6 Dumb Background Details You Now See In Every Sci-Fi Movie

Even though we know what they look like now, modern sci-fi movies are just as full of shit when it comes to helmets. The problem is, actors are supposed to be sexy and brooding so audiences will buy tickets for their terrible movies ... and if you put that sexy, brooding face inside a metal sleeve, nobody will see it. That's why all the helmets in current movies have lights in them. Not on them, because that's logical and actually a thing NASA does all the time -- these lights have to be inside the helmet, pointing directly at the actor's stupid, handsome face.

Transformers: Dark Of The Moon even retconned some face lights into the helmets of the Apollo 11 astronauts, which would have resulted in them staring at their own reflections.

Obviously, even without reflective helmets, these things would function like pure dogshit. Rather than being able to see their way around dangerous and unknown terrain, these helpless astrohunks are going to have a constant beam of bright white light pointed at their eyeballs. They'll be fumbling around the moon like Mr. Magoo, except when you trip in zero gravity, you fall forever.

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Look at that silly crap. Monowheels were already outdated in the 1930s -- society has officially relegated them to clown accessory status by now. And yet sci-fi movie writers are obsessed with making completely circular vehicles, like they're all still cavemen and the most mind-blowing form of transportation they can think of is a huge goddamn tire.

Speaking of prehistoric baloney, Jurassic World put a new spin on the Big Wheel concept by putting tourists inside some oversized hamster balls so they could get up close and personal with a bunch of dinosaurs. Now imagine the mounds of dino dung littering those fields, and then picture what that stupid ball is going to look like by the time they're done with their little jaunt.

The Star Wars universe, meanwhile, has a long-standing appreciation for this trope.

Oh yeah, we're going there. While it's undeniable that BB-8 has got more charm and personality than many real actors in the franchise (including most of the principals in the prequels), even NASA thinks it's a garbage droid. It looks modern because Hollywood has trained us to think "balls = future," but its mobility leaves much to be desired. The rule of thumb is: If you can't play a soccer match there, BB-8 is shit out of luck. If only there were a way to get BB-8 up off the ground a little bit so it could more easily navigate difficult terrain. What would such a clearly superior design even look like?

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Wardrobe designers working on sci-fi dystopian action franchises have it pretty tough. How do you make the characters look A) like they're prepared for a war zone where lasers could be flying everywhere and B) stylish at the same time? The solution they've found is: Fuck A), just give them a tiny chest plate thing and call it a day. Jennifer Lawrence knows this better than anyone:

In X-Men: Apocalypse, this stupid conceit extends to every freaking character in the movie, like all the mutants got together before the fight and agreed that the torso is the only place anyone will take a swing at.

Again, we get why they won't cover the actors' faces (that's what the studio is paying for, after all), but what about the other 80 percent of their bodies? All these characters look utterly unconcerned about getting a bullet to the dick/vagina. However, this trend makes a little more sense when you realize modern sports clothes tend to highlight the chest area:

Along with the various designs, color shading, and contouring drawing your attention to the upper torso, you may have also noticed "shitloads of mesh" as a recurring design theme. This trend has also made its way into modern sci-fi, making everyone look like they're trying to steal Jason Momoa's new job:

And when you think about it, futuristic clothing has always been a tighter, sexier version of whatever we all find trendy at the moment. That's why the modern stuff looks like something you'd wear when you want to convince people you totally, like, live at the gym, while the '60s version of those very same Star Trek outfits were all miniskirts and Mr. Rogers sweaters.

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Seriously, stop it. They don't make sense. Nobody has ever wanted a map of something to fill an entire room and be blue. That's objectively worse than Google Maps. And yet:

How on God's green Earth are they ever supposed to find anything with this malarkey? It's all sparkles and swirls and negative space. Maps are hard enough to navigate without all the sad Picasso surrealism bullshit. There's no possible way anyone in any of these rooms has any inkling of what they're looking at. There aren't any distinguishing landmarks or location names. There's isn't even a compass -- how do they even know they have this crap right side up? Do they know they have this crap the right side up?

We can probably trace this back to Princess Leia's little holo-message in the first Star Wars. The shitty single-color quality of the recording contributed to the movie's "space vintage" look, and made sense, since R2-D2 only had a tiny little projector. But then we saw Darth Vader Facetiming with the Emperor in the next movie, and the hologram was equally blue and shitty, even though the Empire presumably had access to way better technology.

And so blue became the official color for Star Wars holograms, and for all sci-fi movies ripping off Star Wars (so, all sci-fi movies). They slowly expanded it over time from one person to an entire galaxy.

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What does Hollywood do when the main draw of a movie isn't a hot actor? Sub in a hot killer robot, of course. The original Robocop mirrored the Day The Earth Stood Still helmet and suit with bulky, uncomfortable steel that fully covered the body inside, plus an added motorcycle engine stomach for posterity.

The new Robocop couldn't very well show more skin (because he doesn't have a whole lot), so they sexed things up a bit by giving him some sick-ass abs.

Which, of course, makes no fucking sense. Those abs serve no purpose whatsoever, beyond making passing trucks oil themselves in arousal. Every criminal is gonna be too busy looking at his giant guns to even notice, let alone be impressed by, that metallic six pack.

And yet every sci-fi robot or robot armor out there suddenly has to look like it has 50 gym memberships and a decade-long case of the dry heaves. Every.

Single.

One.

Not even robots of the building-sized category are exempted. Pacific Rim, for example, should have been called Pacific Ripped -- we count three levels of abs-ception here:

Give it a rest, guys. Eat a doughnut or three. We'd love to see a chubby spacebot with a grudge against humanity bulldozing through throngs of frightened citizens, laser gun in one hand and cheeseburger pizza in the other. Please, Hollywood, make this happen.

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Turning every fucking monitor transparent is yet another instance of Hollywood missing what made an idea cool and overdoing it to ridiculous extents (see also: the Terminator franchise).

Minority Report started this trend, and it looked rad as hell, but the reason it didn't look dumb was that Tom Cruise didn't have a whole bunch of shit going on behind his big transparent screen. Now that other movies are doing it, we're seeing this in the middle of busy command centers and such, rendering the always-super-tiny text even more impossible to read. And it's more than monitors. Tony Stark even had a transparent cellphone in Captain America: A Better Avengers Movie Than The Last Avengers Movie.

How is anyone supposed to get anything done with this crap? The only thing Tony's working toward with that is a lifelong dependency on contacts and a massive migraine. Worse yet, in the films' context, these gadgets are supposed to be designed by super geniuses. We guess it's true what they say: Book smarts ain't the same as common sense, son.

Carolyn tweets about her killer abs on Twitter.

Zoroastrianism used to be one of the biggest religions in the world, but their idea of heaven had a slight twist on it: To get there, you'd have to cross a bridge. Sometimes rickety, sometimes wide and sturdy, and if you fell off, you'd go to the House of Lies for eternity. Fun! Not terrifying at all! This month, join Jack, Dan, and Michael, along with comedians Casey Jane Ellison and Ramin Nazer, as they discuss their favorite afterlife scenarios from movies, sci-fi, and lesser-known religions. Get your tickets here, and we'll see you on the other side of the bridge!

Also check out 5 Powerful Sci-Fi Technologies Wasted by Their Own Movies and 6 Sci-Fi Technologies You'll Soon Have on Your Phone.

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