The Top 5 Ripoffs of Christopher Walken Roles (By Walken Himself)

Christopher Walken's work ethic puts all but the most industrious porn stars to shame. The last time America went a full year without seeing him in a film, it was 1975. So, it's no surprise that sometimes he repeats the same roles.

Blessed as we are with an encyclopedic knowledge of pop culture and freed from the distractions of careers or progressive sexual lifestyles, we've managed to assemble some of the most glaring repetitions and judged which are worth watching.

Why he's perfect:
Walken plays villains well and often, in fact, a little too well and too often. How's a director supposed to take any credit if an actor's doing the exact same, brilliant thing he did in his last movie? Luckily, nothing says "auteur's touch" like a big ol' batch of hair dye. Also, a power-hungry villain named Max? Come on, Hollywood. We're surprised Forrest Gump wasn't called "Johnny Historychange Cripplelegs."

The movies:
Max Shreck in Batman Returns

Max Zorin in A View To a Kill

(Max and May Day hover over Silicon Valley in their airship)
May Day: Wow! What a view!
Max Zorin: To a KILL!

And the winner is ...
For a good movie, the answer's obvious, but for some good Walken, it's a bit of a toss up. Sure, he's competent in Burton's superhero blockbuster, but for the manic, over-the-top Walken we know and love, his take on a Bond baddie is classic.

Why he's perfect:
It's stretch to say Walken has a "sensitive" side, but his nervous eyes and thin-lipped smirk, when arranged correctly, definitely have a touch of the tragic. "Paternal" not be the right word, but where others would scream and scenery chew, Walken's performances are downright elegant.

The movies:
Raymond Perkins in Excess Baggage

Even constrained by ridiculous plot points, he still manages to give an enjoyable turn as Alicia's Uncle Ray. Fine, it's not technically her father, but the plots details--precocious, attention-seeking youth flees home and deceives authority figures--are a spot-on match for Walken's next role ...

Frank Abagnale in Catch Me If You Can

And the winner is ...
We have to side with the Academy. They don't hand out the title "Greatest Director of Our Generation" to just anybody with a camera and one of those clappy things.

Why he's perfect:
For those of you who still want to see Adam Sandler's Click untainted, well, you should stop reading now. Oh and forget that you saw the above pairing of header and photograph (we'd imagine forgetting stuff is easy for those of you who fall into this category). Although vastly different takes on the same biblical character, both of these films hinge on Walken's distinct otherworldly vibe.

The movies:
Morty in Click

Gabriel in The Prophecy

And the winner is ...
Neither is worth two hours of your time. Still, we think there's a barely perceptible smirk in Walken's otherwise straight-faced Prophecy performance, which makes it a hell of a lot more enjoyable than the all-too-intentional zaniness of Click.

Why he's perfect:
Based purely on physical appearances, you'd probably get even-money on Walken versus a stiff breeze. When he springs into action, though, it's an entirely different story. Something about him just says "veiled menace." We don't know if it's the pregnant pauses, the penetrating eyes or the raspy baritone (hell, maybe it's just because he's from Queens), but it makes Walken the perfect pretend crime boss.

The Movies:
Vincenzo Coccotti in True Romance
Just like Excess Baggage, at the time this early '90s flick written by Quentin Tarantino traded off the brief, road flare-esque fame of a young couple (this time, Christian Slater and Patricia Arquette). In retrospect, though, it's Walken's performance as an intimidating mob boss that, along with a turn from fellow lifer Dennis Hopper, brings the real star power. Some print editions of Webster's actually define "acting" with the below YouTube clip:

In retrospect, the message of True Romance is clear: steal cocaine from Chris Walken, and you'll get a paunch, receding hairline and the last 10 years of Christian Slater's career. However, little did Walken know, that a scant decade later he'd lose Tarantino and the f-bombs, add Jerry Bruckheimer, and end up playing ...

Salvatore Maggio in Kangaroo Jack

And the winner is ...
This one is a coin toss... assuming you have some kind of rare disease that will cause you to die a painful death if you watch any film other than Kangaroo Jack.

Why he's perfect:
For a long period in the late '70s and early '80s, every young, ambitious director wanted to make a Vietnam War movie. Here was a chance to make a film that was about, like, issues, man, but still contained plenty of fireball explosions. For a character that's been in the shit and lived to tell about it, Walken's perfect. Even as a young man, he's always had the look of guy who's seen more than his fair share.

The movies:
Nikonar "Nick" Chevotarevich in The Deer Hunter
After watching all three hours of this 1978 film, it turns out America's involvement in Vietnam was a lot like a really overwrought metaphor. Or something. But hell, the movie won the Oscar and catapulted a young Walken to fame, so what do we know? And even we can appreciate the frightening intensity of Walken's performance in the famous Russian roulette scene.

True story: Rainier Wolfcastle, The Simpsons' recurring Schwarzenegger stand-in, used to be called McBain, until the producers of this movie forced a name change. You know, to make sure people would take them seriously.

And the winner is ...
The Deer Hunter has awards and symbolism and all that jazz, but come on! Magic bullets! If he'd had those in Deer Hunter he could have safely fired that revolver through his skull and killed all the Viet Cong in the room instead.