5 Iconic Movie Scenes Almost Cut for Idiotic Reasons

Not 15 minutes into the movie, Ariel sings a deeply personal song about her fascination with the surface world and her Hoarders episode-worthy collection of random human junk. The tune might sound like your typical musical exposition, but it actually gives us much-needed insight into the mind of a rebellious teenager who seems to view dry land as a romanticized utopia, with lyrics such as: "Bet'cha on land they understand. Bet they don't reprimand their daughters."

Walt Disney Pictures

So when Ariel later saves Prince Eric and instantly falls in love with him, we understand what's going through her head, because to her, Eric is just the nearest available symbol of her lifelong obsession. (Also: literally the only guy she knows who has a penis.) Even when Ariel finally decides to sell her voice to Ursula, it's only after her father destroys her collection, which means that without "Part of Your World," the plot of The Little Mermaid simply makes no sense.

How We Almost Lost It:

Jeffrey Katzenberg, then chairman of Walt Disney Studios, didn't want the song to be a part of the movie's world because he thought kids would find it boring. He arrived at that conclusion after a kid in the test audience spilled his popcorn during the scene, which to Katzenberg meant that the sequence was so mind-numbingly dull, it actually caused the child's higher motor functions to commit suicide.

To be fair, though, paying close attention to the audience's reactions is why studios hold test screenings in the first place. So it's not that unthinkable that a child dropping his snack was enough to make Katzenberg examine what exactly made him lose his concentration. It is, however, hilarious that his response was to point at "Part of Your World" and basically go: "Shut. It. Down!"

Angela George

Fortunately, the rest of the staff fought Katzenberg by, I assume, asking him to please explain the reasoning behind his decision out loud to them. The scene was back in the movie a few minutes later.

The Scene:

A Charlie Brown Christmas has been a staple of Christmas programming ever since it first debuted in 1965, and I'm betting a lot of it has to do with the message that Linus delivers near the end about how the holiday is really about the birth of Jesus:

All Christmas movies have their own personal take on what makes December 25 so special: A Christmas Story says it's about the everlasting memories it creates; How the Grinch Stole Christmas emphasizes rising above the commercial aspect of the holiday; Die Hard stresses the importance of staying one step ahead of German sort-of terrorists (a lesson also spread by It's a Wonderful Life, I'm pretty sure). But A Charlie Brown Christmas is probably the most famous special to actually mention the Bible, even quoting it directly during Linus' speech. And you know what? If that viewpoint has to be represented by someone, I'm glad that the job has gone to the Peanuts gang.

Peanuts Worldwide

How We Almost Lost It:

A Charlie Brown Christmas was originally conceived as a 25-minute advertisement for Coca-Cola by a New York advertising agency that wanted Charles Schulz to write a quick and forgettable Christmas special for them. So it's no surprise that when he instead delivered a poignant story about the Christian origin of Christmas, the shocked admen nearly dropped their cigarettes on the backs of their secretaries' heads.

The Nativity scene was tentatively OKed, but everyone worried that the one-minute reading from the gospel of Luke by Linus would scare off sponsors. A decision was hastily made to cut the scene and bury it at the bottom of the Mariana Trench where it wouldn't be able to hurt any innocent profits ever again with its message of love and unity.

Peanuts Worldwide

The religious Schulz unsurprisingly argued like crazy to save Linus' speech because he believed he really was fighting for the true meaning of Christmas. He might also have made the argument that the producers were acting like the villain in every Christmas special ever. The scene was eventually saved, and the special became an instant hit. And with all the money it made, it probably also helped a bunch of ad guys finance at least four of the seven deadly sins, but the less we think about that, the better.

After all, if we didn't get to hear Dorothy's heartfelt song about how she yearns for a better life in a faraway, magical land, the first part of the movie would be reduced to a sepia-toned, depressing drama about an old lady wanting to kill a lonely girl's dog. The Wizard of Oz needed "Over the Rainbow" to quickly inject some much-needed hope into the film.

How We Almost Lost It:

Louis Mayer, the second "M" in MGM, insisted that they get rid of "Over the Rainbow" because it was too sad, and can you blame him? Just check out some of these lines: "If happy little bluebirds fly beyond the rainbow, why, oh why, can't I?" or "Where troubles melt like lemon drops, away above the chimney tops."

MGM

Yeesh, don't those lyrics make you want to hang yourself with razor wire above a vat of sharks swimming in lemon juice? No? Weird, because the movie's producer, Mervyn LeRoy, felt the same way, and even threatened to quit unless the scene was left in the movie, which finally helped persuade Mayer to keep it in.

According to other accounts, though, a number of MGM executives opposed the scene because "Judy Garland was singing in a farmyard." To answer your question: No, as far as I know, farmyards weren't widely known in the 1930s as places of congregation for Nazi communists or anything like that. Some of the most powerful people in Hollywood wanted to scrap "Over the Rainbow" simply because it featured Garland singing near a haystack instead of something more modern like, I don't know, a whites-only drinking fountain.

It's important to note that no report mentions anything about MGM executives objecting to the other songs in the movie, which, just to remind you, all took place in a Technicolor witch dictatorship and were sometimes performed by self-mutilating cyborgs.

MGM

The Scene:

If you've never seen The Adventures of Priscilla, Queen of the Desert, you'll really regret it after you find out that this 1994 cult classic stars Hugo Weaving, Guy Pearce, and Terence Stamp as three fabulous drag queens traveling by bus through the Australian Outback. In case you're still not looking for the movie on Netflix, maybe this scene will help convince you:

At one point in the film, after the group has their bus vandalized with homophobic slurs, Guy Pearce tries to cheer everyone up by getting on the roof and practicing his opera lip-synching of "Sempre libera" from Verdi's La traviata. While doing so, he also lets a giant silver sheet flutter behind him, creating an unforgettable, one-of-a-kind scene that even ended up on the official movie poster:

Gramercy Pictures

How We Almost Lost It:

Priscilla was made on a budget of between $1 and $2 million, or about half of what Hollywood spends to CG Iron Man's left buttock. The entire wardrobe budget (an essential part of a film about flamboyant cross-dressers) was a laughable $5,000. So when the production had the chance to scrap an "unnecessary" sequence that served no real purpose but would cost them like $300 (or roughly 15 dresses), most of the crew declared it deader than bell-bottoms. Naturally, they were talking about Guy Pearce's bus opera.

Gramercy Pictures

However, the movie's director, Stephan Elliott, sensed the importance of the scene right away and fought to leave it in. To everyone else, it might have seemed excessive and pointless, but that was the whole point of it. The scene was meant to be a nonsensical experience, a larger-than-life spectacle that fit so perfectly into a story about three transvestites out on an adventure. Yes, it wasn't complex, but big emotions can often come from the simplest acts, like a young drag queen trying to take his friends' minds off the fact that some people out there want to hurt them simply because of who they are.

The Scene:

Despite Lady and the Tramp being the second Disney flick I ever saw, I barely remember anything about it. (I do, however, remember every detail about the time I ate a handful of dirt on a dare in second grade, because my brain is a stupid asshole.) Two scenes from the movie stand out in my memory, though: One is the nightmarishly creepy rat trying to kill a baby:

Walt Disney Pictures

And the other is the movie's famous spaghetti kiss scene:

But of course everyone remembers and loves this scene. It's probably what got the movie on the list of the greatest love stories of all time -- it's just so great at conveying the message that love is stronger than any class divide.

Walt Disney Pictures

How We Almost Lost It:

While reviewing the script for the movie, Walt Disney felt that the spaghetti kiss should be cut because, according to him, dogs sharing an Italian dinner would just look ridiculous. He wasn't convinced that the whole thing could look romantic until animator Frank Thomas showed Disney his sketches of two dogs in love enjoying a meal together, which to be sure is a weird thing to have on hand, but whatever, it worked, we're not here to judge. In Disney's defense, maybe he wanted to make the story as realistic as possible.

Then again, here are some of the things from Lady and the Tramp that Disney apparently considered perfectly normal and not at all silly:

Dogs enjoying tea and doughnuts.

Walt Disney Pictures

Hive-mind cats that are also horrible Asian stereotypes.

Walt Disney Pictures

And zoo beavers biting muzzles off of dogs as if that sort of thing went down daily outside of Disney's office.

Walt Disney Pictures

However, I am willing to admit that, unless a scene has an actual brick of C4 attached to it, there really is no way to tell whether it's going to blow or not, so Disney can probably be forgiven for worrying how people would react to the pasta kiss. I mean, pirate-fighting immortals and flying baby elephants are one thing, but a romantic dinner between two dogs? The audience can only accept so many absurd flights of fancy.

Cezary Jan Strusiewicz is a Cracked columnist and editor. Contact him via c.j.strusiewicz@gmail.com.

For more pop culture history that was erased, check out 14 Video Game Deleted Scenes That Explain Everything.