Consider Prisoner of Azkaban, where in order to save a friend he casually advises Hermione to use a "Time Turner" device, which lets you effortlessly go back in time and change any thing you want.

Wait, what? Why didn't he go back in time and deal with it? Or better yet prevent all those things from happening with his wizard powers? Why not go back and prevent the birth of the wizard Antichrist, Voldemort? And in the 6th book, he actually dies. The man can travel through time, but he couldn't prevent his own freaking death?

Unfortunately, most of the time He-Man escapes from Skeletor's snares by either tricking him or overpowering him. Often the two would wind up dueling with their Power Swords, and He-Man would usually win by cutting a rope that would cause a chandelier to land on Skeletor, binding his arms as he hopped up and down, cursing He-Man and vowing revenge.

Why Skeletor during these encounters would not rely on his eyeball lasers or finger lightning is not known. Skeletor also demonstrated, on several occasions, an ability to teleport himself as well as other people across great distances.

The fact that He-Man does not find himself whisked away to Bismarck, North Dakota every time he engages Skeletor is a question for the ages, or at the very least the screenwriters.

Instead, Profion spends the entire movie laughing at something he just said and looking out from his tower of doom at the destruction he has wrought while, again, cackling wildly at what a hoot the whole thing is to him. He also refuses to do any actual work and sends his lackey, Damodar, to chase the good guys, as if standing around and chewing all the scenery is a full-time job.

In this 1981 cult classic, Ulrich of Craggenmoor is the only wizard left in the world, or at least the world known as the Kingdom of Urland in which the film takes place. He is almost immediately killed while showing off for a knight named Tyrian.

The case against him:
You might think it's a little unfair to pick on a wizard who dies right at the beginning of his film, and we'd have to agree with you in most cases except this one. When Ulrich dies, no one remains to defeat the evil dragon, Valerian, except Ulrich's doofy apprentice, Galen Bradwarden. The entire movie passes by before you find out Ulrich died on purpose so Galen could bring him back to life at the end, thus saving Ulrich from an entire movie's worth of walking around.

That's right--he'd rather die than exert himself a little. Here we're not even discussing wizarding powers-Ulrich is simply an extremely lazy human being. As a wizard, you'd think there would be an easier means other than causing one's own death to span distances or time. Cryogenic freezing would be one. Carbonite would be another. As would turning one's self into some kind of winged creature and gliding to wherever it is you're going.

Any decent wizard should have any number of these options at his fingertips, and by all accounts Ulrich was a more-than-decent wizard. Then again, if part of Ulrich's decision to die was to get out of having to hang out with that dumbass Galen for the entire movie, we have an entirely new respect for him.

Gandalf is a wizened old wizard beloved by Hobbits and various other things in part due to his curmudgeonly nature and propensity for smoking weed while lighting off trippy fireworks. In the films, he has a working knowledge of Middle Earth geography, has a number of decent contacts amongst the ruling parties of the land and is there with his glowing staff whenever anyone needs a flashlight.

The case against him:
In the books, Gandalf is a being of extraordinary magical prowess. Immortality, for starters. He also happens to be able to disappear at will, is apparently impervious to injury, can conjure and control fire, has limitless knowledge of spells, potions, and sorcery, and is all but unequaled in the wizard world.

In the films, though, we primarily see his ability to speak ominously when any Hobbit gives him any lip, and for being able to produce light from the end of his decorative stick. Without warning, he'll flash real ability, such as when he went toe-to-toe with the massive fiery Balrog (complete with a cool-ass invincibility bubble that would have come in handy on about 200 other occasions).

That he chooses to use those skills so rarely with all of Middle Earth at stake must have been incredibly frustrating for the people who had to work with him. If he can defeat a Balrog, why does he spend 12 hours sitting around trying to figure out the password to the Gates of Moria? Why not just blow them up with a silent rock-exploding spell? Why is a super-powered wizard with unlimited magical ability doing fighting orcs hand-to-hand?

This is like melting ants with a magnifying glass when you have access to an M1 Abrams tank. The same guy who can make magical force fields that will block a giant demon sword in the first film, goes charging into battle in the third by smacking people with his staff.

Gandalf's laziness as a wizard is cemented by his perpetual spankings at the hand of Saruman, who one-ups Gandalf time and again.

Gandalf shoves Saruman with his stick, Saruman then makes Gandalf spin wildly on his head and then levitates thousands of feet to the top of Isengard Tower. Gandalf speaks to butterflies, Saruman creates a new race of super-monsters. Gandalf makes fireworks, Saruman creates an avalanche from hundreds of miles away.

It kind of makes it hard to root for Gandalf to be top wizard in Middle Earth. Saruman sort of earned it.

If you'd like to read us bitch and moan about other movie conventions that probably didn't bother you until now, check out our rundown of The 6 Movie Formulas That Must be Stopped. Then, read about one movie in particular that's pissing Wayne Gladstone off (It should be noted at this point that Wayne gets pissed off about celebrity nanny hiring criteria and Spice Girls reunion tours, so he might just be an angry man)