Star Trek Into Darkness puts Khan behind a glass wall, mostly because movies decided long ago that Glass = The Future ...

Paramount Pictures

... and then a week later, Fast & Furious 6, aka Fa6t & Furiou6, put villain Owen Shaw behind some glass, leading to the quietest moment that franchise has ever experienced:

Universal Pictures

All of this was within a couple of years, by the way, around 2012-2013. It was the era of glass prison cells. All of these franchises, too embarrassed to look each other in the eye, quietly retired this trope until it was gloriously resurrected in Season 3 of Hannibal, presumably because Mads Mikkelsen is just too handsome for normal, brick-y prison:

Sony Pictures Television

That's probably appropriate, as we're assuming this was the result of lots of filmmakers who had grown up with Silence Of The Lambs a couple of decades earlier, and who knew that to have a truly badass battle of wits between hero and captive, you need a gleaming glass wall in between them, usually with some holes in it. Just note that in a real prison, that thing's probably going to get smeared with shit pretty quickly.

Don't get me wrong, it was probably pretty cool the first time we saw it, which for many of us was the centipede-and-fly demon from 2005's Constantine:

Warner Bros. Pictures

Then we got that weird scene in 2007's Pirates Of The Caribbean: At World's End, where Davy Jones' 50-foot-tall goddess ex-girlfriend turns into a swarm of crabs:

Walt Disney Pictures

Then the Other Mr Bobinski from 2009's Coraline turned out to be a swarm of rats infesting a torn costume:

Focus Features

And then the villain from 2010's The Sorcerer's Apprentice turned out to be made of a horde of cockroaches:

2006's Eragon even altered villains from the book so that they'd be made out of mud and worms.

On TV, meanwhile, it was hard to find a fantasy or sci-fi show that DIDN'T have a villain made from bugs. Buffy The Vampire Slayer villain Norman Pfister was a swarm of maggots that could copy a human, which is handily explained by this diagram:

20th Century Fox

Norman gets killed when the good guys literally just stomp him to death. Turns out it's not that hard to kill a guy made out of bugs. A 2001 episode of The X-Files features a teenage boy who can control insects and store them in his body, which really seems like the opposite of a superpower.

20th Century Fox

The list goes on and on, from Farscape to Power Rangers to Smallville. Because how is the audience gonna know who the villain is if they're not constantly exploding into a shower of fish bait?

Wacky corpse adventures weren't just limited to zany comedies, though. Every genre wanted to put their finger in that sweet decomposing pie. Arnold Schwarzenegger did it in Commando, snapping a guy's neck on an airplane and covering for it by telling the stewardess not to investigate because his friend is "dead tired." She complies, because back in the '80s, people trusted each other, damn it.

Sean Connery pulled it off in The Untouchables, wherein he double murders a guy to get a confession out of a mobster. Even Eddie Murphy did it in the Beverly Hills Cop 3, using a corpse as a puppet to fool a pack of villains with little in the way of critical thinking skills:

Hollywood, certain that audiences simply could not get enough of wacky corpse tomfoolery, persisted with this well into the early '90s, with such comedic masterpieces as Don't Tell Mom The Babysitter's Dead, in which ... actually, the title is really all you need to know about that one.

It was a pretty cool scene, so naturally The Losers completely ripped it off in 2010. In their version, Chris Evans points finger guns at a group of enemies, they are shot, and it is revealed that there was actually a sniper in the distance doing the shooting. Which is to say, it was the exact same goddamned thing.

In 2012's Chronicle, Andrew robs a group of thugs by brandishing a finger gun. They laugh and mockingly finger gun back, thinking that they're about to beat this kid into hamburger, until he shows that his finger gun is loaded with telepathic powers that can in fact kill their asses.

But the finger gun fake-out was not limited to non-Oscar-winning movies. In The Dark Knight, two kids shoot finger guns at a car before it explodes, to the shock of everyone. And then, surprise, it is revealed that Batman actually shot the car with a missile. Eat shit, kids. Batman's the only one who gets to be awesome around these parts.

Warner Bros. Pictures

And of course, in 1999's The Matrix, the agents bug Neo by dropping a mechanical scorpion onto his stomach, which burrows into his belly button as he, you guessed it, writhes around and screams.

Warner Bros. Pictures

Maybe they all saw the same 1996 episode of The X-Files in which mechanical cockroaches kill people, because the alien abduction storyline was the least weird part of that show by a long shot. In that episode, a kid on acid thinks that he's seeing them crawling under his skin, and he kills himself trying to get them out.

20th Century Fox

Or maybe they were inspired by 1993's Ticks, which is about what you think it is about. Not only does that film have the greatest line in screenwriting history ("They call me Panic, 'cause I never do"), but it also has famed "Oh shit. That guy's in this movie?" actor Clint Howard shouting "I'M INFESTED" into the camera, and thus into our hearts.

It started off alright with Casino Royale, in which Daniel Craig chases a villain who parkours his way through a construction site. Eventually he gets caught and killed by the regular-running Bond, who successfully prevented parkour from ever showing up again in the series.

Then there was Live Free Or Die Hard, wherein Bruce Willis has to chase a henchman who spends all the parkour powers he'd been gathering for his entire life in one scene. That dude learned how to climb a girder before he ever learned to walk.

This apparently prompted Kevin Smith to insert parkour into one scene in his own Bruce Willis movie, Cop Out. And there was also Colombiana, a movie in which a little girl manages to outrun grown adults through sheer power of style. In the second Twilight movie, Taylor Lautner spontaneously climbs a tree with what I'm sad to admit is a cool as hell parkour move:

Even otherwise-inept Sam Witwicky became a parkour master for three seconds in the Transformers films when he clearly could have simply avoided running straight at cars. But the winner for the best parkour scene of all time will forever be Punisher: War Zone, in which Frank Castle accurately demonstrates how we all feel about parkour at this point:

Lionsgate Films

Justin is an Atlantic Canadian filmmaker. Some writing/editing/evidence in a future deposition can be found at his website.

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