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6 Baffling Mistakes Every Movie Criminal Makes

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According to the movies, those who choose a career in organized crime are genuine mental enigmas so puzzling they make John Nash look like Kevin Federline. These people have made a career out of evading law enforcement and bypassing high-level security systems, yet when it comes down to making some common sense decisions, they are utter morons.

If you are looking for a life of crime, here's a Hollywood guide on what not to do:

#6.
Discussing Your Crime in a Diner

As Seen In:

Pulp Fiction, Thief, Heat, American Gangster, Goodfellas

In Hollywood productions, criminals do not mess around. If they're willing to steal, they're usually also willing to murder, torture, and blow up anything that can possibly be blown up (and probably some things that quite honestly can't be blown up). Most of civilized society, however, tends to frown upon such behavior, and as such it's really not prudent to discuss those plans in public. Doing so may lead to death at the hands of a wisecracking, world-weary cop.

So, when one is planning heists, murders, and mind-blowingly awesome explosions, it might be smart to do so in a secure, isolated location where other people are unlikely to be found.


Just a suggestion.

What you would not do is hold your conferences in, say, a diner, with a couple dozen potential eavesdroppers in the vicinity.

It isn't like they don't have a choice in the matter. Most movie criminals have access to everything from military grade machine guns and vault-cutting lasers to Joe freakin' Pesci. We're expected to believe that they can't find a private room somewhere to act as a hide-out? Why can't they just meet in the same old "Desolate Woods on the Outskirts of the City" where they are always dumping bodies? Surely the corpse of Billy Bats is unlikely to snitch on them.

This sort of thing happens so often that we're surprised anyone living in the Crime Thriller universe still eats out, for fear they'll get caught in a crossfire at some point.

Worst Offender:

We could have gone with Heat, where Robert Deniro nearly murders a man in the crowded parking lot of a diner (foiled only because the guy pretty much vanishes into thin air like David freaking Copperfield) or American Gangster, where Denzel Washington's character actually gets up, walks down the sidewalk, and blows a dude's head off before walking calmly back into the diner to finish his meal.

But no, the prize has to go to Pulp Fiction, where a couple of robbers discuss robbing while sitting a diner, before robbing the same diner. At which point the robbery is thwarted because a couple of hitmen happened to be a few tables over, openly discussing the business of being hitmen.

#5.
Working With a Sociopath

As Seen In:

Heat, Reservoir Dogs, Goodfellas, Casino, Panic Room

When accepting new members into their gang, Hollywood criminals definitely need to work on their screening process. Joining a "crew", as it turns out, is even easier than winning a Grammy. You don't really need to possess a single useful skill at all, because there's this role that always needs to be filled: that of the terrifying madman who no one in their right mind would ever associate with.

While most movie bank robbers and stick-up men will only kill when it's necessary to get the job done, it's the job of the sociopath to kill people, who like, "didn't need to die man", all the while giggling like a little kid at Build-A-Bear workshop.

The other characters in the movie get pretty angry about such things, but really, it's their own fault. Who on earth plans a perfect crime and then decides it'd be a good idea to bring along their insane friend? There's some serious stuff at stake here. Despite what you may have come to believe after hours of playing Grand Theft Auto, the consequences of a botched crime job are often quite a bit worse than waking up in a hospital with a little less money than you used to have.


Collective IQ=7

Worst Offender:

Goodfellas. In other crime films, the madman is usually used for one job. After making the mistake of inviting the crazy kid to the party once, the characters learn the lesson and the psychopath winds up dead (or everyone else does).

In this film, however, Joe Pesci's sociopath remains close friends with the main characters for decades, even though he uses every second of screen time to prove that he is the most violently impulsive human being on the planet. In real life, the mob would never ...

Wait, that was based on a true story?

Holy shit. Once again, it turns out real life is more retarded than fiction.

#4.
Working With Far More People Than Necessary

As Seen In:

Oceans 11, 12, 13. The Departed, Panic Room, Bonnie & Clyde

You know those girls on Myspace who have 23,138 friends? It doesn't matter to them that no human being needs that many friends, or that no person could maintain a reasonable level of sanity with that many people bugging them to hang out. The large number makes them feel popular and validated. Well, Hollywood thinks that criminals are pretty much the same.

Sure, they might not need a lot of people to pull off a job, but won't the innocent bystanders be impressed to see a dozen dudes strolling into the bank in ski masks?


"Shit, there's an old lady. I knew we shoulda brought four guys."

Wrong. Absolutely freaking wrong. First of all, let's think of the motive that drives these characters. Greed. For them, it is indeed all about the Benjamins, and the fact of the matter is, the more people involved in the crime, the smaller the shares, and therefore less cash for everyone.

Second of all, with so many people in on the plan, the odds of getting caught rise exponentially. Hell, how many people would you trust with a secret that could send you to jail?

Worst Offender:

The Oceans 11 series. This only gets worse as the series goes on, and they have to keep inflating the roster and the size of the heist. By the fifth or sixth movie they'll have enough guys to rob an armored car by just gathering around it and carrying it way.


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Other than the example of pulp fiction, most of the examples of bad guys discussing stuff in diners only occurs because they are mafia run diners where no legitimate customers go

You’ll also note that in reservoir dogs in the diner scene they don’t actually discuss the crime at all – just talk about tipping culture and ‘like a virgin’.

Posted on 10/23/2008 3:39:40 PM

oh, jack, i know sarcasm, you're a MASTER of it. just trying to help out the kids

Posted on 10/9/2008 10:35:19 PM

The Thomas Crown Affair? Are you kidding? Brosnan had absolutely no interest in "getting away with it". He didn't want to steal a painting. He wanted to seduce Rene Russo! (Geez, can you blame him?!!) He knew the only way to get her attention was to become her #1 suspect in an art heist. It's not about the theft, it's about a hugely clever way for a very wealthy man to get the girl. I think you need to watch it again. (Again, it has Rene Russo in it, so that shouldn't be too painful.)

Posted on 10/5/2008 3:42:45 PM

They certainly are baffling mistakes, and seeing as how half of the movies quoted are based on true events, only makes it more baffling.

The best explanation is that criminals often aren't very smart. If they were smart, they would have become doctors and lawyers instead.

Posted on 10/3/2008 1:02:48 AM

kidwithoneshoe, meet my friend. His name is sarcasm.

Posted on 10/2/2008 4:44:48 PM

just an FYI on the "Cops have to tell you they are cops if you ask them" thing... that is 100% bullshit. i know cops, i've asked them, it isn't true. so, kids, asking the dude you're buying pot from for the first time, "Are you a cop?" does NOT give you some kind of loophole. the cop will say, "Why, gee, no i'm not" then arrest your dumb ass.

Posted on 10/2/2008 2:11:18 PM

What about how they finally get the hero and start rambling and doing a monologue, instead of just shooting the hero.

Posted on 10/2/2008 6:15:01 AM

after the sunset also violates #3

Posted on 10/1/2008 4:03:46 PM

They break #4 on Inside Man as well.

Posted on 9/30/2008 4:06:37 PM

The Dark Knight is one long example of number 5.

Posted on 9/30/2008 12:29:20 PM

I didn't bother to read all the postings, but the James Bond films all contain what Roger Ebert has named "the endlessly talking killer" or something like that. The criminal mastermind has Bond under his control and needs only to shoot him to be rid of him, but instead spends 10 minutes explaining his evil plan thus giving Bond time to use a gadget or to figure out a way to escape. If a henchman wants to just blow Bond's brains out, the master mind will invariably say "no, wait... I have a better way!"

Posted on 9/30/2008 8:53:25 AM

Well I loved this list. I thought it was well thought out, gave really good examples, and it kept my interest. And I have a vagina!

Posted on 9/29/2008 10:33:46 AM

I think a better #1 would be "Not killing people when you have the chance". The second and third Die Hard movies are pretty bad about this. In 2, the John Amos could have killed McClane any number of times, and made it look like it was the "real" bad guys, and in 3, there are about a billion chances for Simon to kill McClane (and Zeus), but he keeps giving them a way out. Hell, at the end, he's got them both tied up and is holding a gun (and an egg), and what does he do? Leaves them unguarded, and mostly uninjured, on the ship. At least kneecap them so they can't run!

It goes right along with the villain telling hero his entire plan, because usually the villain is doing that, he could be killing the hero, and leaving no one to stop him!

Posted on 9/29/2008 4:00:01 AM

#2 is done very well in The Naked Gun 33 1/3. "I smelled cop the minute I laid eyes on him." "No wait, I'm not a cop!" (...) "Okay, welcome to the gang."

Posted on 9/29/2008 1:23:17 AM

What I don't like is when the bad guys talked too much to the people that were supposed to be killed by them. It happens most of the time that the bad guy got killed because of this. I'd shoot first, flee, and talk later. And in series like CSI Miami, the bad guys pathetically fold too fast. Worse, they always forgot something at the crime scene that eventually leads to their arrests.

Posted on 9/29/2008 12:21:35 AM

How about footchases in buildings when the bad guy always runs up several flights of stairs? Then he looks shocked when he gets to the roof and there's nowhere to go. Did he think he was going to get to the moon eventually?

Posted on 9/28/2008 5:09:45 PM

I've been saying that too. wallsy looks like someone who'd shoot up a school.

Posted on 9/28/2008 12:44:00 PM

Whats up with Wallsey? He looks like half weird Al Yankovich & half Danny DeVito Penguin from Batman 3. Meh!

Posted on 9/28/2008 11:46:35 AM

Wallsy


(In nerd lisp) Shiny a slang term for great in the television show Firefly and the film Serenity. Joss Whedon vehicles.

Posted on 9/27/2008 11:01:47 PM

To play Devil's Advocate, taunting the police / hero when you're a serial killer makes sense. Think about it, you're already committing a senseless crime to begin with, as opposed to ones where the goal is to commit theft. So its rational as you might as well have a little fun.

And in REAL LIFE, a lot of serial killers really do taunght the police (often to their peril). Its not just movies.

The sole exception is Carman San Diago. She committs crimes that actually make sense, but for whatever reason leaves clues behind on purpose.

Posted on 9/27/2008 12:16:43 PM

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