5 Crazy Real Churches You Had No Clue Existed

During the winter of 1911, the obviously German town of Mitterfirmiansreut was in dire religious straits. Because of the snow, people couldn't travel to the nearby town to worship at the only church in the area. So in order to not be fair-weather friends with the Lord, they asked the German State Church for funds to build their own church ... and were rudely refused. But instead of sulking, the people of Mitterfirmiansreut used their ingenuity and made do with what they had at hand -- which happened to be a metric ton of snow.

Das Schneekirche, or the Snow Church, was 46 feet long, 23 feet wide, and 13 feet high. More impressively, it wasn't just for show, or something Mitterfirmiansreut (it really does get more fun the more times you say it) could use to raise the middle finger to their stingy higher-ups. The Schneekirche started conducting weekly services on March 28, 1911 and did so for several months until attendance dropped heavily, on account of the structure melting. Fortunately, by then the protest had gone the 1910s equivalent of viral, and the village received enough donations to build a house of the Lord out of much more permanent stone.

But fast-forward a whole century, and in 2011, people decided to revive the old Mitterfirmiansreutian spirit and build a new 21st-century Snow Church. The modern Schneekirche was formed out of blocks of ice coated with snow, and was affectionately referred to as "God's Igloo" by the press.

The structure was bigger than the original, holding up to 200 visitors, and included a 55-foot tower. Oh, and the inside looked more like a neo-futuristic rave than any church we've ever been to.

Making it the only church on Earth where the Eucharist could reasonably be mistaken for ecstasy.

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But Xuantian Shangdi is only the beginning of the over-the-top aesthetic of Lotus Lake. Right past that final boss, you'll be faced with the Dragon and Tiger Pagodas, guarded by massive statues of both fearsome predators. And the kicker is that the only way in and out of the hallowed halls is through their mouths.

That's not some tactic to test every visitor's strength of faith (or bladder). In Taoism, going in through the dragon's mouth and leaving through the tiger's symbolizes turning bad luck into good. And the insides of the temples aren't any less mythologically hardcore, filled with carvings of great warriors fighting atop their tiger battle mounts. At least, we assume that's mythology, given that the planet isn't currently being ruled by a mighty cabal of Taoist Tiger Riders. Of course, seeing as balance is such an important part of the religion, Lotus Lake also has a giant statue of Kuanyin, the mellow Goddess of Mercy ... riding a massive dragon.

Legend says that the goddess herself appeared, riding on a dragon above the clouds, and directed the people of Kaohsiung to immortalize the image in between their pavilions of Summer and Autumn. And when we say "legend," of course, we mean "something concocted in a Taiwan Mad Men-style agency," considering the statue was built in 1951.

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In 1776, with the help of a local gravedigger named J. Langer, Father Tomasek started a grim yet kindhearted project to unearth as many mass graves from past wars and epidemics as possible and collect the remaining, uh, remains. How exactly do you find unmarked graves? By spending all your free time stalking stray dogs to their favorite scavenging spots and stealing their juicy bones, duh.

In a span of 19 years, Tomasek and Langer dug up close to 24,000 skeletons, giving most of them a respectful, proper burial in the catacombs underneath Tomasek's chapel (since then called Kaplica Czaszek, or "Chapel of Skulls") in the small Polish village of Czerma. That is, if stacking skeletons in 16-foot piles like you're playing the world's most overly complicated game of Jenga is your idea of respectful.

But even in the (we'll assume sunken) eyes of Father Tomasek, not all skeletons were created equally. Out of the massive pile, the priest chose 3,000 skeletons he found particularly fascinating, like those with bullet holes, the partly disintegrated skulls of syphilis victims, a skull belonging to a giant, one from a "Tartar warrior," and also that of the town's former mayor and his wife. These "special" skulls and bones were displayed topside, in a small chapel chamber Tomasek called his "sanctuary of silence." Boy, for a man who spent his life trying to do right by the dead, he sure made himself look like a villain from every third-rate fantasy novel ever written.

Appropriately, the collection of the "Chapel of Skulls" was only finished when it received two final skulls years later: those of Tomasek and Lang. May they serve the Dark Lord in peace.

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Every Sunday at noon, the Ministers of Sound, the church's in-house band, performs "sound baptisms." For two hours, they play Coltrane's later albums mixed with prayers and confessions, followed by an hour-long sermon. But the highlight of the service is when the church choir recites Psalm 23 over Coltrane's song "Acknowledgment." Anyone can join in; in fact, people are encouraged to bring their own instruments and play along. Pretty big turn of events for what used to be described as "the Devil's music."

While the Church of Saint John Coltrane only has about 5,000 followers, it has become a beloved institution in the Bay Area. So much so that when its landlord evicted them in 2016, the church received a flurry of offers for new digs. The church eventually settled on sharing a space with the nearby Saint Cyprian's Episcopal Church, where they can fill the ears (and hearts) of even more Christians with the divine message of Coltrane.

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In order to refurbish the church, the architect decided to use the very things that had destroyed it in the first place. Massive "magic" chandeliers called "polyeleos" were crafted out of cannonballs, military coffin handles, and the broken swords of fallen officers. The candle holders themselves were made of out bullet casings, so that these tiny brass messengers of death would be perpetually illuminated by the light of the candle, thus symbolizing the illuminating nature of faith ... somehow. We're not clear on how that works, exactly.

And to hammer the message home, they melted down a bunch of artillery shells and made them into two statues for the church, placed at either side of the entrance. One is a Serbian World War I infantryman, and the other is a medieval knight from the era of Emperor Dusan.

At some point, you'd think someone would have had mentioned that maybe the whole thing was starting to look kind of like a shrine to war rather than peace, but you try arguing the finer points of design to an architect carrying a few centuries' worth of instruments of death.

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