3 Celebrities You Idolize (And The 3 You Resemble Instead)
A lot of us don't measure up to our idols. Like the little league ballplayers who dream of being Derek Jeter but grow up to be high school gym teachers. Or the young mall-rat divas aspiring to be Christina Aguilera who end up performing on Carnival cruise lines. But what about people who are distinct successes, but still want to be some wholly other thing? In the early '80s, Eddie Murphy apparently wasn't content being the world's most popular comedian and movie star, so he decided to become Rick James for awhile.
Or how about Billy Bob Thornton, who must have been so unfulfilled as a mere respected actor and Oscar-winning screenwriter that he tried to become some latter day, country rock Warren Zevon. Thornton yearned for that identity so badly he
Far more damning than that story about him and the transsexual.
Music: The Flashy Cosmic Rocker vs. The Earnest Singer-SongwriterRock comes in many flavors, but two of its biggest archetypes are flashy, visually significant, performance-based showmen like David Bowie, Alice Cooper and Rob Zombie, who convey a deliberately artificial image to supplement their music; and earnest, heartfelt songwriters like Bob Dylan, Bruce Springsteen and Billy Joel, who sing for the common man in a voice he recognizes.
Yep. I was shocked. Why was he standing like that? Didn't he know that looks gay? But
"Oh my God! He's SUCH a gaylord!"
David Bowie was everything I wanted to be: eloquent, daring, multifaceted, stylish and impossibly cool. So yeah, I dressed up like Bowie, and played in bands, and always aspired for diversity, but in every single musical thing I ever did, I felt something pulling me back down to a more familiar place. A place called ...
The early '80s Bowie was still unique and stylish, but less likely to get chased by guys with baseball bats after a concert in Boston.
In fact, my first time performing on stage, I sang Billy Joel's "Only the Good Die Young" while wearing a T-shirt and a sports jacket at my high school Battle of the Bands. (An outfit I'm apparently
Not fair to blame Billy for the mullet.
Monsters: Vampire vs. Werewolf
The competing vampire and werewolf archetypes existed well before Twilight brought forth two sexually unintimidating actors to embody them. That competition is as old as the stories themselves. (I guess? After all, the majority of my vampire vs. werewolf knowledge comes from a book-and-record set I got at 5.)
Maybe not as respected as Interview With the Vampire, but easier to finish.
The Dream: The VampireI started compiling a list of things that attract me to vampires, and a funny thing happened: It was somewhat similar to my list of David Bowie attributes. Indeed, Bowie even played a vampire in 1982's The Hunger. Solid casting, as I enjoy the notion of the vampire as an elegant man about England, well-dressed, sophisticated, eloquent and impossibly seductive to women.Yes, I know Bram Stoker's Dracula looked a lot more like the one in Nosferatu, but I'm not talking about his kind of vampire.
I'm talking about these vampires:
Just for clarity, I didn't aspire to be this kind of vampire, who looks like the spawn of gremlins and sea monkeys.
Yes, I know none of these vampires are English. Stop correcting me. You know what I mean. Nitpicking won't make your fangs grow in any quicker. I'm just saying, the classy vampire is the horror archetype that I most aspired to be. But I'm not. If monsters were real, I'm pretty sure I'd be ...
Yeah, the body hair. Perfect for a wolf, but not so great for a vampire.
Yep, you guessed it. Werewolves are fastidious with their personal hygiene.
And whereas popular movies like
Apparently, the thirst for blood is borne from inadequate testosterone levels.
My hands don't look like that, but when I was 13 I heard they might start to unless I stopped doing a certain thing.
Comedy: The Witty, Urbane Humorist vs. The Shticky Jew
There's no shortage of comedic archetypes, but by this point I bet you can figure out which kind of comedy appealed to me most. Yep, English comedy. Specifically, the kind that placed an emphasis on eloquence and intelligence as much as humor. Although I love all of Monty Python, John Cleese's combination of vocabulary and hostility was inexplicably appealing. Meanwhile, I was also a big Woody Allen fan, even if his humor was more familiar to me and something I could manifest almost instinctively. There will always be comics more concerned about seeming smart and cool than funny, and comics who wear their Judaism on their sleeve, cracking tired jokes about their overprotective mothers. Ultimately, I realized I didn't want to be either one.
This pick shouldn't be too surprising. After all, wouldn't Wilde have made an excellent vampire, and isn't Wilde the literary figure you'd most associate with David Bowie? I spent a lot of my early humor writing aspiring to that kind of comedy, adopting a heightened prose and elevated vocabulary while doing a lot to avoid easy Jewish humor, like ...
"Either that dreadful 140 character limit goes, or I do."
Over time, however, as the conflict above played out online, more and more of my personality emerged, until the show reached its high-water mark of market penetration as I hated on the Black Eyed Peas song "I Gotta Feeling
." That episode was significant because it was the first time I acknowledged my Judaism in something creative and the first time I showed intense emotion in the show (even if it was feigned). Was that the reason for the episode's success? I don't know, but since then I've become more transparent in my humor, and while I might not be ready to publish the results of my prostate exam as my friend and fellow columnist John Cheese intends to do next week, an article like this leaves me pretty exposed as I sit in an increasingly comfortable chair located somewhere between the two archetypes above.
And he was right at the time, but would I listen?
Was There a Point to This?Yeah, I think so. Obviously, these examples are very specific to me. I get that. And I also appreciate that splitting my psyche open on the sharpened slate of the Internet has a limited appeal. But I do think there is a larger general point, and it's NOT "just be yourself."While there are dangers in straying from what you do best or ignoring your true calling to forcibly insert yourself into some other mold, I think it has value, too. Neil Simon, the playwright and screenwriter famous for The Odd Couple,
But other times, I think the desire to escape what comes easiest has worked for me. And while I cannot seem to
Flamboyance and grunge don't mix. That's why you rarely see this.
For more from Gladstone, check out Was 'Arrested Development' A Remake of a 70s Sitcom? and Dr. Strange The Movie: Why It's Not as Crazy As It Sounds.