Wit Lit 101: Five Classic Novels That Bring the Funny
William Shakespeare might be one of the greatest writers in Western literature, but you sure as hell wouldn't want him to roast you at your bachelor party. Even by the low standards of the 16 th century-when, keep in mind, poking bears with sticks was considered the pinnacle of hilarity-the Bard's fumbling attempts at humor were cringe-worthy. Here's a gem from Hamlet:
Hamlet : Whose grave's this, sirrah?
First Clown : Mine, sir.
Hamlet : I think it be thine, indeed; for thou liest in't.
See, because you lie in a grave, but also-wait for it-the clown is lying. That sound you just heard was your sides splitting.
Still, just because poor Will never got the hang of a punchline doesn't mean you should lump all literature together as joyless slogs. Below, we've outlined a few of the funnier classics in the canon that'll get a chuckle out of you. Forsooth!
John Kennedy Toole
Grove Press; 416 pages; $14.
A schizophrenic masterpiece of a novel, Confederacy of Dunces focuses on the pompous, bombastic Ignatius J. Reilly-a fat, flatulent blowhard who lives with his mother, masturbates frequently and considers himself the intellectual superior of pretty much everyone around him. (Think of him as the Godfather of Internet Nerds.) More a series of inter-connected stories than a single plot, Confederacy loosely chronicles Ignatius's botched, waddling attempts to find love, get a job and lead a violent one-man revolt against the Modern Age. Around him swirl a group of twisted supporting characters as flawed and unique as Ignatius himself.
A large cult following surrounds Confederacy, due partly to the strange, off-putting charisma of its lead character-you'll never know anybody quite like Ignatius, we promise you-but also because of the tragic life and death of the book's creator, John Kennedy Toole. Unable to find anyone interested in publishing his masterpiece, Toole committed suicide in the late '70s. Only after his death would his mother finally get someone to read Confederacy. It was published in 1980 and praised unanimously as a work of comedic genius. Toole would be posthumously awarded the Pulitzer Prize for Fiction in 1981, and Confederacy would go on to sell more than 1.5 million copies in 18 languages.
M
ark Twain
Harper Perennial Modern Classics; 336 pages; $14.
As anyone who's read Jonathan Swift's A Modest Proposal, where the author suggests Irish families selling their children to be eaten as a way to fix poverty, can tell you, writers are no strangers to using heavy sarcasm to make a point. Twain takes the irony ball and runs it to the end zone in Letters From The Earth, a collection of dispatches from Satan himself, in which the most evil guy in the universe complains at length about what stupid, mean-spirited little lunatics human beings are.
Published posthumously in 1962, Twain's Letters is a scathing, often side-splitting indictment of the various contradictions us idiot humans live our lives by-from organized religion to law-making to morality, the Lord of Darkness finds himself continually stunned by our short-sightedness and all-around stupidity. Considering this was written in 1909, Letters is a sometimes funny, often frightening look at how little we've changed since.
Joseph Heller
Simon & Schuster; 464 pages; $16.
A grisly war novel that somehow still comes off as gleefully absurd as anything in The Naked Gun, Joseph Heller' Catch-22 mingles the too-real horrors of war with absurdist, laugh-out-loud punch lines.
Through the character Captain John Yossarian, a bombardier who' decided "to live forever or die in the attempt," Heller picks apart commonly held beliefs about psychology, economics and religion. On the topic of patriotic heroism, Yossarian reasons, "There are now fifty or sixty countries fighting in this war. Surely so many countries can't all be worth dying for." This is also the book that spawned the term "Catch-22"-a mind-bending "damned if you do, damned if you don't" logical paradox that quickly entered the pop culture lexicon after the book' debut.
While the writing is literary and intellectually ambitious, the effect of the novel is, oddly enough, not unlike one of Jerry Seinfeld' better stand-up routines, forcing readers to encounter concepts they'd always taken for granted-like they're seeing them for the first time. The only difference: instead of revealing the underlying absurdity of airplane peanuts and expiration dates, Heller is debunking things like patriotism.
Kurt Vonnegut
Dial Press; 303 pages; $14.
In Breakfast of Champions, Kurt Vonnegut's fast-paced, free-associating mid-life crisis novel, science fiction writer Kilgore Trout (Vonnegut's perpetual alter ego) is invited to a lecture to speak about his books by Dwayne Hoover, a hot-shot Pontiac dealer in the "asshole of the Universe"-fictional Midland City, USA. The catch: Trout's been published primarily in porno mags and Hoover's going violently insane. Vonnegut even writes himself into the end of the novel in a burst of meta-creativity, ordering around the characters he's created like an all-powerful god in the middle of a meltdown.
The real charm of Breakfast lies in Vonnegut's unique narrative style-an intimate, ironic voice that assumes the reader is from another planet while schooling us on a wide ranging number of topics, from racism to politics to basic human indecency. (Along the way, he somehow finds it apt to draw us a picture of a butthole, so we'll know what one looks like.) Of Third World countries, he writes: "[They] didn't have doodley-squat"¦. They had sold everything that was any good, and there wasn't anything to eat anymore, and still the people went on fucking all the time. Fucking was how babies were made." Elsewhere he describes a Thomas Jefferson High School as being, "named after a slave owner who was also one of the world's greatest theoreticians on the subject of human liberty." If Vonnegut's singular dark satire doesn't get you, know this: in addition to the butthole, there's also a drawing of a "wide-open beaver."
Kingsley Amis
Penguin Classics; 272 pages; $14.
Jim Dixon is sick of everything. He's taken a job he didn't want because he couldn't find a better one anywhere else. He's almost positive his dickhead boss is about to fire him. He's only dating his girlfriend Margaret, a pretentious-but-hot art-school brat, because he's pretty sure he couldn't find better. Jim's hit a crucial point in his life that should be familiar to every 20-something guy in America at one time or another-he's gotten so used to settling, he's starting to realize his life's on autopilot.
Unlike other novels about younger guys discovering themselves in self-destructive ways (J.D. Salinger's Catcher in the Rye and Michael Chabon's Wonder Boys spring to mind), Jim isn't after a Big Answer to it all. There's no fury or frustration in his attempts to deal with a world he doesn't particularly like or understand-just a resigned, "To hell with it" shrug. The comedy comes from the fun he has on the way down. (Stick with it for the hilarious pay-off, where-without spoiling too much for you-involves Jim, drunk off his ass, insulting everyone in the audience during a lecture he's supposed to be giving.)








The trouble with Shakespeare was that he was writing for the common people of his day. Language and circumstances change, but his writing lives on. Will people 500 years from now still be rolling about helpless with mirth at Cracked's references to 1990s video games and 1980s Amewrican tv?
Replyso basically EVERY SINGLE ONE of these books is about how life sucks and that's supposed to be hilarious?
ReplyI'm not saying they're not great novels or whatever, but what if you want a book that's just funny instead of funny AND makes you want to kill yourself? I guess you're SOL then?
no such thing as comedy without tragedy... except for s****y "knock, knock" jokes. then again, those are a tragedy all by themselves.
Erich Kästner and his book "Fabian, the Story of a Moralist", it's one off my favorites. Fabian is a man with very high morals unlike everybody around him who are trying to survive daily life and finding it difficult, because of that he gets screwed over every time by almost every one. At the end of the book he tries to save a drowning boy. The boy it turns out, can swim but Fabian can not and so he drowns.
ReplyThe Hitchhikers guide to the galaxy.
ReplyWhat about "The World According to Garp"? Yeah, a lot of depressing things happen, but it remains hilarious.
ReplyExcept for that the movie version starred Robin Williams. That was just depressing.
Not classics, but I find Carl Hiaasen (sp? I think it is right) effing hilarious. He writes about crazy ass people in Florida. I've only read two of his books so far, try Sick Puppy. That was my favorite of the two.
ReplyI've only read Stormy Weather it was a great read.
Lucky You is a great one ^.^
Saying Shakespeare isn't funny is like suggesting that Tolkien lacks a sense of adventure.
ReplyCatch 22 is my favorite book of all time
ReplyLate. Don't care.
ReplyI don't want to say the list is wrong because that's not true at all. Well, okay, I don't know about "Lucky Jim" but I've read the rest and they are wonderful reads (Twain and Vonnegut especially) and it's a short enough list that no one could possibly expect you to list every single funny classic* but I have to disagree with one point.
Shakespeare can, in fact, be hilarious. A lot of it comes out in seeing the play acted out rather than reading it on a page - it can feel flat and lifeless on the page but in the hands of the right creative team anyone can understand and enjoy Shakespeare, and that is when it's done in original practice and with no script changed. No, really, he's got a very sharp wit (also at times a gross, immature sense of humor that could make an insult comedian wince) it's just much easier to see when actors are reading the script properly. The Atlanta Shakespeare Troop down here is actually very well known for their comedy, mining every play for those comic moments. Shakespeare can so do funny.
* I'm not whining, but I have to say this: What? No Austen, Wilde, or Jonson! Alright, I'm over it now.
A bunch of these are going on my ever-expanding to-read list. Kind of depressed that there was no mention of David Foster Wallace, though. Specifically his first novel, "The Broom of the System," which begins with the protagonist noting that pretty girls often have really ugly feet and ends with the fattest man in the world trying to consume an office building.
ReplyThere was a great satire I read by Jeremy Leven called "Satan: His Psychotherapy and Cure by the Unfortunate Dr. Kassler J.S.P.S." (JSPS stands for "just some poor schmuck.) It is about exactly what it sounds like. Satan creates a machine to communicate with man for the purpose of recieving psychotherapy.
ReplyHoly shit... that sounds awesome. Thank you. I'm writing this down.
At times I feel like a broken record,
ReplyIt is harder to top a Tom Robbins novel than it is to convince a porcupine that sex isn't an atrocious affair.
Lame analogies aside, he shoulda made the list.
Catch-22 is SUPERB. Beware for first time readers though: lots of characters thrown in from all directions. Either read it in almost one shot or fold/note pages when introduced to a new character.
ReplyRead a lot of Vonnegut...all great except for "Hocus Pocus".
It helps to read it at least twice as well.
Terry Pratchett is another good one, the Discworld books are a must read, especially if you're a fan of Adams' Hitchhiker books. It's sort of like that, but in a mideival setting.
ReplyAmen, asperad. I tried reading Catcher in the Rye and it is just horrible! I now use my copy to tilt my tv to avoid glare. Really, I chose it for the task from the hundreds of other books I have available since it was the right size and I laughed when I thought "Will I be needing this book any time soon?"
ReplyGlad to add Catch-22 and Letters From The Earth to my list of books to read.
Great list, have been meaning to read Catch-22 for a while now and this is as good a reason as any.
ReplyAs for other people's suggestions, seconding Christopher Moore and Douglas Adams. Both are comedic geniuses!
Catcher in the Rye, on the other hand, is a grossly overrated try-hard piece of crap. But to each their own.
Listen, I've seen all kinds of lists with confederacy of dunces on it as the greatest and most humorous novel ever written. Read the book jacket and see all the reviewers falling over themselves to say how damn funny it is. It doesn't really belong there. It rambles, it is too long and doesn't make you crack up like Lucky Jim, Catch 22 or even Breakfast of Champions. I got sick of it, and forced myself to finish it.
ReplyI attempted to read it, couldn't even finish it.
Two things:
Reply1. Why isn't _Catcher in the Rye_ on this list?
2. John Kennedy Toole died in 1969, NOT the late 1970s as the article states.
Y'know, this was a great article, and I'm bookmarking it because it's late and I can't be bothered finding paper and writing down the books names to find later- but I will tomorrow.
ReplyI think someone's already mentioned Lamb, but Christopher Moore in general is one of the funniest writers I've ever read, ALL of his books are hilariously intelligent
Reply