Remember that time we told you about the most random celebrity duos who started out together, like George Romero and Mister Rogers or Jon Stewart and Anthony Weiner? Imagine, if you will, the same thing, only with fictional characters.
6Tarantino Movies Are a Vast Interlocking Parallel Reality
Every self-respecting Tarantino fan knows about the link between Pulp Fiction and Reservoir Dogs ... but it turns out that the connections between his movies go much, much deeper than that.
Tarantino's foot fetish is actually a deconstruction of the human condition of having feet.
In Pulp Fiction, John Travolta plays a guy called Vincent Vega. In Reservoir Dogs, most of the characters are known only by their code names -- except Mr. Blonde (Michael Madsen), who happens to be called Vic Vega. Coincidence? Nope, Tarantino has confirmed that they are brothers, and at one point he even considered doing a prequel about the two before they died in their respective movies (though he says it's unlikely now because of the actors' ages).
The amount of CGI needed would bankrupt many studios.
That's just the tip of the iceberg, though. As you might recall, Tarantino's movie Inglourious Basterds ends with the slightly unrealistic scene where Hitler is gunned to shit by a group of Nazi-hunting American Jews in 1944, rather than killing himself in his bunker the following year. If you ever wondered what the world would be like if World War II had really ended that way -- well, it turns out Tarantino has been showing us that reality for the past 20 years.
You see, in Inglourious Basterds, Eli Roth plays a character called Donny "The Bear Jew" Donowitz.
And in True Romance (written by Tarantino), there's a film producer called Lee Donowitz, who has been confirmed to be Donny's son. One of the main characters in True Romance is a woman called Alabama -- the same Alabama Mr. White mentions as a former partner in Reservoir Dogs. Since we've already linked Reservoir Dogs to Pulp Fiction, this means that almost every movie Tarantino has done is set in the Inglourious Basterds timeline. We could go even further and link all the rest through Tarantino's fake brands, like those Red Apple cigarettes that appear in a lot of his movies (including Kill Bill).
One kills hundreds of people over the course of the films; the other is Uma Thurman.
It makes a sort of sense when you think about it -- the world would be a very different place if Inglourious Basterds was historically accurate and everyone knew that the Nazis were defeated not through strategy and air power, but by sending a handful of pissed-off guys to do this:
"That'll teach him to Hitler."
If that's what you're taught in school, it's only natural that people should become desensitized to violence -- for some, shooting someone in the face would be something you could do as you're, say, making small talk about what type of hamburgers they have in Amsterdam.
"It's 'Le shooting someone in the face' over there. See, little differences."
Also, the fact that the Nazi high command was gunned down and/or burned alive during a hijacked film premiere would perhaps cause society to lend more importance to pop culture: It's no coincidence that the son of the man who killed Hitler in a movie theater went on to become an important film industry figure. If people constantly stop to talk about comic book characters or '70s rock music trivia during incongruous moments, that's because in this reality that's some important, history-changing shit.
In this universe, talking about "Like a Virgin" is the equivalent of saying grace.
5The Wire and The X-Files Exist in the Same Universe
It's hard to believe that while a gritty drug war rages in Baltimore, Md. (as seen in The Wire), the government is devoting considerable resources to planning a secret alien invasion (as seen in The X-Files). And yet, if you look at the cold, hard facts, that's exactly what's going on in those shows.
It all comes down to this dude:
"I would describe my style as bland. With a dash of nondescript."
Detective John Munch is best known as a character in the interminable Law & Order franchise, but he first appeared on a different cop show called Homicide: Life on the Street. Homicide was based on a book by David Simon and inspired by many of the same people and events Simon would later use as the basis for HBO's The Wire. In the last season of The Wire, Simon confirmed the connection between the shows by having Detective Munch make a short appearance.
But that's not all: Before Homicide was canceled, the show crossed over with The X-Files in an episode where the Lone Gunmen, the conspiracy theorists who occasionally assist Mulder and Scully, uncover a government plot to test an experimental nerve gas in Baltimore. The Gunmen try to warn the authorities, but Detective Munch doesn't buy any of that conspiracy crap and locks them up. This isn't some inconsequential little cameo, by the way -- the whole episode is framed by Munch interrogating the Lone Gunmen.
"No, seriously, there's a whole FBI division devoted to-" "Get the fuck out."
The implications are vast: What other toxic agents has the government been secretly testing in Baltimore, a city that The Wire paints as crippled by drug use? Could this explain why they let Sgt. Colvin get away with his "Hamsterdam" experiment for so long in Season 3? The massive coverup at the end of Season 5 had to be a piece of cake to a government that is already hiding the existence of everything from aliens to "Super Soldiers." Also, this would explain why the characters in The Wire always have such a hard time getting the Feds to cooperate with their drug investigations -- they have much, much bigger fish to fry. Like, galaxy big.
"Then they mentioned something about an alien invasion and having to clear up nine years of plot holes."
We could take this even further if we took into consideration the fact that Homicide: Life on the Street can also be linked to St. Elsewhere, of all things, through two characters who appeared on both shows. St. Elsewhere famously ended when the whole show was revealed to take place in the imagination of an autistic child -- and, by extension, so would The X-Files and The Wire.
And The Simpsons.
In fact, according to Dwayne McDuffie's Grand Unification Theory, "The last five minutes of St. Elsewhere is the only television show, ever. Everything else is a daydream."
The answer to "I wonder what he sees in there?" was apparently "A lot of CSI spinoffs."