5 Actors Who Almost Died Horrible Deaths On Camera

The vehicle was then "impaled" on something in the water, leading the crew to believe that they had just witnessed a death. However, as Sylvester Stallone calmly filmed the entire event with his cellphone (presumably considering what he was going to do with the 1/17th of the royalties his co-star would never get to spend), Statham was able to quickly extricate himself from the vehicle. And thanks to his professional-level diving ability, he was also able to make his way to the surface and survived a calamity that Stallone admitted would have killed a normal, non adamantium-boned man.

Reports claim that Statham's drop into the treacherous drink was 60 feet, which doesn't really seem to be the case when looking at the footage -- but let's not quibble over details. Let's just go ahead and rely on the testimony of another physically superior, not-to-be-trifled-with human brick who was also present that day, and simply take Terry Crews at his word when he says: "Let me tell you something: Jason Statham is a true bad, bad dude."

Now You See Me, the star-studded, Ocean's Eleven-meets-Doug Henning's World Of Magic Jesse Eisenberg vehicle, rated a solid "mediocre" among critics. Still, perhaps the most gripping scene is the one where Isla Fisher, playing the role of an escape artist, has to Houdini her way out of a water tank before a school of ravenous piranhas are released to have their way with the parts of her that aren't covered by a bedazzled one-piece.

When things appear to go wrong during the escape, Fisher looks downright terrified -- mainly because she was actually drowning. Fisher described her brush with a regrettably David Blaine-ish demise thusly: "My chain got stuck. I had to really swim to the bottom; I couldn't get up. Everyone thought I was acting fabulously. I was actually drowning. ... No one realized I was actually struggling."

Despite all her flailing and pounding (possibly accompanied by repeated SOS distress calls sent via farts), she was reportedly underwater for a good three minutes before somebody realized she was about to make like a Beach Boys drummer and finally hit the quick-release safety button to empty out all the water. It was nice that they had the foresight to install one of those, but what they didn't think to include in the plan was a safe word. Or hand signal, rather. All the profanities she may have been screaming were probably only heard by the piranhas, and they were no help.

While Pierce Brosnan would be lucky to crack most people's Top 3 actors to have ever played the role of 007, in Die Another Day he did have the distinction of working alongside one of the most attractive Academy Award winners of all time: Halle Berry. He apparently made quite an impression on her too -- especially during their sex scene, when he made her laugh to the point that she nearly choked to death (this is not normally the response you're gunning for when you're trying to be erotic).

The thoroughly nude Brosnan was writhing around with the equally naked Berry when he suavely delivered a deliciously British bon mot that caused Berry to gag on a piece of fruit. Then, by his own admission, he just stared at her like a goober while she gasped for air like a trout in a bucket. It's not that Brosnan didn't react at all -- he did actually slap her on the back -- but he was hesitant to perform the Heimlich maneuver because they were both naked. Or, to put it another way, James Bond didn't try to save a sexy lady's life because he was too embarrassed. That has to be the lowest Bond moment since Roger Moore went undercover as a clown.

That version of the account came from Brosnan himself, who added how lucky he was when Berry finally spewed out the offending fig on her own. "I was certainly in no position to give the Heimlich to Halle at that moment," he said (you know, because of the potential for errant, bonery backstabbing). But then we have Berry in another interview, claiming that he indeed did give her the dry hump of life. So who are we to believe here? We'll just go ahead and assume that Berry's memories of the event are a little hazy. And that Brosnan's gross breach of manliness mystically summoned Sean Connery in his spectral form, who furiously slapped that fruit right out of Berry's mouth, probably without even realizing she was choking.

As bad as things ever get on Gilligan's Island, you know that at the close of every episode everyone will wind up safe from all the volcanoes and Harlem Globetrotter infestations that are constantly putting their lives at risk. The actual making of said episodes was a different story, however. And we're not talking about the on-set fisticuffs about who was next in line to look through the peephole to Dawn Wells' dressing room -- we're referring to the much more serious issue of being mauled by a goddamn lion.

The episode where Bob Denver was nearly converted to Mufasa scat while filming is called "Feed The Kitty." That very nearly became the most ironic titling decision in television history during a scene where Denver, stuck inside a hut with the guest star (the aforementioned lion), discovered the huge predator wasn't really a fan of 1960s sitcom hijinks.

In the scene, Denver (as Gilligan) is supposed to sit on a bed, slowly notice the lion resting on it, and jump off as he panics like a jackass. Unfortunately, this sudden move apparently triggered the real-life lion's instinctive "eat the skinny idiot" response, and it proceeded to take an unscripted lunge right off the bed toward Denver. According to Wells, who was present for the debacle, Denver's only lifesaving reaction was to deliver an ineffective "karate chop," which presumably enraged the lion further. Luckily, the lion lost its footing due to the unstable bed (or because it really did appreciate the value of physical comedy), and the trainer, who showed up to set already covered in claw marks, tackled the lion during its attempted attack.

Invoking the "no harm, no foul" rule, the trainer reportedly begged the cast not to tell his boss, presumably to avoid getting a "Oh no, not again" lecture. Denver regained his composure, asked that the bed remain unsecured in case the lion tried to eat him again, and did another take. Say what you will about Gilligan's Island, but Bob Denver was such a pro that he sat back down next to a lion who had already tried to eat him just to make sure they got all the footage they needed.

But according to interviews with Ward (corroborated by West), he was lucky to have made it through the experience without winding up permanently crippled. First off, the stuntman the studio hired to do all the dangerous vehicular stuff looked nothing like the actor. So instead of simply getting another, presumably less-swarthy-looking Boy Wonder stand-in, they went with the more expedient option of making Ward get in the car himself during the careening Batmobile sequences.

Ward began to see a few flaws in the plan when, during a sharp turn, his door flew open and "knocked a huge lamp over, hit the guy sitting right by the camera, knocked him over and the camera," Ward said. He was able to save himself from flying out into the road by hooking his pinkie finger on the gear shift knob, dislocating it from the joint, and causing massive swelling in his hand. The crew knew he had to get to a hospital quick: "We'll get you to the hospital just as soon as we get this shot," they told him. So they did, four hours later.

Reportedly this was just the first of Ward's many trips to the ER, seeing as how survival on set was constantly endangered by reckless special effects hazards including not only the Batmobile (which handled more like a golf cart on nitrous than an actual car) but also detachable, cape-eating Batcycle sidecars (which would detach with him in it and had no way to steer) and exploding Riddler props. Oh, and then there was the dubious decision to dangle Ward over a bunch of snarling Bengal tigers.

It's true that Ward has a reputation for overstating things, but the hilarious ways the special effects department of the Batman show regularly tried to kill him are one of the only things he and Adam West agree on. At any rate, the man now lives on a giant plot of land surrounded by Great Danes, so we won't be venturing onto his property to call him a liar anytime soon.

Which Sci-Fi Trope Would You Bring To The Real World, And Why? Every summer we're treated to the same buffet of three or four science fiction movies with the same basic conceits. There's man vs. aliens, man vs. robots, man vs. army of clones and man vs. complicated time travel rules. With virtual reality and self-driving cars fast approaching, it's time to consider what type of sci-fi movie we want to be living in for the rest of our lives. Co-hosts Jack O'Brien and Adam Tod Brown are joined by Cracked's Tom Reimann and Josh Sargent along with comedians David Huntsberger, Caitlin Gill, and Lizzy Cooperman to figure out which sci-fi trope would be the best to make a reality. Get your tickets to this live podcast here!

Also check out 5 Great Movie Scenes Made Possible By Reckless Endangerment and 6 Famous Films (You Had No Idea Were Hell Behind The Scenes).

Subscribe to our YouTube channel, and check out 6 Happy Movie Endings That Are Secretly Tragic, and other videos you won't see on the site!

Also, follow us on Facebook. Or, you know, don't. We aren't your mother.