First, note that it's just 87 minutes long, making it the shortest horror film with a wide theatrical release in 2019. I know that a shorter run time does not automatically equal a better horror film, but it seemed like Crawl was one of the few spooky flicks this year that took advantage of the fact that sometimes horror works best when it's claustrophobic, tightly paced, and constantly moving. The large reptiles and gore didn't hurt either.

Don't get me wrong, it did decently at the box office. On a $13.5 million budget, it made $39 million domestically, so it was profitable. But I'm guessing hardly any of your friends or family saw it. It made about half as much as Annabelle Comes Home, and about a fifth as much as It Chapter 2. Still, it was directed by Alex Aja, who's been known to deliver a cult classic or two in his time (High Tension and Piranha 3D), and it was produced by Sam Raimi, who is the king of cult classics -- the Evil Dead series, Darkman, The Quick And The Dead, etc.

Honestly, it'll be really weird if Crawl isn't eventually regarded as one of the best non-Jaws creature features. I think that a decade from now, this one is destined for an abundance of "Remembering the Underrated Crawl On Its 10th Anniversary" pieces.

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And why should it turn out any other way? The Raid, which had amazing word of mouth and is the best action film of the decade that doesn't star Max Rockatansky, only made around $4 million. Ong-Bak did similar numbers. Tom-Yum-Goong was heavily edited by The Weinstein Company and even renamed to the more "My favorite martial arts film is Rush Hour 2" title The Protector, and it only garnered around $12 million, and it's STILL the most successful Thai film at the U.S. box office.

But I have a feeling that, just like these films, Triple Threat will be lauded in a few years, despite its relatively standard script. It's certainly got the right cast: Iko Uwais (The Raid), Tony Jaa (Ong-Bak), Tiger Chen (Man Of Tai Chi, friend and teacher of Keanu Reeves), Scott Adkins (Universal Soldier: Day Of Reckoning and Undisputed 2 and 3), and Michael Jai White (Black Dynamite, Blood And Bone). That's an all-star line up, turning Triple Threat into everything that the Expendables movies promised they'd be.

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Also, like Attack The Block, The Kid Who Would Be King is a film about kids and young people that doesn't talk down to anyone. Both films have actual action and are actually funny, and I really hope that one day it shows up on Netflix or something and millions of people realize that they were wrong to skip out on an extremely watchable movie just because it had the word "Merlin" in its plot description. Who knows, maybe the whole genre will make a comeback.

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On a budget of 8 million euros, it only made $2.1 million. But it's full of the kind of things that made films like Annihilation so cool, like the constant uneasiness between the characters, the flashes of intense, macabre gore (as it turns out, black holes and human organs don't mix), and a tone that always keeps you a little off balance.

But its greatest reason for rediscovery in the next few years is its star, Robert Pattinson, who in his pre-"I'm Batman" countdown has established himself as a darling of independent movies. High Life is right on up there with stuff like Good Times and The Lighthouse in firmly making it known that Pattinson is a hell of an actor. Sadly, it only got a release in 146 theaters, but you can totally watch it on Amazon Prime for free. So get to it before it appears on dozens of "Robert Pattinson films to watch before Batman" lists.

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Her Smell isn't as brain-numbingly depressing as, say, Sid And Nancy, but it is a great look at a band's short rise and sad fall. It also shows what happens when one person's loss of control can take down the people around her, and how desperately everyone tries to stay afloat. Elizabeth Moss plays Becky, a punk singer who can't seem to stop self-destructing, and because she's Elizabeth Moss and could make a role as an old shoe a tour-de-force, she's able to escape any cliches that might otherwise plague a plot that we've seen onscreen a lot recently.

Its widest release, though, was 69 theaters, and while that's very nice, it only earned around $260,000. So it was never really given a chance to swim through its oversaturated genre. However, it's also appeared on the AV Club's list of the top 100 films of the decade, and there's a petition by the director to get Moss a Best Actress Oscar nomination. So who knows? Maybe she'll win, everyone will watch this film, and it'll be too well-known and respected for "cult classic" status.

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Along with Eddie are Craig Robinson, Tituss Burgess, Da'Vine Joy Randolph, and WESLEY MOTHERFUCKING SNIPES. This is the first movie since Blade II that Snipes looks like he actually wants to be a part of, and an excited Snipes is a national treasure. But this hasn't received the marketing push of something like The Irishman, so I can only hope that if it didn't find its audience in 2019, people will discover it over the years and learn that hey, Eddie Murphy is actually pretty damn good at his job.

Daniel Dockery is a writer and editor for Cracked.com. His Twitter will be a cult classic in a few years.

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