You know what I hate about Hollywood? The fuckin' phonies. Yeah, I said it. Fuck those guys. Everything they say sounds like it comes out of a script, you know? Like it's all planned ahead of time. And I'm sick of it! When I write, I write from the heart. Just brutal honesty. If that honesty is nonsensical and abrasive, I don't give a fuck. Truth hurts. Horse cocks.
Deal with it.
I talk about a lot of serious shit in my columns, and today is no different. Today, we're going to talk about bad movies, and why they happen. Everyone knows that DVD commentaries, production diaries, and late-night celebrity interviews are only for the stupid, stoned, and old, respectively. And that's why they're so good. Because at these times, the celebrities let their guards down. Cracks and stretch marks form in the human-flesh-suit they wear over their cyborg-insect carapaces, and you can stare into the face of evil. If you're strong enough. Are you strong enough?
Me neither. Let's hold hands.
5 The Hobbit Production Diaries Show That Peter Jackson Is Tired and Old
When The Lord of the Rings came out, it totally changed my understanding of what movies could be and why I should go to the theater. It means just as much to me as Star Wars means to people of the previous generation -- and like the original Star Wars, learning that it isn't real doesn't diminish the magic, because the effort that went into making each scene absolutely perfect actually makes the movie even more mythic. The extended-edition "appendices" found on the extended-edition DVDs are the gold-standard for special features, in my mind. Those are some of my favorite movies, and when you watch the interviews with the cast and crew, you can tell that they had as much fun making these movies as I had watching them. They also went completely insane, which should become totally clear in this video around the time the guy making chainmail starts threatening the gagged Smurf doll on his desk.
But now we're doing The Hobbit and ... I mean, it's pretty whatever, right? Those are all the words I wanna expend on those movies right now.
New Line Cinema
So, naturally, I checked out the special features, to see if they could explain why this movie is that thing it is and ... well, here are some quotes, taken totally at random, from the production diaries and "The Appendices" found only on the extended Blu-ray:
"This is a nightmare." -Peter Jackson
"I asked Peter Jackson if he was going to do The Hobbit and he said, 'No, I'm not interested in doing that.'" -Elijah Wood.
"[This movie] made me feel like I should stop acting." -Sir Ian McKellen
Carlos Alvarez/Getty Images Entertainment/Getty Images
"Someone please kill me." -Richard Armitage (I made that one up).
Sure, all those lines are said as jokes -- but it's the only type of joke anyone is making. If you read between the lines, it's clear that the pre-production for The Hobbit was going great -- until Guillermo del Toro (Pan's Labyrinth, Hell Boy) had to leave. So much money was invested that Jackson had to take over despite not wanting to at all -- seriously, they mention how Jackson isn't interested in this series, like, 15 goddamn times. Which is probably why his motivational speech on the first day is delivered with the enthusiasm of a man who just found out he has to fumigate his garage:
"For a long time I thought that going back to the amazing experience of Lord of the Rings would be a good idea. But, ultimately, I've come around, because films are stressful and hard to make ... if somebody came up to me and said, 'You know, we can carry on pre-production for another six weeks,' I would just say, 'No, no, hell no, let's just start shooting.'"
This totally explains why these movies are so disappointing: Both Hobbit movies so far have been imaginative and almost good interpretations and expansions of the source material, but are held back by lazy visual effects (due to the shortened pre-production time that makes the level of care put into the first film impossible -- kinda like what happened with King Kong) and an apparent inability to edit out extraneous bullshit (because editing is emotionally exhausting, and Jackson looks like he's on the verge of tears in every scene he's in).
I mean, I'm still going to see the new one when it comes out. And so are you, don't fucking lie to me. But at least now we know why we're going to leave the theater feeling like our souls just went through a cheese grater.
"Why is Luke Evans in this movie?"
"I don't know. We can never know. We can only heal."
4 Prometheus Commentary Shows How the Movie Was Rewritten into Nonsense
Hey, you know how the Star Wars prequels suck? And then how the Lord of the Rings prequels are also pretty bad? And hey, ya know how the worst Indiana Jones movie -- The Temple of Doom -- is actually a prequel to Raiders of the Lost Ark? My point is, no one in the world could've predicted that Prometheus, a prequel to the Alien films, could've ended up terrible. But it is. And now, to understand why, I'm going to have to go right into the mouth of hell and listen to the writers' commentary.
Allan Danahar/Digital Vision/Getty Images
Prometheus is so confusing and disjointed that it just feels like a movie that was rewritten into oblivion -- and the writers' commentary track absolutely confirms that. It switches back and forth between Jon Spaihts (who wrote the first draft) and Damon Lindelof (who ruined it), and though they are in different rooms, they're both constantly talking about what the movie almost was and trying to justify the changes made, respectively. Between them, they say the words "in earlier drafts" over 800,000 times (I counted). Lindelof almost gleefully describes all the problems that Aliens fans will have with the movie, and then explains that he did that on purpose, because he doesn't like to answer questions in his screenplay. Which sorta gives me the impression that Lindelof doesn't know how screenplays work and also that an Aliens fan once killed his dog or something.
Dark Horse Comics
I guess they do that.
When I really love or really hate a creative person, I imagine a personality for them in my head, based entirely on the stuff they make. And the personality I created for Lindelof isn't terribly flattering: Because of Lost, I assume he's really pretentious but not actually smart; because of Star Trek Into Darkness, I assume he doesn't know what story structure or characters are; and because of World War Z, I assume that he hates me, personally. Now I know that all these things are true, because of the Prometheus commentary. So I just have to ask: Why do you hate me, Damon Lindelof? What did I do? What did I do?