JM McNab
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While sometimes they get torpedoed by Tom Cruise's galling lack of self-awareness -- looking at you, The Mummy -- major movie franchises continue to be the carrot that Hollywood will never stop chasing. In fact, some world-famous properties have spawned sequels you might not even have heard of, probably because they're wacky as all hell. Such as ...
Believe it or not, beloved '90s TV show Mighty Morphin Power Rangers didn't begin as some writer's sincere attempt to teach the children of America about martial arts and unnecessarily racist spandex jumpsuits. No, as we now know, the show was merely thrown together in order to recycle action scenes from Japan's Super Sentai series.
The Super Sentai franchise still continues in Japan, and may have peaked this past spring. Mother's Day 2018 saw the release of the special Hero Mama League, in which a team of past female Super Sentai cast members reunite -- but, and this is crucial, they are also all moms now. Think of it like The Expendables if you replace steroids and male pattern baldness with the miracle of ushering life into the world.
Toei
Toei"It's responsible parentin' time!"
Judging from the trailer, Earth is once again imperiled by an alien evil seemingly cobbled together from a scrapped Oldsmobile.
Toei
ToeiAww, even Alpha 5's mom showed up.
Of course, the team comes together to kick ass, apparently with the help of a sword-wielding baby.
ToeiOr maybe this is a perspective trick, and that's a giant robot shaped like a baby.
Also, judging from this shot of a soiled shirt, it looks like one of them either battled a projectile-vomiting Leprechaun or tanked on a Nickelodeon game show.
ToeiNever mix your whites with your magical colored suits.
Sadly, Hero Mama League was only made as a kind of prologue for a whole other movie, featuring a bunch of dudes who, barring some kind of Schwarzenegger-esque scientific discovery, will never be able to bear children.
We all love Buffy The Vampire Slayer, Joss Whedon's TV series about a high school girl defending the world from the forces of evil while dating a straight up 200-year-old adult ... OK, maybe not all of Buffy would fly today. A few years after the show's finale, Whedon announced that Buffy would be canonically continuing in a comic book series, officially branded as a new "season" of the show. Yes, for once, Whedon was bringing beloved characters back to life.
While a lot of us expected something tonally similar to the original, after putting up with years of unconvincing snake monsters and vampires who looked like Willem Dafoe melting, the writers seemingly wanted to break free of the budget constraints of weekly TV. And things got really friggin' weird. In the first issue, Buffy's sister Dawn is literally a giant.
Dark Horse ComicsIt's not unusual for actors to gain weight when they've been off the air for a while.
And she later gets turned into a Centaur. Even worse, she then sleeps with Xander.
Dark Horse ComicsAfter getting her human genitalia back, we should clarify.
Stranger still, fan favorite Spike befriends an alien race of insect creatures and lives on a goddamn bug-shaped spaceship, like a cross between Firefly and, well, an actual firefly.
Dark Horse Comics
Dark Horse ComicsSorry, "an alien race of steampunk insect creatures." There, that makes more sense.
Oh, and after hanging out with Spike, the bugs now refer to humans as "wankers." Had this made it to TV, it would have made the "evil beer that magically turns you into a caveman" episode look like your average Modern Family plotline.
Eventually, Buffy learns how to fly. Like, full-on Superman flying. Which, again, would never have happened on a show whose effects budget mostly went to false teeth.
Dark Horse ComicsCORRECTION: We said in the first paragraph that "not all of Buffy would fly today." This was inaccurate.
This, of course, paves the way for Buffy and Angel to have intense superpowered sex, which eventually climaxes with their naked bodies destroying an entire mountain.
Dark Horse Comics
It's as if the artist was FedExed some teen metal band lyrics by mistake.
Those who grew up in the '90s likely remember Anaconda, the monster movie starring Ice Cube, J. Lo, and J. Vo (Jon Voight). They venture down the Amazon on a rickety boat seemingly purchased from Francis Ford Coppola's garage sale, and end up battling snakes seemingly stolen from a Rainforest Cafe. It's not great, but if you want to see a giant rubber snake eat and vomit up Angelina Jolie's dad, who then winks like he's in a Mentos commercial, well, this is your only option.
Surprisingly, seven years later, someone thought it was about time to reenter the Anaconda-verse and made Anacondas: The Hunt For The Blood Orchid, starring ... well, seemingly the stand-ins from the first movie.
Sony Pictures Home EntertainmentLuke Wilson lobbied to take over Owen Wilson's role, but they turned him down.
This time, the gang are in search of a mythical flower called the Blood Orchid, which a drug company realized is the key to immortality, or as they put it, the "pharmaceutical equivalent to the fountain of youth." They also mention it could be "bigger than Viagra" -- so it's appropriate that they also blame the orchid for the titular monster's prodigious size. The third movie, subtitled Offspring, finds a pregnant snake escaping from a research lab, and the only one who can stop it (that the producers could afford) is ... David Hasselhoff.
Sony Pictures Home EntertainmentWho thought he was shooting a Viagra ad.
Offspring and the fourth movie, Trail Of Blood, both double down on the crucial magic flower concept, centering on a billionaire trying to use the Blood Orchid's powers to cure his cancer -- and he's the villain. The hero of the fifth movie wants to destroy all the orchids, thus preventing more freakishly large snakes. Yeah, to hell with the diseases that plague humanity, those giant snakes are a way more pressing problem.
Instead of another sequel delving into the botanical mythology of a universe that began with an Ice Cube movie, the final installment in the franchise went the Freddy vs. Jason route, pitting the giant anaconda against the giant crocodile from 1999's Lake Placid.
Throw Kevin McCallister into the mix for the sequel, and that will be the ultimate '90s match-up.
Before CGI allowed Hollywood to put whatever they wanted on screen, sometimes they threw together something with a dog and a cantankerous dad who doesn't like said dog. Such was the case with Beethoven, a relatively simple story of a mischievous St. Bernard with no respect for the sanctity of duvets.
With the exception of the nightmarish ending, Beethoven is standard family fare. However, since the movie was a hit and St. Bernards are cheaper than Culkins, they kept cranking out Beethoven movies while slowly replacing the human actors ... which no one noticed, because Beethoven kept wearing hats and sticking his head in toilet seats.
Universal Studios Home Video Wait a minute, that's not even the real Ludwig van Beethoven.
The last movie in the original continuity (yeah, we're just getting started) is Beethoven's 5th, and it looks like the writers were starting to run out of canine hijinks, because this one finds Beethoven in search of the buried loot of two dead bank robbers. In the end, he basically becomes Scooby-Doo, exposing a pair of ghosts haunting on old mine shaft as nothing but fakes.
Universal Studios Home Video
Universal Studios Home Video
Universal Studios Home VideoThis movie also features the very real ghost of John Larroquette's career.
Because no one wanted to give up on this golden brand, but after five adventures even kids probably realized that the original dog should be dead by now, the series rebooted with Beethoven's Big Break, followed by Beethoven's Christmas Adventure. The latter introduces magic into the Beethoven-verse by having the titular dog befriend one of Santa's elves.
Most insanely, despite the fact that Beethoven has never talked in any of the movies before, now that it's Christmas, he suddenly won't shut up -- oh, and he's voiced by Tom Arnold. Either meaning that Beethoven always had an inner monologue we simply couldn't hear, or in the world of the movies, actor Tom Arnold died and was karmically punished by having his consciousness shoehorned into a preexisting dog.
Universal Studios Home Video
Universal Studios Home VideoStill more dignified than what happened to Roseanne.
How? Well, remember the Jetsons' cool 1960s futurist house that hovered in the stratosphere?
Hanna-BarberaMan, can't wait until the year 2000 gets here.
The comics actually give an explanation for this design, and it's not just to make use of those sweet flying cars. As it turns out, the reason future society populates the clouds, Calrissian-style, is that the Earth has been completely destroyed. We learn that an "ice meteor" collided with the planet, and only a "fraction of humanity" was able to survive.
DC ComicsIronic that The Jetsons starts with a meteor while The Flintstones presumably ends with one.
They even visit the now-submerged ruins of Earth, implied to be littered with millions and millions and millions of corpses.
DC ComicsThey must have skipped that episode in the Boomerang reruns.
If the decimation of humanity wasn't soul-taxing enough, the comics also throw some Black Mirror-style wrinkles into the fun future tech of The Jetsons. Remember Rosie, the robot maid? She's still around, but now she "holds the consciousness" of George's dead mother.
DC Comics"Say, what were you using this curvy robot body for, son?"
"N-Nothing."
So let's all look forward to future series covering Yogi Bear's manic depression and Top Cat's debilitating sex addiction.
2001: A Space Odyssey famously ends with astronaut Dave Bowman being sucked into a floating black monolith, hurled through a Willy-Wonka-esque tunnel of psychedelia, and eventually dying in some kind of Space Best Western. Then he's reborn as a galactic baby, leaving audiences to puzzle out what the hell happened on the drive home.
As we've mentioned, the film's co-writer Arthur C. Clarke wrote a novel version concurrently with the movie's production which explained everything that went down. The monoliths were sent by advanced aliens to aid evolution, and that's why Dave becomes a Millennium Falcon-sized baby at the end -- he's been ushered into another stage of existence. Not content to let that one book fart all over the ambiguity of the film, Clarke later penned several sequels.
2010: Odyssey Two (itself made into a movie) finds a Russian ship journeying in search of Dave's ship to recover the expensive-ass HAL 9000 computer. Dave's ghost pops out of the monolith and visits the ship to warn the Russians that they must leave Jupiter within the next two weeks. No, it's not a spooky Ring-like curse -- eventually, a crap-load of monoliths show up and turn Jupiter into a star. Like through cosmic metamorphosis, not in a PR way.
Panther BooksIt's not coincidental that the cover looks like a baby hitting a bong.
After ominously naming the new star "Lucifer," the Russian ship gets destroyed, because they rebooted HAL and screwing with humans is kind of HAL's thing. As a thank you from the monolith, HAL gets turned into an alien, and becomes alien friends with Dave. This leads to an epilogue set in the distant future in which Dave and HAL live together inside a monolith, like some kind of sci-fi Odd Couple.
The third book finds Dr. Floyd, one of the original film's characters, having his consciousness duplicated and joining Hal and Bowman in the monolith, which you have to imagine is getting rather cramped at this point. The last book, 3001: The Final Odyssey, reveals that those advanced aliens who built the monoliths just forgot about them, kind of like how we don't give a hoot about outdated iPhones.
Del Rey BooksIn a disturbing scene, they play Elsa videos on the monolith to keep the cosmic baby quiet.
The story follows Frank Poole, Dave's astronaut pal who was killed by HAL in the original 2001. It turns out that even though a thousand goddamn years have passed, his body has been perfectly frozen, so they reheat him like he's a Lean Cuisine and everything's totally fine.
In addition to being able to revive people who died a millennia ago, 3001 technology features giant space elevators and "genetically-engineered dinosaur servants," at which point you have to wonder if Kubrick adapted the wrong Arthur C. Clarke story. It turns out that the monoliths are going to wipe out humanity, so Frank gets his old buddies Dave and HAL (who, remember, live inside a monolith) to upload a virus into the monolith matrix -- presumably using Jeff Goldblum's Apple computer.
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