Meanwhile, a quick look at the history of the IQ test would show that it was not widely available to Americans until Monroe was in her 20s, and even then, the test was for children. And poor Monroe, doomed to play a "dumb blonde" until her death, was also sensitive about the fact that she didn't finish high school. Add that to her marriage at 16, and you realize that even if she was a genius, she never really had a chance to prove it in an academic sense. That said, she definitely made some savvy business decisions, even starting her own production company to force studios to give her more creative control.

Scott Fortner, a curator of The Marilyn Monroe Collection, told Snopes that while she was "more into books than shoes" and had an extensive library, "There were no records present of her having been [IQ] tested." So she was probably smart, but we'll have to live with the fact that we can't easily quantify her smarts with a numerical score.

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Of course, you don't have to be a film student to find this claim to be really suspicious. For example, film in 1896 had such low resolution that there was a marked difference between it and terrifyingly hi-def real life. Also, it was in black and white, and real life is, for the most part, in color. So to believe a black-and-white train was coming at you would also require an earnest explanation as to how the laws of color and space change when you're in a theater.

Martin Loiperdinger, a film scholar at the University of Trier in Germany, wrote in Lumiere's Arrival Of The Train: Cinema's Founding Myth, "There is no evidence at all about any crowd panic in Paris or elsewhere during screenings ... neither police reports nor newspaper reporting ... The screen the film was shown on was small (around seven feet wide), and the picture quality was not only lacking color, but it was full of grain. The image flickered noticeably, and of course, there was no sound. In other words, there was no way anyone was confusing the film for reality."

According to Loiperdinger, there's no account of how audiences reacted. If we had to guess, they probably thought it was really cool at first, and then after that wore off, somebody was like, "So ... what if the train exploded?"

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If that sounds like bad science to you, you're right (otherwise you'd be hearing about a lot more accidental body-paint deaths every Halloween). But in 1964, Bond's ridiculous explanation of death by gold was so convincing that rumors started to circulate that the actual actress in the film died during production due to the same paint-induced asphyxiation as her character. Don't mind the fact that this would imply that director Guy Hamilton found it suitable to have mega star Sean Connery linger around A REAL DEAD BODY and then still keep that s**t in an international hit franchise film.

So let's get this out of the way: It's true that the skin is covered in many pores, which are openings through which oil and sweat secreted by glands can reach the surface. However, these openings aren't a pathway for oxygen. If that were true, we could all hold our breath for hours and not have an issue with, you know, dying. But apparently, there was a team of doctors standing by on set to make sure this little asphyxiation theory didn't prove true. They even left a little patch on her belly unpainted, just in case.

Thankfully, due to the existence of a rare organ known as the lungs, actress Shirley Eaton survived her role, and is still alive today at 81. She's also been interviewed several times about the movie, and even wrote an autobiography titled Golden Girl, though a much more appropriate name would be I'm Not Dead, You Crazy Idiots.

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You know, the way people are constantly dying from eating sandwiches in bed? Anyway, the physician didn't seem to be bothered by the fact that Elliot's sandwich was sitting on the table next to her, untouched, according to the police investigation. What, did it kill her via telepathy?

In reality, the coroner's report showed that she died of a heart attack due to a "fatty myocardial degeneration due to obesity." So her death ultimately was due to her weight, but somehow the world's comedians decided there wasn't quite enough of a fat joke in that.

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In 1985, the story he told Time was so big that it sounds like he was writing a full-blown treatment for a movie about his life. This time, he claimed that when he was 17, he snuck away from a Universal Pictures studio tour and convinced the head of the editorial department to watch his 8mm films. The editorial head obviously loved them, and so he snuck onto the lot every day that summer, hung out with nearly everyone who worked there, and then set up his office, even putting his name in the building directory.

Alright, so what's the truth? Spielberg did visit the lot when he was around 16, but he got there on tours arranged by his dad, who had a connection at the studio. And he did meet the head of editorial and he did show him some of his work. Then, a year later, Spielberg came back to essentially be an unpaid assistant. He did have to sneak his way onto the lot, but it was mostly to do clerical work. He also had an office ... which he shared with a middle-aged woman who worked as a purchasing agent.

And there's nothing wrong with that story! No wacky scam, just a journey that should sound familiar to millennials everywhere: toiling away at an unpaid internship and making it sound like a bigger deal than it was on your resume.

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