when it comes to video games, on the scale of The Dark Knight Rises to The Dark Knight, I'm Batman Begins: perfectly serviceable, but I take forever to get to any of the cool parts.

This isn't a problem in all superhero games. The X-Men Legends RPGs and the Marvel: Ultimate Alliance games were great about making sure that you could shoot a beam out of every character's every orifice with ease. But often, new "powers and skills" exist to just add one more item to scroll through on your way back to the most basic one. And that's if they don't require some intricate button combination to pull off. If there's a chance that my guy is going to spend minutes getting beaten up by goons while I frantically try to pull off his "Ultimate Shockwave" ability, I'll give up on the prospect of it entirely and just use "ground pound" -- a move that's put into Hulk video games to make me feel like my parents are proud of me.

Sierra Entertainment
I never became a doctor, Dad, but I did take out four enemies with one move. Can I come home for Thanksgiving, please?

However, both mediums often forget that stuff has got to matter, regardless of genre. This goes double for superhero video games, which are parades of increasingly strong people whom you have to briefly interact with and then punch the shit out of. And villain parades are fun! A part of my brain will always respond positively and orgasmically to a genetic mutation bursting through a wall and shouting "It's Wolverine! Get 'em!" But I'd love to see if we can come up with something a little more gripping than the 10th remake of Spider-Man: Some Portal Thing Or Whatever.

Activision
Or Some Laser, Or Some Thing That Transforms People Into Versions Of The Main Villain, Or ..."

I don't think every superhero video game needs to tackle some weighty Tarkovsky existentialism. Injustice: Gods Among Us was fantastic, and the catalyst for every fight was "Hey asshole. We're in the same room." The aforementioned X-Men: Legends and Ultimate Alliance games are love letters to people who fist-pump whenever Moon Knight or Toad shows up. And despite the fact that this column could be re-titled "Shove Every Spider-Man Game Into A Rotting Butthole," Spider-Man's had a few good ones as well.

But despite the fact that we wish superhero movies would quit being about sad-looking dudes and just be an eternal stream of Guardians Of The Galaxy sequels, superhero video games could use some of that angsty gravitas sometimes. And if not that, at least the desire to craft a narrative that I'll remember a week later. Imagine a superhero game with the kind of gut punch ending that Red Dead Redemption had? Or the atmosphere of Bioshock? Or a superhero game that simply took the time and effort to rely on more than just audience recognition to float their plot and characters? Right now, the world knows that Superman fights a bald guy and is dumb. A video game that explores his world, allies, and villains would do wonders for his stagnant standing in pop culture.

Warner Bros. Interactive Entertainment
He wouldn't even have to fly through rings ... that much.

Right now, studios are obsessed with creating big, interconnected Lego houses out of their superhero series. Video game studios could use this heightened interest in them to create great stories that aren't beholden to serving as a prequel to Thor 3 and a sequel to Dr. Strange. In the effort to create a bigger universe, all Hollywood has done is limit the range of stories that they can tell. Video games could pick up that slack. Or they could make Marvel Property: We Haven't Had One Of These This Year, So It's About Time. Whichever works. I'd probably buy both.

Daniel has a blog. He'd also like to thank talented YouTuber GodzillaMendoza for reminding him that all Spider-Man games are equal, but some are more equal than others.

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