Two Academy Awards, nine total nominations, $1.8 billion in box office across three films
I know exactly what you're saying to yourself, word for word: "Come on, Wong! This is a make-believe story about sentient toys! Don't be an overthinking funshitter, you disease-ridden stenchpenis!"
Let the record show that my penis has a pleasant pine scent with citrus undertones.
The thing is, whether you know it or not, every movie is about your life. I don't care if the plot involves vampires or a space war or a lost cartoon fish trying to find its way home: The only reason you feel anything when you watch is because it applies to you. You probably don't have a Death Star to blow up, but you have seemingly overwhelming challenges to overcome -- maybe your Death Star is just a very fat bully you have to "explode" with your "fighter jet" in obedience to "a disembodied voice in your head." The reason you like watching fantasy stories is because when you look at them, you see yourself.
Pixar knows this better than anyone -- Finding Nemo isn't really about a fish; it's about parents letting their kids be kids and take risks. Cars is about how the urbanization of America killed its soul. Brave is about the survival of the mother/daughter bond through life changes, and how all little girls are bears at heart. And Toy Story is, inexplicably, about how we all need to cling to the childhood belief that inanimate objects are people. Oh, there are other little messages along the way -- the power of friendship, overcoming obstacles with teamwork, s**t like that -- but the overarching theme and moral are just nuts.