The 9 Most Racist Disney Characters
These old Disney movies are a little bit like your aging Uncle Frank. Honestly, he means well when he points out that Will Smith is "well-spoken." It's just that he, like the assemblage of clips below, dates from a time when people were unfairly characterized by their ethnic background (the acceptable methods are, of course, religion, geography, sexual preference and income).
The opening musical sequence from the hugely popular 1992 animated film had to be edited due to protest from Arab-American groups for saying about the Middle East what most of us were merely thinking.
Lesson Learned:
The Middle East is a barren wasteland where the justice system runs on a clear and simple limb-removal policy.
Best (Worst?) Moment:
"Where they cut off your ear if they don't like your face" is the offending line, which was changed on the DVD to the much less provocative "Where it's flat and immense and the heat is intense." Whatever. Our question: In a city full of Arabic men and women, where the hell does a midwestern-accented, white piece of cornbread like Aladdin come from? Here he is next to the more, um, ethnic looking villain, Jafar.
In this 1989 film, a Jamaican-sounding crab teaches Ariel that life is better "Under the Sea," because underwater you don't have to get a job.
Lesson Learned:
Up on the shore they work all day
Out in the sun they slave away
While we devotin'
Full time to floatin'
Under the sea!
Are we reading too much into it? Do you see anything wrong with how they've drawn "the duke of soul" at 1:57?
Still too subtle? How about at 2:01 when the "blackfish" appears?
Best (Worst?) Moment:
As far as Disney movies go, you've got two choices: unforgivably offensive and just slightly racially insensitive. Sebastian definitely falls into the latter category. So while making Sebastian a charming, party-loving stereotype is a baby step forward for Disney, it's still a stumble backwards for civil rights.
In this 1941 classic, Dumbo the flying elephant runs into a band of jive-talking black crows who sing, "I'd be done see'n about everything/when I see an elephant fly!"
Lesson Learned:
Come on, blackbirds acting in a manner stereotypically assigned to African-Americans isn't that offensive. At least they didn't just get some white guy to do his best "black voice." Oh, really? They did? And, they called the lead character "Jim Crow?" Um, hey, look over there! It's a convincing, logical end to this argument!
Best (Worst?) Moment:
So many too choose from. The crows are very specifically depicted as poor and uneducated. They're constantly smoking; they wear pimptastic hats; and they're experts on all things "fly," so it's really a team effort contributing to the general minstrel-show feel to the whole number. You could pretty much pause this video at any second and use it as evidence in your hate-crime lawsuit against Disney.
For its time, though, the portrayal of the crows was almost progressive. The crows band together and help Dumbo learn to fly, so they're counted among the heroes of the film. Remember, this was just a couple of years after somebody introduced a bill to outlaw lynching and congress voted it down. So, you know, you take what you can get.
Having outgrown the crude portrayal of African-Americans as black crows, in 1967 Disney decides to portray them as monkeys instead.
Lesson Learned:
All animals in the jungle speak in proper British accents. Except, of course, for the jive-talking, gibberish-spouting monkeys. Did we mention they desperately want to become "real people?"
Best (Worst?) Moment:
Fine, so an ape singing, "I wanna be like you" might be a little subtle, in a "we own multiple copies of Catcher in the Rye" conspiracy theory kind of way. Still, considering the author of the The Jungle Book also thought up "the white man's burden", we don't think it's too much of a stretch.
Overt racism against African-Americans was obviously intolerable by the time this Chip n' Dale series began in 1989. Overt racism against Asians, luckily, was still on the table.
Lesson Learned:
Even as criminals, Asian-Americans immigrants, represented here by a gang of cats, have become integral parts of American culture. Kidding! They own a laundromat, run an illegal, basement gambling operation and speak in horribly mangled "Engrish." It's like a designer of World War II propaganda posters accidentally quantum leaped into the body of a late '80s cartoon writer.
The video becomes cringe-worthy about six minutes in:
Best (Worst?) Moment:
The Siamese Cats sell their karate expert Juice Lee, a Japanese fighting fish, for a suitcase full of dead fish. If you can't find something offensive in that sentence, congratulations. You're a cyborg.
Of all the items on this list, this is the one Disney has tried the hardest to make us forget.
Lesson Learned:
Even in Fantasia's beautiful, magical landscape, African centaurs are hoof-polishing handmaidens for prettier, Aryan centaurs. Also, 1940 was a great year to be a centaur fetishist and/or Don Imus.
Best (Worst?) Moment:
It was insulting enough for Disney to include the smiling servant stereotype to begin with, but, to make matters worse, they started categorically denying Sunflower's existence with the Fantasia re-release in 1960. How does that possibly make things better?
"No, you misunderstand. In our perfect, Fantasia world, Africans aren't servants. They don't fucking exist."
In this charming musical number, the "Red Man" explains his people's history and culture.
Lesson Learned:
Why do Native Americans ask you "how?" According to the song, it's because the Native American always thirsts for knowledge. OK, that's not so bad, we guess. What gives the Native Americans their distinctive coloring? The song says a long time ago, a Native American blushed red when he kissed a girl, and, as science dictates, it's been part of their race's genetic make up since. You see, there had to be some kind of event to change their skin from the normal, human color of "white."
Best (Worst?) Moment:
It's a tie between Tiger Lilly's traditional Native American hussy dance, and the number of times Native American's misogynistic tendencies are played for laughs (hint: It's more than three!)
The tales of Br'er Rabbit are relayed by kindly old Uncle Remus, a black man happily working on a plantation in the post-Civil War South. Disney has never released this one on home video, for some reason.
Lesson Learned:
The late 1800s were a great time to be African-American and possibly on acid.
Best (Worst?) Moment:
Less eerie than any imaginary singing birds is what's not in the film. It's as if someone made a children's musical about Jews in post-World War II Germany that had a number titled "Hey! Nothing Bad Has Happened to Us, Ever." Also failing to reach the screen: When the movie had its world premiere in 1946 in Atlanta, James Baskett, the actor who played Remus, was not allowed to attend. Zip-a-dee-doo-dah!
Lesson Learned:
"What's the deal with Africans? If they're not trying to eat it or throw a spear at it, they're worshiping it as a some sort of tribal deity, am I right?"
Best (Worst?) Moment:
Where to begin? The book compiles almost every offensive preconception of Africa lurking in the American subconscious.
Some choice quotes:
"Well, well." Mickey laughed ... "So I'm supposed to be your governess and nursemaid, and you can't even talk!""Let me see. A genuine African native," Mickey murmured. "Perhaps I should start showing him off."
Perhaps the most depressing part is that this was somebody's idea of tolerance, back in the ideallic '40s:
"Poor little guy! He just makes mistakes. He doesn't know any better. I'll just have to be patient and teach him the right way to do things," said Mickey.
If you liked this article, you may also enjoy Ben Joseph's 10 Most Ridiculous Overseas Rip-Offs of American Films. Or, check out Mike Swaim's rundown of some very naked propaganda.








I think you can find better examples in old Bugs Bunny/Warner Bros cartoons. I remember one cartoon about Daffy Duck owning a cornfield, which a stereotypically Mexican crow was trying to get into because yanno, he was poor and Mexican. After Speedy Gonzales convinces Daffy to be more accepting and let the crow share his cornfield, the crow immediately fucks Daffy over, locking him out of his own cornfield and inviting all his "amigos" to eat the corn. The crow then looks into the camera and justifies himself by saying that's "just what I do", or something along those lines.
ReplyThis is different than most of these examples, in which the stereotyped characters are usually painted as positive and friendly to the heroes of the movie. That Mexican crow was a dick.
I think the only legitimate racist Disney movie is Dumbo, since back when they made it it was purposely made that way. But the problem is not the way they were depicted, because such individuals did exist, but black people in those times were called crows.
ReplyI consider the Peter Pan argument unfair because it was written that way in the play and in the Novel. :(
What a surprise. A ton of comments from people saying "This one wasn't racist". A whole bunch of ignorance going on.
ReplyI saw Peter Pan as a kid but now when I see this clip I'm like Christ why didn't I see how bad this was back then... haha...
ReplyThus I return to the article that got me started on this glorious website 3 years ago :)
ReplyThe Aladdin one is cheating, since it's using a picture where there is a lot of lighting, making Aladdin look paler than he really is, and then comparing it to Jafar who is not lit up.If you're that desperate that you need to use out of context pictures, you should have removed the 'Aladdin is white' complaint. Also, Sebastian is racist?? He's the most responsible, rules-following character in the movie! The crows from Dumbo may be stereotypical, but they are also some of the nicest characters as well and help him learn to fly. Uncle Remus is a free man telling the kids traditional stories, and King Louie was voiced by Louis Prima, an Italian jazz singer who was well known in America. This list should be 4 not 9...
ReplyIt is very easy to discredit what someone says if they defend someone named 'Jim Crow' and Song of the South.
This is about racist stereotypes, not whether someone is "nice", or "follows the rules".
That Louis Prima song is the sht....
ReplyI never cared about stereotyping in Disney, simply because it's in nearly every film. Watching them as a kid, I could give less of a crap. The Merchant? #1, that's Robin Williams. #2, the verse about "the heat is intense" IS NOT BARBARIC
ReplyThe Jungle Book wasn't racist! What on earth is racist about an Italian monkey singing and scatting to an Indian boy about wanting to be like him?
ReplyYup, the monkey wants to be human....
Yes, a monkey that is in no way connected to black people and thus not portraying any stereotype in the slightest.
What's kinda funny is that crows are actually extremely intelligent birds, Cracked actually has an article about it.
ReplyFor those who said they enjoyed disney movies as a kid..so did I... and still do...but just because we didn't get offended as kids doesn't mean its not offensive…its ppl from that culture being offended if they saw it... "why is the red man red" isn't offensive? If I was native American I would be... and well the Aladdin one should be number 2..cut off your ear if they don't like your face! but this is also an indicator of america and its politics and what these subtle implications embed in our subconscious..aladdin was released in 1992 right after the gulf war ...and the lady and the trap chinese, siamese... 1955 during the anti-communist movement, etc.
ReplySo jazz and/or apes/monkeys are symbolic of blacks? Anyone who thinks that is infinitely more racist than that scene.
ReplyWanna be like you? Its a wild animal talking to a human being.
Cousin? Plenty of people consider apes to be the cousins of humans.
Honestly, white people can be so ignorant sometimes, looking for racism and categorizing different things to this race or that. Or taking depictions of certain things and calling it racist regardless of accuracy or lack thereof.
I wanna be a man, man-cub
And stroll right into town
And be just like the other folk
I'm tired of monkeyin' around
shoobiddy shoo shoo .
scoobiddy scoobidy scoobop bop
"Hmm I need to infiltrate this group of monkeys - I know! Grass skirt, couple o' coconuts, Bam."
A scrabababaronie do da bippitty doppity.....
#2 is not racist at all. Trickster tales (as any high schooler will tell you these days) were an integral part of West African culture, which evolved to become a key part of the developing African American culture. What's racist about an old man sitting down to tell the stories of his people?
ReplyI happen to come from the hometown of Joel Chandler Harris, who collected these stories for his book which was the basis for the movie. The stories aren't racist, nor is the dialect of the characters. What really strikes you is the live action scenes, particularly with the black sharecroppers and their deference to the little boy's family (the landowners).
Gee...I don't know...can anyone spot the racism in the phrase "tar baby"? Cause that's in there. Let's all ponder that one for a moment...
I'm pretty sure this article is an attempt to troll. Either that or the author is completely stupid when it comes to this topic.
ReplyYou forgot the alley cat gang in Aristocats.
ReplyKing Louie was voiced by Louie Prima, a well known Italian-America Louisiana native Jazz musician. Yes, audiences of the time were aware of this. In fact, it is the first character in Disney to be performed by an established celebrity. He was white; everyone knew he was white.
ReplyThis is precisely what I was going to complain about. Thank you for beating me to it. I think the author's own racism is coming to light. They should have just left it at 8 instead of 9. A lot of other people seem to agree about King Louis...
That would actually be Sterling Holloway in Dumbo. And Jiminy Cricket was a minor celebrity as well.
So this is a poor use of White Man's Burden, since Rudyard Kipling did not believe in imperialism and, it could be argued, was being ironic. But whatever.
ReplyYeah, but Disney can twist anything into something hateful.
you forgot the hyenas in the lion king. they act like the stereotypical urban black gang members/thug types who are straight out of jail that you see in a lot of movies, though they often also portray darker skinned italians and latinoes the same way (Danny Trejo his whole career) the only thing making the hyenas less stereotypical and racist is their leader is clearly voiced by a white man, and the Lion King he kills is voiced by James Earl Jones, but then again that could have been a metaphor for black on black violence.
ReplyGreat now I'm picturing an urban gang of possibly latino thugs led by Whoopi Goldberg in her Sister Act outfit.
I always freakin' loved those hyenas...
As for the monkeys in Jungle Book, I'm surprised the article didn't mention when Baloo the Bear shows up in blackface (with a coconut over his mouth, similar to the blackface lips) and a grass skirt (like the natives!), scatting throughout the song.
ReplyReally, that was blackface? Seemed like he was trying to look like an ape to me, not a black guy. Or are the two synonymous to you?
The two were synonymous to Disney, it seems
I call bullshit on #2. That wasn't a Disney construction, that's been around since mid 1800's Southwestern lit. The Uncle Remus Br'er Rabbit stories are old as hell. While it was insensitive for Disney to portray them in that fashion, the old tales from Uncle Remus were told in exactly that context: a kindly old black man sitting down to tell old stories of a trickster hero.
Reply Hide All See All 3 RepliesAlso that bucktoothed cat from the Aristocats who plays the piano with chopsticks and has a hilariously offensive chinese accent.
Right. But again, it's really the live-action scenes apart from the animated stories.
As I have pointed out already, using the term "tar baby" would be an impressive start to point out the racist overtones. Or are you cool with that, Alcibiades?