6 Signs That Disney Is Trying To Take Over The World

In the past, Disney used illegal internet trackers called "zombie cookies," so called because they keep following you everywhere, pop back up after being destroyed, and we were collectively bored of them by the early 2010s. It did so through a widget company called Clearspring Technologies, which clearly picked its name based on how good it would sound during Senate hearings. At the request of their clients, Clearspring stalked children's internet surfing and harvested "viewing habits, gender, age, race, education level, geographic location, sexual preference, what the users like to read, home address, phone number, health condition, and more," which is enough info to make Disney more on the ball than an uncomfortable percentage of actual parents.

Then, in 2017, Disney itself got sued when it was discovered that 42 of their most popular apps targeted at children were in clear violation of the Children's Online Privacy Protection Act (COPPA), containing malicious trackers which Disney used to sell private info to advertisers. Disney countered by saying they "look forward" to going to court, as "the complaint is based on a fundamental misunderstanding of COPPA principles" -- the misunderstanding being that they think Disney gives a fuck about COPPA or principles.

But why limit yourself to stalking kids on the internet when technology now allows you to physically track children around like they're wayward house cats? In 2013, Disney introduced the MyMagic+ band to Disney World Orlando -- a colorful microchipped wristband that serves as a visitor's ticket, room key, and even digital wallet. Not only that, but the bands also allow the visitors to have a much more personalized interaction with the park, as they can recommend rides with short queues, tell Goofy it's your birthday, and let you know which princesses have the fewest divorced dads circling them. And while children might be blown away by the kind of magic that lets the animatronic seagull from The Little Mermaid address them by name, that's only because Disney is constantly slurping up all the information that the band collects, mostly without parental permission.

Though the bands were a massive success, Disney has chosen not to expand the trackers to their other resorts, acknowledging that the tech is a bit outdated. Instead, the company is experimenting with smartphone apps, which can achieve everything the tracking band does. And smartphones stay in kid's pockets long after they've left a park. Speaking of which ...

The two great hospitality monoliths in the U.S. are a) casinos and b) Disney resorts. And the Mouse despises gambling, as it goes against the Disney values of having adults spend all their money and free time on taking their kids to see Moana for the 17th time. The company won't even allow casinos on its ships, despite gambling being the most popular cruise pastime besides contracting gonorrhea.

So how does Disney fight this greedy industry of empty pockets and jumbo shrimps? By being the champion of the people, of course. In 2017, Disney spent $650,000 lobbying to change the Florida constitution. If successful, Floridians would have to go vote on whether they approve of any new casinos being built in the state. A victory for democracy, surely, allowing the people to decide how far they want to live from a row of soiled slot stools.

But Disney isn't interested in getting its locals the rights to vote; it wants to control exactly when, how, and what they can vote on. Only a year prior, Disney was exposed for aggressively lobbying to prevent Floridians from being able to vote on a healthcare measure that would cost the corporation money. And during the 2012 election, the corporation spent $2.5 million on getting right-wing politicians in power, many of whom were anti-casino and all of whom were pro-Disney-tax-cuts. The result? An amazing drop in crime ... only around Disney resorts, with a slight increase everywhere else, as cops are busy arresting teens for smoking pot near Space Mountain instead of investigating gun violence. At this point, Disney essentially owns Central Florida like it's the only steel mill in town. It even boasts being responsible for getting 1 out of every 50 Floridians a job -- mostly in local government, it seems.

On the other coast, Anaheim, California -- locally referred to as "Disneyheim" -- suffers from the same overlord issues. Disneyland is nestled inside Anaheim Resort District, its own little perfectly landscaped utopia ... paid for mostly by the city itself. Since settling there, Disney has managed to finagle over a billion dollars in tax exemptions, subsidies, and other incentives by bribing city officials -- or as they called it after the '70s, donations and "personal friendships." That's a billion dollars Anaheim couldn't spend on its citizens, who are suffering from a serious crime and homelessness epidemic among those not lucky enough to live in the shadow of the giant mouse ears.

But the times are a-changing. During the 2016 election, the people of Anaheim backed a decidedly anti-Disney council majority, which has already dealt the corporation a few heavy blows, like blocking a $300 million proposal for the city to build a streetcar network which would mostly make it easier to bus tourists to Disneyland. Soon, Disney might have to start actually paying for their own boondoggles. Which reminds us ...

But it's important to remember that Agents Of S.H.I.E.L.D. is the only Marvel show on terrestrial TV that Disney owns (all the others are Fox's, and more on that later). Therefore, it's the only thing keeping the franchise warm for your Netflix-illiterate mom and dad in the 2.5 weeks between new Marvel movies. To that effect, Agents Of S.H.I.E.L.D. is less a show than a really expensive advertisement, or a disease vector keeping Marvel Fever's nerd mortality rate at its peak.

But propping up a dying series for the hell of it is nothing compared to the financial sinkhole that is Pandora -- The World Of Avatar. Based on a very profitable movie people forgot existed five minutes after leaving theaters, Disney spent five years and half a billion dollars making a boring blue planet come to life. Of course, this was under the assumption that Avatar would still be relevant today, before James Cameron postponed the sequels by a decade and Disney realized that half of its visitors wouldn't have been alive yet to be disappointed by the first movie. So the finished product was less an Avatar cash-in and more a generic weird alien jungle. Disney even decided not to include any of the movie's memorable cast, like Retired Guile, Snagglepuss Smurfette, or Man.

When Pandora finally opened in May 2017, early reviews were great, but the novelty is quickly wearing off. Yet despite the public responding with a resounding "meh," Disney greenlit the construction of two additional attractions and a themed restaurant in the area. Because it doesn't matter what we think. Pandora Land is happening because Disney wants it to happen. Agents Of S.H.I.E.L.D. is staying because Disney wants it to stay. You will think what Disney lets you think. You will go where Disney lets you go. And you will only know the sweet freedom of death when Disney lets you die. Which will happen only after you visit Pandora. Now only $99 for a one-day pass.

As a result, Disney had set their new branch up to fail. They bought gaming studios known for making innovation-heavy indie darlings and had them make family friendly puzzlers, then switch mid-development to mobile games, then to free-to-play, stopping short of telling them to develop new IPs for the burgeoning cup-and-ball platform.

After a string of flops and even more cancellations, Disney did the only natural thing a company with billions in profits, a talented group of developers, and all the time in the world to get it right can do: They shut it all down. By 2016, Disney had sunk all the companies it had bought. It even shuttered LucasArts, firing everyone and just keeping the name (because it meant something before Disney got its hands on it). It went back to selling its licenses to real game companies, so they at least stand a chance of making a decent game and the corporation can go back to bossing them around without any risk.

Which brings us to our next scheme ...

Because of Star Wars' unparalleled popularity and rabid fandom, Disney realized it could get the most out of its franchise by holding it ransom. For the privilege of screening The Last Jedi, Disney handed movie theaters a strict list of demands as if it was waiting for the pizzas and helicopter to arrive. Among the most stringent were its demand that every theater fork over 65 percent of its ticket profits to Disney, the biggest cut theaters have ever seen. Venues also had to promise to show the movie for four weeks without interruption, or else be fined another 5 percent in "Pay us, we're Disney" tax.

While a four-week mandate and a mobster-level taste of the action doesn't deter anyplace with a couple of IMAX screens and backroom full of lightsaber-colored M&Ms to shill (they're nothing but regular M&Ms with the brown ones picked out), such demands are ruinous for small-town theaters that only have a single screen. Many of them had no choice but to not screen The Last Jedi, as it would have to count on everyone and their cattle seeing the movie several times in a row to turn a profit. So if you had to leave your moisture farm and travel several parsecs to get some porg action, you know who to blame.

But movie theaters aren't the only ones suffering from the tyrannical yoke of the Empire's distributors. Disney also tried to use Star Wars to quiet dissent among the rabble-rousers, i.e. journalists. Remember Disney's shady dealings with the city of Anaheim from two bathroom breaks ago? It was The LA Times that broke that story, running a whole series exposing Disney's corruption. As a response, Disney decided to punish the paper by banning its reviewers from attending screenings of The Last Jedi. When confronted about this, Disney reps simply stated that they would not play nice with a paper which "showed a complete disregard for basic journalistic standards," specifically the part that warns that snitches get stitches.

It took almost the whole of film journalism to temporarily grow a backbone and refuse to review the movie for Disney to back down from its petty tyranny. Because at this point, nothing less than a whole industry can still stand up against the Mouse. And Disney has found a way to fix that, too.

By absorbing Fox, Disney would obtain the last piece of a puzzle that looks like Goofy throwing a guy wearing a Wolverine shirt over a barrel, as 21st Century Fox owns literally every scrap of Marvel (X-Men and Fantastic Four) and Star Wars (A New Hope) that Disney hasn't devoured already. Also, did we mention Fox owns Avatar and its upcoming sequels? We're running seriously low on red string and thumbtacks over here.

While owning all of Marvel and Star Wars would do wonders for Bob Iger's OCD, Fox has something a lot more valuable which Disney wants: TV shows. Buying Fox means getting their gloves on the entire back catalog of The Simpsons, Futurama, Family Guy, and more. With Fox and Pixar in its pocket, Disney would basically own most of Western animation, leaving anti-Disney people with few things to binge on besides South Park and old anime -- otherwise known as a 4chan Friday night.

And so we finally arrive at Disney's next big step in entertainment world domination: streaming. As a business model, streaming relies on "nostalgia programming," which is coincidentally also the term for how Disney brainwashed us into giving a crap about The Lion King, even though we haven't seen the movie in 25 years. By 2019, Disney will have removed all of its content from Netflix so it can start its own streaming service. And between its half-dozen geek movie franchises, Fox's TV shows, and its own century's worth of content, it will without a doubt blow all the competition out of the water.

But this isn't the only way Disney intends to burrow itself into the digital age. For years now, the corporation has been quietly dominating the under-12s internet with what is now called the Disney Digital Network, a string of Disney-only blogs that look like if China's propaganda arm was run by BuzzFeed. Now it's ready to go after the real internet prize: YouTube commenters. In 2014, it bought Maker Studios, which hosted a network of over 60,000 YouTube channels, including massively popular ones like Epic Rap Battles Of History. Disney then gutted and absorbed the studio into its new network, assimilating its 1,000 most worshiped streamers into the Disney brand, luring their massive Gen Z viewership to the Disney side of the internet like some weird reverse pedophile ring.

Which, if you're keeping count, only leaves social media, surely a platform too chaotic and under-performing for Disney to bother with, right? Wrong. Disney has already shown a great interest in acquiring Twitter, the favorite social media app of comedians and Nazis. And the app has been struggling for a while now, and will most likely be sold off to the highest bidder. Which will be Disney. It will always be Disney. It's only a matter of time before every moment you goof off at work, every minute you sit on the toilet scrolling through your phone, every weekend you waste binging on a show you've seen a million times before, you'll get it in the face by the squiggly D.

There is no escape.

Cedric Voets really wished he'd gone on the teacup ride one last time before writing this article. You can find more of his commie ravings on Twitter.

We know you want a pair of those darn Mouse ears. Here's a 12-pack.

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