Sure, if you look hard enough you're going to see bestiality, orgies and freakishly small penises in EVERYTHING.
But in the case of classic works of art, you're often right. Yes, as much as we mock Dan Brown around here, the one thing he's right about is that old-school artists like Michelangelo and Da Vinci loved to plant little "Easter Eggs" in their work, often things that would never have made it past the censors.
Michelangelo's ode to the Book of Genesis, The Creation of Adam, has endured not only as the most famous of the Sistine Chapel panels, but also one of the single most iconic images of humanity.
Note how Adam's pose mimics God's, how mankind is framed off from the Heavens by earth and mountains, and how God and his entourage are rolling around in a gigantic, floating brain.
Wait, What the Hell?
Look closely. It turns out that the figures of God, His angels and even the soon-to-be-created Eve under His arm form a nearly perfect cross-section of the human brain.
While some might dismiss this as a coincidence, experts suggest that it would be harder to explain that this was not Michelangelo's intention. Even complex components within the brain, such as the cerebellum, optic chiasm and pituitary gland can all be found in the picture. As for that sassy green sash running down the pons/spinal column/dude-holding-God-up, it follows the path of the vertebral artery perfectly.
Along with drawing, painting, sculpting, St. Peter's Basilica building and generally being among the universe's top bananas, Michelangelo counted cadaver dissecting as a favorite way to pass the time. He was so mad about corpse-cutting, in fact, that a friend once presented him with a perfectly formed dead Moor as a gift.
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According to historians, after receiving it his expression looked exactly like this.