The 20 Funniest Music Videos of All Time
At their core, music videos are meant to sell a song. Whether itâs by featuring attractive people, cool effects or a funny premise, they get you to match visuals to music in your head, not unlike an ad on television. MTVâs cultural dominance has long since passed, but artists keep putting out clips for their songs, often spending lavish amounts to get your attention. But sometimes, you donât need all that flash â sometimes, a little comedy is all thatâs required.Â
Click right here to get the best of Cracked sent to your inbox.
Putting together a list of the 20 all-time funniest music videos was an interesting challenge because it required me to pin down what is (and isnât) funny in a music video. For instance, groundbreaking artists like Peter Gabriel and Missy Elliott have come up with incredibly inventive clips, but I wouldnât say those videos are especially hilarious â theyâre just immensely clever. Likewise, some bands concoct super-jokey videos â think Weezer â but I donât find them all that funny. (The shtick is just too much to bear.) Like everything involving humor, what you consider a funny music video is very subjective. But all of my Top 20 make me laugh, and Iâm betting they make you laugh, too.
I only had one ground rule: I included just one video per artist â otherwise, certain acts (you know who) would be all over these rankings. But I didnât limit my list to only one video per director. Spike Jonze has done so many amusing clips that I didnât want to shortchange him â or, frankly, us.Â
Twisted Sister, âWeâre Not Gonna Take Itâ
In the 1980s, there were a number of rock videos in which uptight authorities/teachers/parents were depicted as the bad guys. The funniest of the bunch was this Twisted Sister clip in which a no-fun dad is squaring off with the band. The best part? The dad is played by Mark Metcalf, who depending on your age you best know as Douglas C. Neidermeyer from Animal House or as the Maestro in Seinfeld. The poor guy sure takes a beating!
Van Halen, âHot for Teacherâ
The hard rock explosion of the Reagan era was filled with misogyny. However, certain bands knew how to have a sense of humor about the whole thing, making the leering playful instead of creepy. Take Van Halenâs utterly sophomoric, pretty wonderful clip for âHot for Teacher,â a very profound song about being young and thinking your teacher is attractive. The jokes are so stupid, and the laughs are so plentiful.Â
Blink-182, âWhatâs My Age Again?â
âWe are exactly the same as kids hanging out in high school or junior high, making fart jokes and talking about girls,â Mark Hoppus said of his band as they were blasting into the mainstream. Combining the newfound popularity of punk with the smart-ass irreverence of early Beastie Boys, Blink-182 wrote lovably snotty tunes about being young and dumb. âWhatâs My Age Again?â took that ethos to the max, the video depicting the three members running through Los Angeles naked, to the shock of everyone around them. No, they werenât really nude, but you wouldnât have put it past these pranksters.
Run-DMC, âItâs Trickyâ
You gotta keep your eyes on those Penn & Teller guys.Â
Pavement, âCut Your Hairâ
After their acclaimed debut, Slanted and Enchanted, Pavement seemed primed to be the next big thing in indie-rock. Their follow-up albumâs first single, âCut Your Hair,â was big and catchy, but the group never entirely embraced the mainstream, which was clear from the video, an intentionally low-key goof that shrugged off the idea that Pavement were going to go multi-platinum. That sarcastic attitude made the deadpan clip so iconic: By showing the band members waiting in line to get their hair cuts, with oddball results, Pavement were flipping the middle finger and having a laugh. They never sold out and remained permanently cool.
Eminem, âWithout Meâ
âIâm not the first king of controversy,â Eminem reminded the world on the first single off The Eminem Show, which doubled down on the shit-talking and button-pushing that made him a sensation on The Marshall Mathers LP. Em loved playing the court jester in his videos, but âWithout Meâ was his finest joke, casting himself as Robin to Dreâs Batman when he wasnât goofing on daytime talk shows and The Real World. He lost a lot of his sense of humor as age and drug addiction took hold, but here heâs at his most impish.Â
DJ Snake and Lil Jon, âTurn Down for Whatâ
Before they won Oscars for their second feature, Everything Everywhere All at Once, directors Daniel Kwan and Daniel Scheinert, aka Daniels, helmed this video, which showed off their gonzo visual style and cheeky sense of humor. TV-humping, gyrating breasts, uncontrollable boners, manic twerking, mass hysteria: After âTurn Down for What,â Everything Everywhereâs dildo fight scenes hardly seemed that shocking.
BjoÌrk, âItâs Oh So Quietâ
Irrepressible Icelandic artist BjoÌrk decided to cover a forgotten 1950s tune for her second solo album, Post, hiring director Spike Jonze to craft an amusingly homemade homage to Hollywood musicals that emphasized unsophisticated choreography and lots of spirit. The pure joy of âItâs Oh So Quietâ easily compensated for the lack of polish, paving the way for BjoÌrkâs big-screen acting debut Dancer in the Dark, a dark drama about an ordinary woman who fantasizes about escaping her miserable life and becoming the heroine of a romantic musical.
Foo Fighters, âBig Meâ
Most would go with âLearn to Flyâ as the funniest Foo Fighters video, but I prefer this track from their self-titled debut, which may not be as clever to those who didnât come of age in the 1990s, when we were assaulted by dopey, super-peppy commercials for Mentos. Dave Grohl took the concept for those ads and made them even more ridiculous, presenting us with silly scenarios as the band members help out regular folks while sporting the goofiest grins on the planet. Itâs a short, nerdy blast of ironic 1990s humor.Â
Skee-Lo, âI Wishâ
As hip hop emerged as the dominant musical style at the end of the last century, the braggadocio in the lyrics crossed over into the harder-than-hard videos. Thatâs why Skee-Loâs self-deprecating lament for his lack of swag was a refreshing change of pace â he played the ordinary guy who wished he was taller, better at hoops and able to land the prettiest girl in town. The charming âI Wishâ made him deeply relatable, and so did this funny video, which was the un-gangster clip of its era, with Skee-Lo being a Charlie Chaplin/Buster Keaton/Forrest Gump-esque comic figure.Â
Psy, âGangnam Styleâ
In the 2010s, few novelty songs were as big as this South Korean import. Most Americans couldnât understand the lyrics to âGangnam Style,â but they loved the increasingly wacky things Psy did in the video, including a sequence where heâs hanging out in a horse stable. âWhen we made this choreography, we called it âhorse dance,ââ Psy explained later. âI told (the director), âHey, this is horse dance, so letâs find some horse place.â In that way, it can be more cheesy. It can be more ridiculous.â Mission accomplished.
Supergrass, âPumping on Your Stereoâ
Before he directed films like The Hitchhikerâs Guide to the Galaxy and the Sing series, Garth Jennings was part of a music-video directing collective known as Hammer & Tongs. âMost of the time it was always a good time,â he recalled in 2021. âWe were doing these mad ideas. Somebody let us do them and we were doing it with all our friends on the crew. It doesnât get better than that.â His favorite was this inventive, zany clip in which the members of Supergrass perform their song âPumping on Your Stereo,â except they have puppet bodies. Being in a rock ânâ roll band has rarely looked so fun.Â
Electric Six, âGay Barâ
This Detroit rock group enjoy making madcap videos, and their peak was âGay Bar,â which imagined a bunch of sexy Abraham Lincolns hanging out at the White House. It also helps that the track itself is so catchy and silly: As frontman Tyler Spencer, aka Dick Valentine, informed his bandmate M, âI think that I have just written the stupidest song that I have ever written in my life.â
OK Go, âHere It Goes Againâ
Sometimes, a video can be so clever that, over time, you get tired of its gimmick â especially when the band tries to repeat it later. Most folks soon grew sick of seeing âHere It Goes Again,â in which the members of OK Go did a choreographed dance on a bunch of treadmills â seriously, this video was inescapable in 2006 â but now that we have enough distance from the clip, itâs easier to appreciate the bandâs one-take, low-budget ingenuity. OK Go never matched this videoâs simple brilliance, but theyâll always be remembered because of it.Â
Fatboy Slim (featuring Bootsy Collins), âWeapon of Choiceâ
In one of the most iconic videos ever made, director Spike Jonze simply filmed eccentric character actor Christopher Walken as he shows off his considerable dance moves in an empty hotel. Fatboy Slimâs song featured funk master Bootsy Collins, but everybody now associates this hit with Walken, who demonstrated that, sometimes, the best special effect is a human being just doing cool things. (Itâs one of the reasons why I donât love the videoâs flying finale, but thatâs a debate for another time.)
âWeird Alâ Yankovic, âAmish Paradiseâ
It wasnât a question whether Weird Al was going to make this list â it was, which video do you include? âSmells Like Nirvanaâ is an inspired redo of the iconic âSmells Like Teen Spiritâ clip. âEat Itâ and âFatâ are beloved favorites. But Iâm going with this Coolio parody, in part because itâs hilarious that Yankovic tapped Florence Henderson to play the Michelle Pfeiffer character from the original âGangsterâs Paradiseâ â which, of course, was taken from the film Dangerous Minds. âI wasnât sure what to expect, but Al was incredibly professional and prepared,â Henderson later told Billboard. â(He) was nothing like the insane persona.â
Nirvana, âIn Bloomâ
Many love Weezerâs retro video âBuddy Hollyâ but, sorry, this Nirvana clip covered that terrain first. Getting tired of being hailed as the voice of a generation, frontman Kurt Cobain decided to take the piss out of people, dressing up his band as straight-laced, good-time early-1960s rockers in a send-up of the cheery Ed Sullivan-style variety shows of the time. You can practically see Cobain rolling his eyes throughout the video, setting the stage for the trio eventually laying waste to their instruments â not to mention the very notion of sanitized mainstream pop music that Nirvana railed against.Â
Paul Simon, âYou Can Call Me Alâ
Throughout his career, Paul Simon has written many melancholy, introspective songs, but he can deliver a peppy number when the spirit moves him. A perfect example was this Graceland track â which, ironically is actually about a guy dealing with a midlife crisis â and Simon leaned into the humor by wrangling his Saturday Night Live pal Chevy Chase to be in the video with him. Itâs a simple, funny concept: We assume Simon is going to lip-synch his own lyrics but, nope, Chase takes the lead, leaving the singer-songwriter to feel like the sidekick in his own music video. Who knew Chase could be this appealing?
The Lonely Island (featuring Justin Timberlake), âDick in a Boxâ
Andy Samberg, Akiva Schaffer and Jorma Taccone essentially made music videos on Saturday Night Live as the Lonely Island, and although âDick in a Boxâ wasnât the first of them, it remains the most memorable. No matter how deeply lame Justin Timberlake has proven to be since, heâs spot-on alongside Samberg as the worst New Jack Swing duo ever, courting their beautiful ladies by offering the oddest Christmas present imaginable. God bless that amazing facial hair and those tacky-ass outfits.Â
Beastie Boys, âSabotageâ
âWeâd done videos where the production people came up with these elaborate budgets, and it started to feel really awkward on the set,â the late Adam Yauch, aka MCA, recalled of the inspiration behind his bandâs greatest video. âSo we asked Spike to work with just a couple of people, so we could fit the whole production in one van. Then we just ran around L.A. without any permits and made everything up as we went along.â
Director Spike Jonzeâs work on âSabotageâ was the apex of just-having-some-fun music video making. The Beastie Boys channeled their love of junky 1970s pop culture, transforming themselves into the baddest throwback policemen you could imagine, while Jonze nailed every cheesy cop-show trope imaginable, including the obligatory break for donuts. It didnât hurt that the song was an absolute scorcher, a perfect soundtrack to a tongue-in-cheek action extravaganza. Few videos are as hilarious and cool at the same time.