Good horror is all about atmosphere, which is why setting is so important.
Here are some of the most ill-conceived of many, many ill-conceived ideas from not smart studio execs.
These rules serve one purpose: to prevent you from ruining someone else's fun and enjoyment of something they love just as much as you do.
Up until the moment of receiving one, the only knowledge of fake IDs that I had came from movies that have proven time and time again to be not true at all.
Sometimes TV crossovers and spinoffs not only suck, they do it so hard they retroactively ruin the original.
Creative types can be petty, and they tend to not be shy about taking their grievances public.
As superhero movies get more and more faithful to the source material, masks are starting to get neglected.
This particular theory pertains to two things that are very near and dear to me: Horror movies, and your genitalia.
Reboots. When they work they combine old fans with new viewers. When they don't they combine horror movies with asshole genies, bringing back exactly what you asked for but it's changed and awful inside.
These are the monsters you can actually get behind. They're go-getters.
To learn more about this underappreciated craft, we talked to industry veteran Dino DiMuro, who has over 200 film and TV credits to his name.
There's hope for Hollywood, but only if you throw all your money at these films.
In real life, few people are determined enough to actually draft insane, Tarantino-style revenge schemes and unleash them on the world. Namely, these few people.
What do these films get so right about the genre, when so many others fail? The answer is stupidly clear and conveniently listable!