7 Brilliant Movie Clues That Were Hidden In Plain Sight

Like, remember how the planet's red surface is covered in a layer of salt (which we learn thanks to the Resistance's resident planet taster)? As they duel, Kylo Ren creates red footprints, but Luke doesn't.

Luke is also wielding his familiar blue lightsaber, which you may recall got wishboned earlier in the movie.

Even more subtly, the falling salt snow never lands on Luke or his lightsaber. Even when he brushes his shoulder like the "before" guy in a commercial for Galactic Head & Shoulders, there's nothing there.

Conversely, we specifically see the flakes land on Kylo Ren, and even hear them hitting his janky lightsaber.

And if all that wasn't enough, right before all this goes down, Luke winks at C-3PO, as if to suggest he's secretly up to something. Either that or he had nothing to say to the annoying robot butler his dad built as a nine-year-old. Which, fair enough.

Then, you can barely see a blurry Pennywise photobombing a bunch of old-timey kids in one of Derry's history books.

And most pants-wettingly, in the scene in which Ben visits the library, there's an old woman creepily glaring at him in the background ...

... who turns into a red balloon in the next shot. This implies that Pennywise can manifest as an elderly librarian, making us wonder why he even bothers with the clown form.

Near the end of the movie, bully Henry Bowers murders his dad after falling under the spell of a kid's TV show controlled by Pennywise. He's plainly visible in the TV ...

... but what you might not have noticed is that this same show popped up earlier in the movie. It's on the TV in the living room in Beverly's house, and being watched by Eddie's mom when we first meet her.

Of course, these scenes all occur prior to the scene with Henry, so we have no way of knowing that what looks like Lamb Chop's Play-Along is brainwashing people into an evil stupor, like ... well, like most TV shows, frankly.

As we've mentioned once or twice, director Edgar Wright likes to cram his movies full of as many Easter egg-y details as physically possible, and Baby Driver is no exception. You might have already caught that an early scene of Baby channel-surfing foreshadows later scenes. For instance, Baby cribs a line from Monsters Inc. while later talking to actual monster Kevin Spacey.

But most significantly, Baby catches a few minutes of a bullfight, in which the bull is "bloody and unrelenting," and the matador has to "end this on foot."

Later, Jon Hamm's character Buddy is oddly likened to a bull. He's "relentless" and will attack when he "sees red".

When Buddy and Baby eventually face off in a dramatic climax, their confrontation mirrors the bullfight -- with Buddy literally seeing red.

Like with the bullfight, Buddy is "bloodied but unrelenting," and Baby must get out of his car and "try to end this on foot." Buddy's bull-like status is also underscored by the fact that he's constantly clashing with Jamie Foxx, whose character is exclusively draped in red.

If all that wasn't enough, in a movie stuffed full of deep cut music nerd references, it's possible that Hamm's character is named after legendary drummer Buddy Rich. And Rich happened to have an album called ... The Bull. Or that's just a coincidence and this is all BS.

Gunn also recalls that the non-figurative laundry list of crimes included "grievous bodily harm" and arson for Rocket, while Gamora's impressive list includes all the murders she committed for Thanos. Star Lord's offences were mostly small-time robberies ... with the exception of "having sex with members of a royal family." As for Groot's lack of incriminating trousers, that was going to be explained with a scene wherein he tears his pants off like he's at a freakish alien bachelorette party.

... the bathtub where the woman from "Crocodile" went full Jason Voorhees for some reason ...

... and one of the robot bees from the previous season's "Hated In The Nation."

But it's not only this room full of garbage that introduced the idea of Black Mirror-verse. The entire show has an insane number of connecting threads. In the episode "Arkangel," the daughter has a poster that says "Tusk" -- not because in this twisted dystopia, teens are super into Kevin Smith body horror movies, but as a reference to the rapper Tusk from "Hated In The Nation."

In the beloved "San Junipero," the digital afterlife's bar is named Tucker's, which we later find out is because the San Junipero simulation was made by "TCKR Systems." Well, if you routinely scour Netflix with a magnifying glass, you would have already heard of TCKR from a magazine cover seen in an earlier episode, "Playtest."

Even the robot-dog-infested apocalyptic future of "Metalhead" is hinted at in "Black Museum," when a cable news ticker announces "autonomous military 'dogs' unveiled."

Presumably, all of this is paving the way for an epic series finale in which it's revealed that the entire show has been a simulation inside of another simulation created by a company trying to build the perfect simulation. And, like, your phone hates you or something.

How? In one of the most exciting moments in the movie, Hammond's grandson Tim escapes a velociraptor by noticing that the kitchen's walk-in freezer is open, which gives him an idea.

After darting into the freezer but not shutting the door in time, the raptor follows Tim -- but the floor is completely iced over, and they both slip like the Wet Bandits.

Since the raptor was smart enough to open a door, but not quite smart enough to throw on a pair of sneakers before the chase, Tim is able to get up quicker and condemn the raptor to the same fate as a box of Hot Pockets.

So why was the floor covered with ice? It makes total sense in the context of the movie. The power was out overnight, then restored by Laura Dern right in time for everything to freeze again. And why was the freezer door open in the first place? It's not commented on, but earlier in the movie, Hammond is seen eating all the ice cream -- because apparently sparing no expense also means not letting frozen treats go to waste. Or maybe he figured that if he was going to get eaten by dinos, he may as well have a tummy full of rocky road.

If it wasn't for the fact that Hammond was downing Ben & Jerry's like he was going through a bad break-up, that freezer door would have been closed, Tim likely would have been raptor food, and he never would have grown into Chris Pratt. (We think. Who's paying attention anymore?)

The movie gives us other visual suggestions that the two characters are linked, such as showing Luv shed a single tear out the same eye as Rachael does in the original.

When the duplicate Rachael shows up in 2049, the arrangement of the characters aligns so that Luv almost appears to be a reflection of Rachael.

In the same scene, Deckard rebukes Wallace's offering of a duplicate Rachael, pointing out that the original's eyes were green. When K (Ryan Gosling) later kills Luv, the camera lingers on her open eyes, which appear to be ... green.

This doesn't even really contradict anything in the movie, since there's no confirmation that Stelline is Deckard's daughter, other than K's deduction. And what if Deckard's child really was hidden in the last place anyone would think of: right under the nose of Wallace, the guy looking for her?

This would also explain her name. She's the object of Deckard's love, which he sacrificed everything for. It would also explain the odd moment when she tenderly strokes Harrison Ford's grizzled cheek.

Plus -- prepare to put on your tinfoil hats, folks -- remember that weird poem K has to repeat every time he clocks out at the police station?

That's a quote from Vladimir Nabokov's Pale Fire, which is also the book K has in his apartment.

Part of the novel is an extended epic poem about a protagonist whose daughter drowns. So isn't it possible that this is hinting that the hero's real daughter is the one who drowns at the end? We'd drop the mic, but probably shouldn't, in case microphones have feelings and dreams about unicorns.

You (yes, you) should follow JM on Twitter, or check out the podcast Rewatchability.

Nabokov is really quite the author, might we recommend a collection of his works?

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For more, check out 23 Movies That Put Insane Detail Into Stuff You Missed and 7 Movies That Put Insane Detail Into Stuff You Never Noticed.

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