Contrast that with any cop movie in the last decade. Ride Along is heavy on bass and drums, not a damn sax chord to be heard though it does open with some Busta Rhymes about which I can't complain at all, because if I could get Busta Rhymes to just follow me and narrate my day, I'd be a pretty happy guy. I'd also do way more stuff that involves me strutting. Cop Out, The Heat, 21 Jump Street, Let's Be Cops; if any of them are using saxophones, they're keeping that s**t super subtle.
Warner Bros. Pictures
Notice the movie on the marquee. THE SAX CIRCLE IS COMPLETE!
Some have argued that this is just a change in the musical landscape. Huey Lewis was awfully popular in the '80s, you don't hear him anymore do you? To that I say, shut up. Huey Lewis is awesome and should be played all the time like he is in my bathroom and also, please refer back to greasy sax guy in Lost Boys. Obviously the sax is timeless. It's just cop movies that changed in an effort to seem less saxy and more something else. Uncool? Missing sax music? I can't explain the motivations, I'm just here to let you know that sax music is the foundation on which fictional police work is based and modern directors really ought to get back to that if they want anyone to watch their damn movies. If you're making a cop movie, you sax the s**t out of that score. History will reward you.