5 Creepy Changes The Government Forced On Movies & TV Shows

The number of shows with anti-drug messages tripled after the ONDCP started their initiative, but everyone involved insisted that this was all a complete coincidence. "We just happened to realize drugs were terrible at the exact same time this bag of money arrived!" Hollywood said, unconvincingly. Obviously, the initiative was a bust: After a few years, the ONDCP analyzed their data and cancelled the program, concluding only that they had vastly overestimated the persuasive power of Tim Allen.

But the Pentagon liked how, in-between firefights, the characters exchanged grizzled, patriotic man-ologues that were the verbal equivalent of having an American flag shot into your chest by a T-shirt bazooka. They figured that regardless of the politics surrounding the battle, we should still be proud of the soldiers who fought it ... except for John Stebbins, who was later sentenced to 30 years in jail for repeatedly raping his 6-year-old daughter.

Yeah, it's hard to root for a violent, incestual pedophile, no matter how many stirring speeches he gives. The Pentagon pressured the movie's screenwriter to change Stebbins' name and, because they were providing military equipment and training to the actors, he had little choice but to agree. So John Stebbins became John Grimes, a rookie soldier who learns valuable lessons about combat, camaraderie, and most importantly, not raping children.

Columbia Pictures
"Oooooh. Do not do that. OK, got it!"

The 2012 remake of Red Dawn, which made Rocky IV look like a nuanced meditation on Cold War politics, needed a new enemy for a new century. So after a screenwriter Googled "communism" and selected "newest results first," Red Dawn went into production with China as the updated 21st century invaders of America. Unfortunately, the screenplay for this delirious xenophobic fever dream leaked and angered one of China's state-run newspapers, which accused Red Dawn of planting "hostile seeds against China" that would "sprout beanstalks of capitalism" and "unleash the giant bees of Western civilization to pollinate the minds of the proletariat."

All right ... maaaaybe we made up the last two quotes.

Studio executives, not willing to risk offending a foreign nation (and, more importantly, its massive box office), ordered the invading country changed to North Korea in post-production at a cost of $1 million and what little credibility the movie was clinging to. This mostly involved digitally editing all the Chinese flags to Korean ones and coming up with a new opening that explains how North Korea was suddenly capable of occupying the United States despite being so underfunded and technologically backwards that they'd have trouble invading your personal space.

Metro-Goldwyn-Mayer
North Korea can't afford that many new flags.

"We were initially very reluctant to make any changes, but after careful consideration we constructed a way to make a scarier, smarter and more dangerous Red Dawn that we believe improves the movie," said the producer of a film that was universally panned for being idiotic nonsense and made $44 million against a budget of $65 million. After all the delays and work put into watering down the film's baffling political message, it ended up not even being released in China, because while the movie was no longer actively offending the Chinese government, their citizens continued to not give a shit about the terrible reboot of an '80s political exploitation flick.

Metro-Goldwyn-Mayer
Hey, did we mention that in the original script, China was able to invade because they controlled America's economy?

"It's our opinion that we're not in the business of antagonizing our partner, even though we've done it, and continued to carry it over the N.F.L.'s objections. To bring it back would be rubbing it in our partner's face," said an ESPN executive vice president of the show that just happened to be cancelled in the middle of negotiations with the NFL over a $1.1 billion Monday Night Football contract. Now, ESPN said that "not for a minute did [the NFL] imply that the future of our partnership would be based on this program," but if you rely on someone for the majority of your livelihood and they've made it clear that they don't like what you're doing, you don't push your luck. It's like how you can't get away with leaving your dirty dishes for your roommate to clean when you're a month behind on rent.

Zero Dark Thirty's director and screenwriter had a long and controversial relationship with the CIA, who wanted to look as awesome as possible in the movie, so they let the filmmakers see reams of stuff Uncle Sam otherwise wanted to keep hidden. Some of what they did was standard film industry protocol, like buying agents lunch and bottles of tequilas in exchange for insights on the script. (Side note: We will also read your script in exchange for tequila.) But the ZDT team also got crazier privileges, like access to classified documents, in exchange for one itty-bitty concession: The movie had to made torture look effective.

Columbia Pictures
"Kathryn Bigelow was the first to make Keanu Reeves look like an effective lead. She can do this."

The CIA maintains that without its "enhanced interrogation techniques," bin Laden never would have been found, a claim the movie backs up by having key information come from waterboarding. This account is disputed by a variety of analysts and politicians, who argue that torture only produces useless false intelligence, and is also kind of a shitty thing to do.

Columbia Pictures
Kind of a waste of water too. You know, while we're on the subject.

The ethics and efficacy of torture aside, expecting to get an accurate version of a controversial series of events from the agency directly responsible for them is like expecting to write an accurate dramatization of a high-profile murder case by only interviewing O.J. Simpson.

Blair is on Twitter. When not obsessing over pointless pop culture trivia, Henrik Magnusson also enjoys harassing the Internet with his comics. No charges have yet been filed. Ray McBride enjoys peeping into other people's lives and having abuse hurled at him by strangers; this is why he's on Twitter. He also has a Hub Pages account for stuff too good for any other website to publish.

Thankfully, there are some filmmakers out there that fight against change. Like the makers of South Park continually pushing the envelope or Stanley Kubrick insisting elevator blood is just rusty water. See what we're talking about in 6 Sneaky Ways Movies And TV Shows Outsmarted The Censors and 6 Brilliant Ways Movies & TV Shows Stuck It To The Censors.

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