5 Huge Real-World Problems Hollywood Completely Ignores

4 Where Are The Movies About America's Opioid Crisis?

The opioid addiction epidemic in the U.S. is the single worst drug crisis in the nation's history. It kills more people than guns and car crashes combined, more than AIDS did at its peak, and it's worsening by the year. It is a shocking and ongoing issue, yet its pop culture presence is almost nonexistent.

We have dozens of movies about cocaine, like Scarface and Blow. Crack showed up all the time in '90s "hood" movies like Clockers and Menace II Society. Tons of pot movies will get made every year until people stop loving pot, which is due to happen any never now. But the opioid section is bare. Even heroin movies are rarer than other drug flicks. You have Trainspotting, Requiem For A Dream, and Pulp Fiction, and those are all decades old. There's nothing about Oxycontin or fentanyl, even though those are killing way more people than heroin.

3 Abuse By Schoolteachers Is A Pretty Big Deal In Reality, Not So Much In The Media

Movies have a complicated relationship with authority figures. Priests either impart wisdom to heroes or are horrific abusers. Soldiers either sacrifice their lives for innocents or torture people. Cops are either saviors or embroiled in corruption. Mall Santas either create childhood memories or beat up Arnold Schwarzenegger.

But there's one authority figure movies don't often touch: schoolteachers. Most teachers in movies are inspiring and life-changing. At worst, they're boring sticks in the mud, and they're rarely villains. Yet schoolteachers abuse an estimated 10 percent of K-12 students in some way, ranging from verbal taunts to sexual assault. While it's by no means the same thing, that's in the same ballpark as the 7 percent of Catholic priests who have molested children. Authorities arrested nearly 500 teachers for misconduct in 2015 alone.

But this issue is almost never seriously addressed in our media. We do have "evil" teachers like Ms. Trunchbull from Matilda or Sue Sylvester from Glee, but those are over-the-top cartoon villains, clearly detached from reality. And we have sexually inappropriate teachers (who are mostly female), but such scenarios are mostly played for laughs and/or titillation. None of these portrayals have the appropriate weight behind them, so we as a culture just kind of laugh it off.

2 Most Immigrant Movies Are About Europeans

Classic immigrant movies like The Godfather and Gangs Of New York depict immigrants from Europe becoming successful criminals in order to achieve the American Dream (this was before the American Dream was truncated to just "becoming a successful criminal"). Others, like Brooklyn, The Immigrant, and In America, feature more realistic depictions of the hardships that immigrants had to go through. But why was that last sentence in the past tense? Immigration didn't end with the Irish.

Immigration from Europe was all the rage through the '60s, but has died off since. Now Mexicans are our biggest pool of hopeful would-be citizens. We might have a healthy Syrian refugee population, but the president springs out of bed every morning with a new plan to keep them out. Every American patronizes a few businesses owned by Indian immigrants. At least, like, two of them probably have a cool story about how they came to own that Quiznos.

1 There Are No Armenian Genocide Movies For A Disturbing Reason

Hollywood loves genocide. Or ... well, "loves" is the wrong word. But they don't shy away from it. There's Hotel Rwanada, The Killing Fields, Schindler's List, Sophie's Choice, The Diary Of Anne Frank ... wow, there are a lot of Holocaust movies. But there's one genocide that Hollywood won't touch: the Armenian Genocide.

In 1915, the Ottoman Empire began an ethnic cleansing of Armenians. 1.5 million died, with millions more displaced or put in concentration camps. This seems like the perfect mix of tragedy and horror for an Oscar-baiting Spielberg flick. So why did he make Ready Player One instead? It's not (entirely) his fault. Hollywood has been trying make an Armenian Genocide movie for decades. In 1933, MGM attempted to turn the novel The Forty Days Of Musa Dagh into a film starring Clarke Gable. The U.S. State Department shut them down. Why? Because of Turkey -- formerly the Ottoman Empire.

Turkey denies that the genocide ever happened -- a policy they want to impose upon on every nation on Earth. If MGM made the movie, the Turkish government threatened to ban all MGM properties -- and possibly all American films -- from the country. They even claimed they'd "launch a worldwide campaign" against the movie. They ominously stated that it "rekindles the Armenian question. The Armenian question is settled."