5 Celebrities Who Hated Fame More Than Kanye Loves It
Studies show that these days most of us "normies" really wish we were famous. But despite all the wannabe Kardashians out there trying to Instagram their way to our love and devotion, amazingly there have been people, even those who worked in show business or other high-profile jobs, who ran the gauntlet from grudgingly accepting some accidental notoriety to absolutely hating the idea of fame and actively avoiding it. Here are some people whose names you can forget.
Neil Armstrong Was Basically Reclusive
Before we get to Neil Armstrong, let's talk about Buzz Aldrin for a minute. He was the second guy on the moon, and when he came back he started living the rock star life you would expect. "I touched the moon, wanna touch me?" is a hell of a pickup line. He began having affairs and drinking nonstop. He produced a computer game back when they were actually rare and has played himself on shows like The Simpsons, Futurama, The Big Bang Theory, 30 Rock, and in the film Transformers: Dark Of The Moon, just to name a few. He appeared as a contestant on Dancing With The Stars and got a face-lift, like any good celebrity with a "trophy wife" (his words). He even released a single with Snoop Dogg that you must experience to believe.
So you would think that Neil Armstrong, having been the FIRST guy on the moon, the one who got to say some of the most famous words in history, would have come home and spent most of his time naked on an island while nubile young women fed him chunks of that dehydrated ice cream. Instead, he basically treated his literally death-defying adventure as little more than a business trip. He was a pilot and an astronaut, so to him flying to the moon and back was just part of his job. Once he retired in 1971, he actively tried to become a normal person again, to the point that some people even considered him reclusive.
He went to some pretty extreme lengths not to be recognized.
While that was going a bit far, he certainly didn't want the limelight that Aldrin was enjoying. When Armstrong became a professor in the aerospace department at the University Of Cincinnati, he was worried that the other teachers would see it as favoritism because he "only" had a master's degree (and, you know, had been to the fucking moon). He sat on the boards of a few companies and headed up two NASA investigations. Instead of appearing on a million shows, he lent his voice to an educational video by the Jet Propulsion Lab. And while Aldrin was immortalized forever as the namesake for Toy Story's Buzz Lightyear, Armstrong sued Hallmark for putting his name on a commemorative ornament of the moon landing.
When he died in 2012, a main theme in his obituaries was how he just wanted to be left alone. That's probably why he had his ashes scattered at sea, so you people would stop bothering him. Still, I can think of an even better place he could have sent them.
Sia Doesn't Want You To See Her
If the name Sia doesn't immediately ring a bell, I promise some of her songs do. She is the artist behind 2014's smash hit "Chandelier," which went triple platinum in the U.S. The video, starring that kid from Dance Moms, is currently sitting at more than 1.3 billion views on YouTube.
Her video for "Elastic Heart" also stars the Dance Moms kid, along with Shia LaBeouf. You might remember that one because it came off as pretty creepy and borderline pedophilic. Regardless, the theme emerging should be that Sia does not star in her own videos. And that is just the way she wants it, considering she never wanted you to know who she was in the first place.
Unfortunately, Sia lost her chance at anonymity back in 2011. She had been writing hit songs for other people for 17 years when she composed the song "Titanium" for DJ David Guetta and Alicia Keys. When Keys passed, Mary J. Blige recorded it, but Guetta ended up taking her vocals off and putting Sia's demo ones back on without telling her. She was pissed (no doubt Blige wasn't thrilled either). It probably didn't help that she was 35 and people in show business would have looked at her and screamed had they seen the shadow of a wrinkle or a gray hair.
Hollywood finds this more acceptable than a reminder of their own mortality.
Now that's she's famous Sia will go to ridiculous lengths just to make sure fans don't even see her face. If you go to one of her shows, instead of dancing around the stage like most pop stars do, there is a good chance she'll spend the whole thing with her back to the audience. She prefers not to be photographed in general, but if she absolutely has to, like when she was on the cover of Billboard magazine, she will wear a bag over her head. When she attends awards shows she dons a huge wig that covers her face. While this might all seems like Lady Gaga-esque affectations, Sia really is doing it for the exact opposite, non-fame-whore reason.
When the mime is the second-weirdest person on stage, that is saying something.
Bob Ross Just Wanted Your Money
You know Bob Ross as the laid-back painter with the sick Afro-perm, star of his own show, The Joy Of Painting, which ran for 11 years and made a star of both him and his "happy little trees." But Ross never wanted to be a famous artist.
We've told you before how he was actually a kick-ass soldier before he took up a brush, spending 20 years in the Air Force screaming at new recruits. Ross was stationed in Alaska with the military and bartending on the side to make ends meet when he saw a TV show called The Magic Of Oil Painting. It was hosted by a German artist named Bill Alexander. Ross tracked him down and asked him to teach him the technique he used, known as alla prima, or "wet-on-wet."
No word why this involved training a crow to hold your brush for you.
Soon Ross was making more money from his paintings than at his Air Force job, so he quit. But he knew the real money would be in teaching Alexander's technique to other people. His show on PBS wasn't meant to get his name out there as a painter and sell more of his art; it was to promote "wet-on-wet" and sell the Bob Ross brand of painting.
It worked. The man who started perming his hair just so he could save money on haircuts built a $15 million empire on the back of a public access show and a technique that painters had been using since the 15th century. But the soothing way he sells it to you on The Joy Of Painting (his voice was once compared to Demerol) doesn't make you feel like you're listening to a salesman. Sure, he was the nicest guy ever, telling you that with basic tools and half an hour and this free TV show you could totally be an artist. As long as you also bought his how-to books, his line of art supplies, and took courses with certified instructors teaching the Bob Ross method. And people, hypnotized by his melodious delivery, lined up to throw money at him.
It's a trap!
Basically, the guy who literally bottle-fed baby animals on air was a Machiavellian genius. But hey, at least he made a lot of people really happy ... except all the professional artists who completely resented his success and Bill Alexander, who hated him to the grave for "stealing" his technique.
Randy Meisner From The Eagles Only Signed Up To Play Bass
The Eagles were a pretty huge band in their day. But think about some of the biggest bands in the world right now. How many bass players can you name? Catch: You can't say Les Claypool or Geddy Lee. It's just a fact that there is a hierarchy in bands, with the lead singer on top, then everyone else, then the bass player. Unless you are Flea, Gene Simmons, or Paul McCartney, the average Joe off the street probably hasn't heard of you if you play bass. So if you are in a famous band but don't want to become a household name yourself, all you have to do is avoid singing on a hit single.
Guess where this is going?
That was Randy Meisner's big mistake. He described himself in a Rolling Stone interview as "shy and nervous." Plus, The Eagles already had two great singers in Don Henley and Glenn Frey. There was no need for him to put himself front-and-center. But somehow they convinced Meisner that he should sing just this one song. Come on Randy, everybody's doing it ...
That song happened to be "Take It To The Limit," which topped the charts and became one of their biggest hits. So, obviously, the rest of the band wanted to play it at their live shows. But this meant that not only did Meisner have to sing, which he did not want to do anyway, but that he had to hit those high notes at the end. Those are Bee Gees-esque high notes. Those are the kind of notes most male singers would be lucky to hit once in the studio after 50 takes while squeezing their testicles. Now Meisner had to do it repeatedly, and it made him unbelievably nervous before shows. One night he flat-out refused to do the song as an encore, and the resulting fight saw him leave the band in 1977, mental state and testicles intact.
Joel Hodgson Felt As Stuck As His Character
Joel Hodgson is the original and much loved host of Mystery Science Theater 3000. If you have proper nerd credentials, you probably recently donated to his Kickstarter to bring back MST3K for another season, which raised a respectable $6.3 million. (Suck it, Veronica Mars!) But while MST3K was Hodgson's baby from the beginning, he never wanted to be the one in front of the camera, or, rather, in silhouette against the movie screen.
Hodgson was a stand-up comic and had gotten a couple guest spots on TV shows like Saturday Night Live and was even considered for the role of Woody on Cheers. But when he was offered a part on the terrible Michael J. Fox sitcom pilot High School USA, he turned it down. So they offered him more money. Instead of jumping at this like most starving artists, Hodgson actually stuck to his guns and left Los Angeles altogether, moving back to Minneapolis. There he started working at a T-shirt factory, while making robots out of stuff he found and selling them on the side, like you do.
Shy, out-of-work comedian builds himself non-judgmental friends. Sounds about right.
Soon he was missing stand-up. Throw in the robots and a local TV station and MST3K was born. It was a completely thrown-together affair with a budget in the tens of dollars per show. The first 20 episodes didn't even have scripts. Hodgson expected to be on screen only until they found someone else to do it. But then they were picked up by the Comedy Channel (which would become Comedy Central) and he just sort of had to stay. But he always hated it.
Hodgson finally left the show in the 107th episode. After riffing on the film Mitchell, he was ejected from the Satellite of Love and replaced by Mike Nelson. And while it was sad for a lot of fans, in this author's opinion that is absolutely the best episode and you should go watch it right now. Well, maybe finish reading this article first ...
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