borders. Once the critical component of 'casually jiggling' is removed from Charlie' Angels
all you're left with is the plot. We could write a better plot by sticking a pen and paper in a tub of Jell-O and shaking it around. Or have Drew Barrymore write it with the pen wedged between her titties. But, don't let that image detract from the sheer fact that titties titties deficient in the sense that titties, titties, titties. Titties, titties, titties, titties? Titties.
PS: If you ever replace Bill Murray with Bernie Mac, you'd better be doing some kind of Schindler' List thing where you're saving good comedians in a dark, totalitarian comic-killing future. No offense to fans of "Man-that-guy-talks-in-a-funny-way!" humor, but damn, that shit is whack.
Pretty simple, really. You have an actor, Will Ferrell, starring in a movie adaptation of a TV show, in which he plays an actor, who in the movie is set to star in a TV adaptation of the same TV show the movie is an adaptation of. There are so many levels of meta here we're surprised that half way through the movie they didn't replace Will Ferrell with Will Arnett.
We'll never know how many writers or rewrites that script went through before they arrived at this one. We're going to guess it happened after about the 25th revision, at about three in the morning, right after the writer had a nervous breakdown. Maybe this script is what he did instead of climbing up in a tower with a rifle.
Alleged Improvement: Academy Award-winning actress Nicole Kidman
That' right, she wins the Oscar in 2002 and by 2005 she' starring in a remake about a remake of a show America forced off the air in 1972. We're trying to figure out at what stage this project still seemed like a good idea, and we're thinking it was about half a second after her agent said the words, "Nicole, we're looking at a project with Will Ferrell. It' ..."
On paper, you could go in a couple of different directions with a Miami Vice movie and come out the other end with a decent flick. In the spirit of the Brady Bunch Movie, you could celebrate the dated kitschy-ness that embodied the original TV counterpart and make a pretty funny movie that puts Colin Farrell and Jamie Foxx in dangerously bright Armani jackets. Conversely, you could take already established characters and make a fairly decent buddy-cop, action flick. Going in a third direction, you could be Michael Mann and shit all over the iconic TV show that you, yourself, created by sticking two, ego-driven superstars with no business appearing in a film together and top it off with your interesting-to-no-one-but-you style of dark, in-your-face filmmaking.
Alleged Improvement: Adding grit
People generally remember two things about the show Miami Vice
: ridiculous, now-hilarious pastel suit jackets, and the warm, sometimes homoerotic, chemistry between Don Johnson and Philip Michael Thomas. Not only were the pastels removed, but thanks to Michael Mann' "style," the entire movie was so fucking dark
you could barely tell who was Crockett and who was Tubbs. Speaking of whom, the reassuring "buddy" feel that accompanied the show was completely absent from the movie Vice
, and you got the impression that Farrell and Foxx genuinely hated each other. They didn't enjoy one another' company on screen and rarely made eye contact. You half expected them to turn their guns on each other. Not that you'd know which cop to root for if it did
come down to that, as there was zero character development and the whole thing looked like it was shot through a rusty window screen.
Transformers are giant kickass robots that fight and blow up things, then transform into awesome vehicles that also fight and blow up things. The 1986 animated movie makes up a fair fraction of the soul of everyone who was a boy at the time. It takes hard work to screw up that concept, but as Street Fighter and House of the Dead have proven, some directors are prepared to work extremely hard when their Dark Lord, Who Is Satan commands them. Watching Optimus Prime prancing around the house for a nerd who can't command a chihuahua with a broken leg? It's like watching your dad get beaten up at a softball game. We're not saying Michael Bay turned the '80s icons of awesomeness into a bunch of retarded, grunting dumbasses out for cheap laughs but, well, there was that one scene where Bumblebee pissed on a guy so we guess we are saying that.
Sure, the movie made a billion dollars at the box office. The commercials were awesome, and how were we supposed to know it was bad if we didn't actually go see it? Twice?
Alleged Improvement: Focusing on puny humans instead of the giant incredible wondrous Robots in Disguise.
As you may detect, we consider that a mistake. There are only a few things humans can do that robots can't, fewer that normal people want to watch, and none that you can show in a kids' movie. After the human-centric Transformers and the disaster that was Pearl Harbor
, you have to ask yourself: Does Michael Bay miss the point so spectacularly as a statement, or is it some kind of medical condition? Is he this off-point in daily life? Does he need someone to help him aim at the urinal? In any event, we've prepared this simple test: Michael, if you're making a movie about GIANT TRANSFORMING ROBOTS, and less than one-third of the movie actually contains GIANT TRANSFORMING ROBOTS, you may have made a mistake.