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6 Baffling Mistakes Every Movie Criminal Makes

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#3.
Having Extended Conversations With People Who are Trying to Catch You

As Seen In:

The Thomas Crown Affair, Insomnia, Heat, Thief, Bonnie & Clyde, The Departed, Silence of the Lambs and countless other serial killer movies.

Ads like to describe these crime movies as something like, "a thrilling cat and mouse thriller, guaranteed to thrill." This assessment might be accurate if mice were known to run in front of cats telling them exactly where they are, where they will be in the future, and what they plan to do once they get there. But they don't do that, because mice are smarter than that. Movie criminals, not so much.

They always seize the opportunity to taunt their pursuers, saying things like "You'll never catch me." That statement may have once been true, but by revealing his identity and his plans, well, it seems like he's made it fairly easy for the police to catch him. They no longer have to go about the tedious work of determining who the culprit is.

To make things worse, the bad guys often meet the good guys in public places.

That's right, places like a diner.

Worst Offender:

The Thomas Crown Affair, in which Steve McQueen (and in the remake, Pierce Brosnan) courts the private investigator hired to catch him. Granted, said private investigator is Faye Dunaway and later, Rene Russo, so we can see where he's coming from.

Still, if you're going to be a successful criminal, you can't think with your dick.

#2.
Trusting the "New Guy" Who Nobody Knows

As Seen In:

Donnie Brasco, The Departed, Reservoir Dogs, any movie where somebody goes under deep cover.

So you'd like a career in crime, but you don't have any particular skills in that area, and you're not insane enough to fill the sociopath role. Well, there's always another surefire way to make it on a crew: be a cop.

Seriously. If there is one guy that mob bosses love even more than their funny little friend who tortures innocent people in his free time, it's the new guy who joined the crew just before the cops suddenly started magically figuring out what they were going to do next.

They don't seem to care that, despite years of work in this business, they've never heard of the guy, or that none of their associates have, or that there's no real indication the dude has committed any crimes up to a month before joining. They are also oblivious to the fact that the kid is so visibly uncomfortable with committing crime that he looks as nervous as Fred Durst at a spelling bee ("our next word is 'biscuit'...").

The thing is, the guys who have been with the boss for years, have remained loyal, done their jobs, and never asked for more, well, he couldn't really care less about them. But when a cop comes along, the boss suddenly has either a best buddy or, better yet, a surrogate son. After all, who is more open and trusting than a life-long criminal?

Worst Offender:

The Departed. Again, it's pretty odd when a cop can gain access so easily to the criminal organization even though no one knows anything about him. But in this film, the bad guys do know something about him: the fact that he was in training at the police academy.

But, sure enough, they take him on. Suddenly the cops become much more efficient once Leonardo Dicaprio has joined the crew ... making him all the more valuable! And they don't suspect him, because when asked by Jack Nicholson's character, Leo assures him he's not a cop.

"Good enough for us! If he was a cop, he's required to tell us! Right, gang? Somebody should check up on that later."

#1.
Killing People Whenever It Seems Convenient

As Seen In:

Every single crime film you have ever seen.

Listen, we know that it has been scientifically proven that there is a direct correlation between how cool a movie is and how high it's body count is. And while some dark corner of our psyche likes the idea of being in a situation where we can gun down dudes with no consequences, it doesn't make for a terribly effective criminal. Let's face it, after the opening scene of Dark Knight, nobody's ever going to agree to rob a bank with The Joker again.

But in movies, even the calm, cool, rational bad guys make the mistake of gunning down victims when the consequences of murder are a hundred times greater than the consequences of what they were doing in the first place.

In Heat, our characters screw up a "perfectly-planned" heist (does that really surprise you anymore?). We totally understand trying to escape when the cops arrive, but once they're hemmed in, instead of surrendering and calling their lawyers, they whip out machine guns and go on a shooting rampage in the middle of the city.

That's only gonna make things worse, guys.

Worst Offender:

The Die Hard movies.

Cool criminal genius Hans Gruber wants to commit a robbery. He comes up with a simple plan that involves committing several dozen counts of kidnapping, several acts of murder, firing missiles at police cars and blowing up an entire skyscraper.

His idea was to disguise his robbery as an act of international terrorism. Think about that; in order to pull off a job that would normally draw the attention of the FBI and maybe InterPol, he disguises it as something sure to bring the entire force of the US military down on him and his entire home country.

Hell, if he'd gotten away, he'd likely have wound up on a waterboarding table in some secret CIA prison a few months later, wishing Bruce Willis had thrown him off a building. Good idea, Hans!

For some movie mistakes that make even less sense than these, check out 8 Classic Movies That Got Away With Gaping Plot Holes. Or find out about some good guys who made some bad mistakes in 5 Movie Martial Artists That Lost a Deathmatch to Dignity.





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Other than the example of pulp fiction, most of the examples of bad guys discussing stuff in diners only occurs because they are mafia run diners where no legitimate customers go

You’ll also note that in reservoir dogs in the diner scene they don’t actually discuss the crime at all – just talk about tipping culture and ‘like a virgin’.

Posted on 10/23/2008 3:39:40 PM

oh, jack, i know sarcasm, you're a MASTER of it. just trying to help out the kids

Posted on 10/9/2008 10:35:19 PM

The Thomas Crown Affair? Are you kidding? Brosnan had absolutely no interest in "getting away with it". He didn't want to steal a painting. He wanted to seduce Rene Russo! (Geez, can you blame him?!!) He knew the only way to get her attention was to become her #1 suspect in an art heist. It's not about the theft, it's about a hugely clever way for a very wealthy man to get the girl. I think you need to watch it again. (Again, it has Rene Russo in it, so that shouldn't be too painful.)

Posted on 10/5/2008 3:42:45 PM

They certainly are baffling mistakes, and seeing as how half of the movies quoted are based on true events, only makes it more baffling.

The best explanation is that criminals often aren't very smart. If they were smart, they would have become doctors and lawyers instead.

Posted on 10/3/2008 1:02:48 AM

kidwithoneshoe, meet my friend. His name is sarcasm.

Posted on 10/2/2008 4:44:48 PM

just an FYI on the "Cops have to tell you they are cops if you ask them" thing... that is 100% bullshit. i know cops, i've asked them, it isn't true. so, kids, asking the dude you're buying pot from for the first time, "Are you a cop?" does NOT give you some kind of loophole. the cop will say, "Why, gee, no i'm not" then arrest your dumb ass.

Posted on 10/2/2008 2:11:18 PM

What about how they finally get the hero and start rambling and doing a monologue, instead of just shooting the hero.

Posted on 10/2/2008 6:15:01 AM

after the sunset also violates #3

Posted on 10/1/2008 4:03:46 PM

They break #4 on Inside Man as well.

Posted on 9/30/2008 4:06:37 PM

The Dark Knight is one long example of number 5.

Posted on 9/30/2008 12:29:20 PM

I didn't bother to read all the postings, but the James Bond films all contain what Roger Ebert has named "the endlessly talking killer" or something like that. The criminal mastermind has Bond under his control and needs only to shoot him to be rid of him, but instead spends 10 minutes explaining his evil plan thus giving Bond time to use a gadget or to figure out a way to escape. If a henchman wants to just blow Bond's brains out, the master mind will invariably say "no, wait... I have a better way!"

Posted on 9/30/2008 8:53:25 AM

Well I loved this list. I thought it was well thought out, gave really good examples, and it kept my interest. And I have a vagina!

Posted on 9/29/2008 10:33:46 AM

I think a better #1 would be "Not killing people when you have the chance". The second and third Die Hard movies are pretty bad about this. In 2, the John Amos could have killed McClane any number of times, and made it look like it was the "real" bad guys, and in 3, there are about a billion chances for Simon to kill McClane (and Zeus), but he keeps giving them a way out. Hell, at the end, he's got them both tied up and is holding a gun (and an egg), and what does he do? Leaves them unguarded, and mostly uninjured, on the ship. At least kneecap them so they can't run!

It goes right along with the villain telling hero his entire plan, because usually the villain is doing that, he could be killing the hero, and leaving no one to stop him!

Posted on 9/29/2008 4:00:01 AM

#2 is done very well in The Naked Gun 33 1/3. "I smelled cop the minute I laid eyes on him." "No wait, I'm not a cop!" (...) "Okay, welcome to the gang."

Posted on 9/29/2008 1:23:17 AM

What I don't like is when the bad guys talked too much to the people that were supposed to be killed by them. It happens most of the time that the bad guy got killed because of this. I'd shoot first, flee, and talk later. And in series like CSI Miami, the bad guys pathetically fold too fast. Worse, they always forgot something at the crime scene that eventually leads to their arrests.

Posted on 9/29/2008 12:21:35 AM

How about footchases in buildings when the bad guy always runs up several flights of stairs? Then he looks shocked when he gets to the roof and there's nowhere to go. Did he think he was going to get to the moon eventually?

Posted on 9/28/2008 5:09:45 PM

I've been saying that too. wallsy looks like someone who'd shoot up a school.

Posted on 9/28/2008 12:44:00 PM

Whats up with Wallsey? He looks like half weird Al Yankovich & half Danny DeVito Penguin from Batman 3. Meh!

Posted on 9/28/2008 11:46:35 AM

Wallsy


(In nerd lisp) Shiny a slang term for great in the television show Firefly and the film Serenity. Joss Whedon vehicles.

Posted on 9/27/2008 11:01:47 PM

To play Devil's Advocate, taunting the police / hero when you're a serial killer makes sense. Think about it, you're already committing a senseless crime to begin with, as opposed to ones where the goal is to commit theft. So its rational as you might as well have a little fun.

And in REAL LIFE, a lot of serial killers really do taunght the police (often to their peril). Its not just movies.

The sole exception is Carman San Diago. She committs crimes that actually make sense, but for whatever reason leaves clues behind on purpose.

Posted on 9/27/2008 12:16:43 PM

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