For many people, filmmaking begins and ends with the director. We call it a director's medium. It's their vision that guides the entire production and it's their name that gets the praise when a movie is good, and gets dragged through the mud when a movie stinks. While that's somewhat accurate, it's completely forgetting about the hundreds of artists, technicians, producers and craftsmen who bring equal skill to the table and without whom our favorite movies would be totally different.
Take Tim Burton, for example. His films have a "look," right? Edward Scissorhands, Pee-Wee's Great Adventure and Beetlejuice sort of exemplify Burton taking atomic age nostalgia and running it through the prism of Dr. Seuss on acid. Burton gets the credit for it, but all of those films (and a huge swath more) were art designed by the same guy, Rick Heinrichs. Without Heinrich's input, who knows what those movies would look like or if any of them would be as instantly memorable as they are now.
Alex Schimdt welcomes Michael Swaim and Matt Gourley (Superego, I Was There Too, James Bonding) to talk about people like Heinrichs. Unknown artists who have had as much of a guiding hand in modern cinema as your Spielbergs, Lucases and Scorseses, but who you've never heard of.
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Also, make sure to subscribe to our new podcast, Cracked Movie Club! Why? Because almost every movie you love is secretly insane. Join co-hosts Tom Reimann and Abe Epperson (plus special guests) for a journey through the secrets, strangeness, and fan theories behind movies you'll never see the same way again. And every month focuses on one director's work, building a case for exactly why Hollywood's greatest minds are weirder than you ever thought possible.
To get the first two episodes when they premiere on July 13th, type in, "Cracked Movie Club" into wherever you get your your podcasts or click here to subscribe on Apple Podcasts.