Watch any movie where a character's company duties are in conflict with something else (family, finding love, being a good person) and you'll almost always find their source of stress is a "big presentation" or an "important account." Maybe they need to develop a campaign for Nike (What Women Want) or make a big presentation on a merger plan (RV) or land an important client (Dinner for Schmucks).
Sometimes we get so hung up on Mel Gibson's anti-Semitism that we forget about his misogyny.
The reason Jim Carrey's character in Liar, Liar fails to spend enough time with his kid is because he's always got an important case to get to, and a important client to coddle. Sarah Jessica Parker's greatest challenge to finding time for family in I Don't Know How She Does It is having to dash about pitching an important deal about retirement funds.
She is standing in front of five computer screens because she is five times busier than you slackers.
But seriously, how many of you out there have a job that constantly revolves around big presentations and landing important accounts? Don't most of us have jobs where we have to process X number of records a day, or fix cars, or process claims, or ring up customers, or answer calls? Jobs where we don't have one really big thing to do, but just a set of duties we carry out every day.
Hollywood can't imagine those kinds of jobs being stressful enough to cause a dramatic career-family crisis, but they easily can be. Is the job tearing the main character away from his family? Maybe his company just laid off a bunch of claims adjusters, and as one of the few remaining, he has to work double the hours. If he's an accountant, maybe it's tax season. The average overworked person who needs to rethink her priorities isn't someone who's moving from exciting presentation to exciting presentation, she's just a person who's got too few hours.
All this lady has to do is go through all her case files and the files of her coworker who just got laid off. Why would she be stressed?
Even if they need a plot point where the character has to get something done by a specific date, we all have those. They're called deadlines. The end of a project or a quarter, or just some arbitrary deadline your boss sets, which works great for a plot where the workplace is supposed to be oppressive and unfair.
So why is it that Hollywood thinks clients and presentations are what the face of overworking looks like? Well, because that's what it's like in Hollywood. Work there is always about a big project (a film), or a big presentation (a pitch), or a big client (for agents). That's what being busy and stressed out looks like to them.
Their experiences pitching projects to studios gets translated into an advertising executive character trying to sell a campaign or slogan to clients. After all those sleepless hours they've spent getting a movie ready to put on the silver screen, they'll naturally invent a character frantically putting together a flashy Powerpoint to project in the boardroom.
They've managed to translate their experiences into the settings most people work in without translating them into the way most people actually work.
Almost every movie about corporate shenanigans has got a board of fat old white men in business suits who apparently meet every day to discuss what the company should do. This is supposed to be the board of directors.
Richie Rich's board of fat old white men.
While real life boards of directors have a lot of power -- they can hire and fire the CEO -- they're more like high level advisers who make decisions on really big, long-term things, like whether to sell the company, not managers who make decisions on how many nuts the company should add to its candy bars (Richie Rich) or who approve each individual researcher's project (Rise of the Planet of the Apes).
They meet about six times a year, some more, some less, but certainly not every day, as movies like Meet Joe Black seem to imply.
Meet Joe Black's directors seem to commute to the company every day, just like the peons beneath them.
In fact, there's such a low level of actual commitment required to sit on a board of directors that people commonly sit on multiple boards at the same time, which requires a pretty large metaphorical ass. One of the largest symbolic asses in the United States belongs to Susan Bayh, wife of Senator Evan Bayh, who in 2007 sat on no less than eight different companies' boards at the same time.
Multiple board-sitting leads to an interesting phenomenon called "corporate interlocks," a sort of degrees-of-separation thing where tons of companies are connected to other companies because either one person is sitting on both of their boards, or two directors from each of the two companies sit together on the board of a third company.
Background image from Wikipedia.
Unfortunately Kevin Bacon is not on any of the boards, so we can't play that game.
As you can imagine, directors are picked pretty often for name recognition or connections (we'll let you figure out what kind of connections they're picking the senator's wife for) and aren't expected to do anything meaningful as far as decision-making.
They're not people who actually manage the nitty-gritty tasks of a company so much as celebrities dropping in on the African orphanage they founded a couple of times a year. If they were to say they've decided all the children need to wear fruit hats, someone would promptly put in an order for fruit hats and take care of it, but they wouldn't grill the celebrity on each article of clothing each child should be wearing, or their meal schedule, or ask them to break up a fight.
There's no shortage of movies showing contempt for ordinary 9-to-5 office jobs -- Wanted, Office Space, American Beauty, The Incredibles, The Matrix. The characters always discover that the only way to find happiness is to break out of that job and pursue the special thing they were meant to do (save the world, become an assassin, leer at teenage daughter's friend).
Neo isn't just escaping the agents that want to kill him but also those drab, orderly clipboards.
Which should come as no surprise. These films are being written by Hollywood screenwriters and made by Hollywood directors, many of whom probably would wither away and die if trapped in a 9-to-5 job and did find happiness and success by turning their backs on that. And there are plenty of other people out there who are genuinely unhappy in a cubicle and would be well-served by going to culinary school or starting a farm or pursuing their dream of being a dog groomer to the stars.
But don't quit your job to be a superior douche or whatever the hell Kevin Spacey was doing in American Beauty.
But a lot of these films imply that this is true for everyone in such a job. That these jobs are by their very nature a prison, and anyone who is in one must be having their soul drained daily and deserves pity. Even if the filmmakers don't mean to say that, that's what people are taking away. It's very likely you've met someone who said they "never want to work in an office," possibly citing Office Space as their impression of what it's like. For a lot of teenagers in particular, who understandably have no office experience, movies and TV are their only source of what office life is really like, and those media tell them that it's a depersonalized hell where they're just a number who fills out forms every day.
Or TPS reports or whatever.
Never mind that the animators at Pixar and DreamWorks work out of cubicles. Those people, as well as the programmers at tech start-ups, might zip around on Razor scooters, but they park those scooters in their cubicles and use them to zip to the shared copy machine.
And even if you're not at a particularly hip or high-tech company, you can still be happy with your "office drone" job. A 2007 job satisfaction survey showed that people in such cubicle-farm professions as "office supervisors" and "security and financial services salespeople" were among the top 12 most satisfied out of 198 professions.
Just because she looks boring doesn't mean she's not happy.
Half of all accountants, the poster children for boring 9-to-5 professions, reported that they were "very satisfied" with their jobs. On an interesting (depressing?) side note, looking at the "general happiness" rankings, it looks like "amusement and recreation attendants" apparently all wish they were dead.
Another survey of university faculty members showed that people working in your boring, conformist subjects like science, humanities and business were near the top of the job satisfaction list, while those in "visual and performing arts" -- your quirky individuals following their dreams -- were tied for last.
Or they might have been hipster art students responding that way so that the results would be ironic.
Now, we're not saying that everyone ought to be happy punching a clock in a cubicle farm, just that plenty of people out there are pretty happy doing it. Maybe we need movies that celebrate people leaving a suffocating job to find their true destiny without shitting on all the people who are quite happy in their jobs. Maybe they're not mindless drones who are too timid and conservative to pursue greatness. Maybe the job is just an easy paycheck to them, and they really find their meaning in life from their family or from working on a life-size replica of R2-D2 when they get home.
For movie examples, special thanks to posters Bakudai, werrior, Gishface, FuriousAngel, EFHRK, BanditThunder, 8_foot_dwarf, SakiPuppet, Optimist With Doubts, easilyconfused, BebopZaibatsu, jamiec, Phonz, guano77, Remington and LeCompte of the Cracked forums.
For more issues Hollywood can get right, check out 5 Ridiculous Gun Myths Everyone Believes (Thanks to Movies). And see why every trailer is the same in A Trailer for Every Academy Award Winning Movie Ever.
And stop by LinkSTORM because it's good to treat yourself during the holidays.
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