There are a few problems here. For starters, the band didn't break up. Mercury left to record a solo album, which no one had a problem with because everyone was "burned out." And while the movie makes it seem like Queen reunited for Live Aid and hadn't even been speaking to each other, they had just released an album, "The Works" (which the movie totally omits). In fact, their last stop on their world tour promoting that record was a mere eight weeks before Live Aid.

As for Freddie's diagnosis, that likely happened between 1986 and 1987, meaning he wouldn't have known during Live Aid in 1985. Queen didn't put on a kickass show because they were reeling from the news of their lead singer's illness -- they put on a kickass show because they were fucking Queen.

Oh, and the exciting climax in which Ron races to stop a bombing? That was also made up. In truth, "no arrests were made during the investigation." What about that one racist cop who gets arrested at the end? He was based on a real person. But, perhaps not surprisingly, the bit about him being held accountable for his actions was fiction.

Plus, according to historians, the couple were super into each other, and had a "prolific sexual history." And one biographer noted that Anne was known for her "prudery, and her strong sense of Christian morality" -- meaning she probably wasn't doing the chambermaid behind her husband's back.

So where did this story come from? Apparently, a dirty poem that was spread by Sarah "out of jealousy." At the time, calling the ruling monarch gay was a "common way to slander your political opponents." Thank god our political discourse has improved since then.

While the movie's politics will certainly divide audiences, one of the more baffling assertions has nothing to do with Cheney, the Bush administration, or the Iraq war, but rather Cheney's father-in-law. Early on in the movie, Lynne Cheney's mom dies after falling into a pond -- which was weird because, as Lynne states, she couldn't swim. The movie heavily implies that she was murdered by Lynne's abusive father, with the narrator noting that there was never a "serious investigation" into the incident.

Wow, that's pretty crazy. What's crazier still is that no one seems to be pushing this theory except for this one movie. The death was ruled accidental because the coroner found no signs of trauma on the body and a dangerously high blood alcohol level. From all accounts, the woman fell in the water while walking her dogs and drowned. That's it. Vice's insinuation of foul play seems to have originated with Lynne Cheney's memoir, in which she questioned whether or not her mom's death was accidental. But even then, she never suggested that her father had anything to do with it.

Related: 16 Things 'True' Story Movies Got Wrong About Real People

In the movie, artist Mark Hogancamp creates an elaborate miniature doll-filled World War II fantasy to cope with PTSD after being attacked and severely injured outside a bar. Welcome To Marwen "adjusts" the details about the attack, most notably turning his assailants into neo-Nazis to underscore the WWII parallels. In real life they were just assholes, not Nazis; one of them wasn't even white.

The film also glosses over some of the more saliently depressing parts of Hogancamp's story. In the movie, Mark leaves the hospital because he's better. But in real life, he was forced to leave because his Medicaid ran out. Also, he couldn't afford to get the counseling his fictional counterpart receives because he wasn't covered for it.

And while the movie makes it seem like Mark's wife left him as a result of the attack, in reality, they'd divorced beforehand because of "his heavy drinking." To be fair, if one could turn the abstract concept of alcoholism into some kind of CGI abomination, it probably would have made the final cut.

Not surprisingly, some critics took issue with things like this, and for telling a story of Southern racism through the lens of the dude who played Aragorn. While the movie was written by Vallelonga's son, and was painstakingly faithful in representing their family (his fictional mom wears his actual mom's jewelry), Shirley wasn't so lucky.

In the movie, we're told that Shirley doesn't speak with his brother, which helps foster a relationship between him and Tony. According to the real Maurice Shirley, though, they were never estranged. He talked with his brother monthly, and even enlisted him to be best man at his wedding shortly after the events of the movie. As for the fried chicken of it all, according to Shirley: "No one, EVER, had to teach my brother how to eat fried chicken. Nor would he have allowed 'lessons' of such by a white man."

Similarly, the movie's assertion that Dr. Shirley was unaware of popular black music seems laughable, considering how he was friends with luminaries like Sarah Vaughan and Nina Simone. And the broader idea that it took a white man to reconnect Shirley to his black roots is especially insulting, considering he marched at Selma and was friends with Martin Luther King Jr. Actor Mahershala Ali ended up apologizing to Shirley's family, who branded the film a "symphony of lies" -- which at least is classier than "a Smash Mouth song of horseshit."

You (yes, you) should follow JM on Twitter, or check out the podcast Rewatchability.

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