The 5 Most Sadistic 'Game Over' Scenes in Video Game History

At least the villains of Final Fight disposed of their defeated enemies in a suitably cartoonish fashion.

This wouldn't necessarily have been traumatizing on its own. It's no worse than a Bugs Bunny cartoon. But there's something about the way Haggar tried to blow out that bomb's fuse. There's so much fear and panic in his face -- you know he wants to live, and it is only your miserly quarter-guarding that is dooming him.

Then there's the Punisher arcade game, where the Punisher's sidekick frantically attempts to resuscitate his boss' battered body. It does not appear to be working.

That's because what the Punisher's dying body really needs is a 25-cent infusion, stat! We know it's only a handful of pixels, but if you squint at just the right moment, you can watch a man's heart break as his friend and mentor dies right there on the street.

Mark Hamill has had a long and varied career, but he'll always be remembered for playing a single iconic role: an ordinary farm boy who grows up to be one of the greatest space fighter pilots the galaxy has ever seen. We are of course referring to Christopher Blair from the Wing Commander series.

One of the selling points of Wing Commander IV was a storyline that branched based on your decisions, actions, and accomplishments. By this point in the franchise, Blair is already a bona fide hero to humanity, but continued failure to meet your objectives leads to the worst fate a fighter pilot can suffer: a poor performance review from Malcolm McDowell.

McDowell lectures Hamill with the exacting precision and terrible viciousness that only a man who looks like Sting from the future can muster. At the end of the berating, Hamill is stripped of his commission.

Ever the gentleman, Hamill offers a farewell handshake, but McDowell has to be all McDowelly about it.

That should be it. That's waaay more than enough humiliation for a simple "game over" screen. You've taken your lumps, and you're ready to jump right back into the game to- no? It's still going? Jesus, is this a tactical space fighter or a disappointed mother-in-law simulator?

The humiliation continues on, as the scene jumps to a desert bar on Blair's home planet. The bartender pours him a generous splash of space booze, and the utterly defeated Blair slumps into a drunken depression that surely ends with him placing the business end of a blaster in his mouth.

The finale of The Amazing Spider-Man vs. The Kingpin has the titular villain dangling Mary Jane over a kiddie pool of acid. Here's what happens if you lose the fight.

Oh no! Clearly you're about to be dipped in acid. Well, you get the gist, time to hit "continue" and try again ... just as soon as you finish watching both your favorite hero and his sassy lovable wife melt into a fine slurry.

There was nothing unclear about that first still. Nobody lost that boss fight, saw Spidey and MJ up there about to go skinny dipping in the deepest end, and thought, "I wonder what happens next?" And yet they showed us anyway. The act itself isn't graphic. There's no blood or gore, but you definitely see Mary Jane's bare legs being submerged in acid, leaving little doubt that your favorite superhero and his wife died a horrific and agonizing death because you personally failed him. That's maybe a little heavier than we were prepared to deal with when we popped in our cutesy cartoon Spider-Man game. It made for some pretty philosophical Saturday mornings, all staring gloomily into our Alpha-Bits and only seeing the words "inevitable" and "mortality" spelled out there.

Don't wanna watch Batman die? Don't lose, sucka!

So you hit "continue," grit your teeth, step up to the bat (ha!) again, swing for the fences this time, and win! Here's one of the endings you might get: Ra's acknowledges his personal defeat, but the celebratory Batoosi is interrupted when he whips out a gigantic TV remote to activate his doomsday device.

That's the North Pole exploding. Generally considered "a bad thing" by fans of the environment and breathing oxygen instead of water. Then you're treated to a montage of city after city being devoured by tidal waves.

Batman watches with growing slack-jawed horror as the world dies, eventually falling to his knees and screeching out a "Nooooo!" that would make Darth Vader proud. The game even throws a spotlight on him from out of nowhere, you know, in case you were having trouble appreciating the dramatic significance of the apocalypse.

Aaaaand roll credits. Congratulations! You ... won?

Gamers were understandably confused as to why Batman's adventure "successfully" ended with a global disaster. Unbeknownst to them (because the game didn't bother to mention it), the player has to disarm a signaling device before starting the final boss fight, so that Ra's device can't send its signal. Oh, you didn't think to search out and block potential radio signals before your big boss fight? Psh, the real Batman would have.

Winning at X-COM, a strategy game about humanity repelling an alien invasion, requires both tactical prowess and mastery of the raw thrills of budget management. Fail at either and it's game over, because extraterrestrial threats are no excuse for deficit spending. If you lose, you're treated to a slideshow that explains, in specific and seemingly infinite depth, what your failure meant for mankind exactly. First you learn that your failure means humanity will have to accept alien invaders, then you're told that the aliens have no intention of honoring their treaties, then it's further explained that the aliens began to exterminate humanity by poisoning the air and water (at ... at a slightly quicker pace than we're accustomed to, we guess).

A normal game would have thrown up the "retry" option after the first screen. But X-COM ain't even finished yet. It's not enough to tell you that humanity has devolved into terrible mutants. You need to see and learn about those mutants and their awful fate, and be further reminded that the whole project was for nothing, and that the entire Earth is screwed because of your failure:

When the game was ported to the PlayStation, they actually set aside some dollars and a good chunk of their employees' time to rework the failure slideshow into a full animated cutscene. Because X-COM's entire core gameplay philosophy is and always has been "Fuck you, the player, personally and with great vigor." That extra dev cash could've gone to new game modes, better graphics, or a fuller score -- but no. X-COM got their hands on that sweet port money and shunted it right off into the "Make the Player Feel Like Shit" fund.

First we see a sinister UFO hovering over the United Nations Building.

Inside, humans and aliens sit across from each other at the negotiating table. Well, OK, it always sucks to be on the losing side. But they're signing some kind of treaty, indicating that the aliens have at least the barest respect for their defeated opponents. Maybe there is a bit of hope after all.

And that's when a group of armed aliens burst into the room ...

... and put a gun to the already defeated delegate's face.

And you watch his blood drip straight onto the peace treaty.

X-COM took the abstract concept of subtlety out to the shed and bashed its face in with a shovel, then burned the shed down and pissed on the ashes.

Gavin hopes the SimCity novelization prequel reveals how the mayor gained earthquake and tornado powers. He has a Twitter.

Related Reading: Video games tend to have a history of disappointment. Just ask anyone who enjoyed the awesomeness of GoldenEye, only to battle the equivalent of a child at the end. Or had to suffer through bizzare Tekken endings. Sometimes, though, they do hit the mark, like these games that created truly horrifying enemies.

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