The guy's plan goes awry and he ends up being a bloodstain on the side of a cliff, but that's beside the point. The point is ... well, what is the point? The sacrifice doesn't add a dimension to his character, nor does it say anything poignant about him. Instead, it just makes him look like he's very bad at thinking through decisions. You're stranded on an island with a monster ape and ubiquitous leviathans, and your plan is to waste yourself and two precious grenades with your patented "Stand there and hope" maneuver?

Of course, they also did this with Superman at the end of Batman v Superman, in a Hail Mary effort to give us some reason to care. They did the same in I Am Legend, in which Will Smith sacrifices himself to maybe blow up some of the zombies, which is such a pointless act that the director's cut has Will Smith not do that.

And remember Chappie, that Black Mirror episode, but with more decapitations? At the end of that, Ninja -- played by Ninja of the rap group Die Antwoord -- tries to sacrifice himself in dramatic slow motion, as if the movie is under the impression that we liked his character. He just spent two hours cursing and emotionally abusing a childlike robot. Sacrifice away, idiot.

If they want us to care, they need to scroll backward a few dozen pages in the script and write the character as someone we'll either be sad to see go or happy to see redeemed. Oh, and the character needs to stay dead.

Regardless of the fact that she is never shown acquiring that level of skill, the problem is that this character is now superhuman and is in no way someone you can identify with.

Writers can't resist this, even when a lack of combat training is the entire point of a character. This happens in the recent Death Wish remake, in which Bruce Willis, a surgeon, suddenly becomes a mix of Jigsaw and Rambo, all because he lost his family ... and he's a surgeon? This movie had a lot of problems, but at the very least, it could've made sense. I can't claim to know what they teach you at medical school, but I sincerely doubt it involves target practice. I mean, not yet, anyway. But they couldn't think of any other way to have him beat the bad guys.

And look, I love Harry Potter's Neville Longbottom, but the whole point of him is that he's a clumsy, nerdy boob. He continues to be that for the first seven and a half movies, until his arc completes with him ... cutting a giant snake's head off in slow motion with a sword? Why? At no point in the series are we clamoring for Neville to be the guy who decapitates magic serpents. He's shown as having talents -- specifically, using magical plants -- but all of that goes out the window because in the end, being a hero only means being great with traditional fighting techniques.

I'm not saying that Neville should've been watering the shrubs while Voldemort was attacking, but maybe give us something more in line with his character. He can be cool without being Conan. Hell, Breaking Bad spent its whole run inventing ways for a sickly chemistry teacher to defeat drug lords who are stronger and more well-armed than he is. They didn't simply make him suddenly good at ninjutsu.

So I get it, prestige TV dramas. You get to put on your HBO/Showtime Big Boy Pants, and you naturally want to curse a lot because Mom and Dad aren't around to tell you no. But do so many characters absolutely need to do it like they're auditioning for a Rob Zombie film? For example, the sister character Debra is the heart and soul of Dexter, considering the show reminds you at all times that the titular character lacks a heart and soul. But there are ways to illustrate that she's deep and troubled other than peppering all of her dialogue with curses that make her sound as if she's just discovered Urban Dictionary. You know, like actually giving her an important role on the show? That's just my two cents.

It comes up in Game Of Thrones, which desperately wants to be Definitely Not Lord Of The Rings, and Boardwalk Empire, which desperately wanted to be Definitely Not The Godfather, or Deadwood, which desperately wanted to be Definitely Not Renewed For A Fourth Season. I love you, Deadwood. I live and breathe you, Deadwood. But holy s**t, it's hard to market a cowboy show, much less a cowboy show that constantly plays like a Greek tragedy and includes an errant dropping of "f**k" every six seconds.

Compare that (again) to a show like Breaking Bad, which was only allowed one or two F-words per season. When they come, they actually have impact. When Skyler reveals to Walter that she's sleeping with her boss, it's "I fucked Ted." Not "I've been messing around with Ted," or "I let Ted play on my slippery dulcimer, if ya' know what I mean." It's a gut punch. The fact that, realistically, she'd probably say it that way is just icing on the cake.

Some of you might say that these shows use gratuitous nudity in exactly the same way (that is, because they can), but at least beautiful naked people is a selling point. Who's out there saying, "Man, I'm not crazy about the plot of that show, but some of the cursing is amazing. It gave me a full erection."