No, this isn't "Superman with the yelling guy." What do you think this is, a joke? This is a contemporary portrayal of expressionist painter Edvard Munch's The Scream, which happens to feature Superman as social commentary. Take, for instance, Superman's surly-eyed gaze upon the screaming man. It forces us to ask, "Is the screaming man calling out to Superman for help?" Or, more ominously, "Is Superman the origin of his fear?" Let us for a moment consider Nietzsche, a peer of Munch and the originator of the Ubermensch concept ...
Nah, pretty sure the artist is just making a joke.
Fine art is never a joke. You'll see once we move on.
Here we have Nightwalkers, an ode to Edward Hopper's famous oil painting Nighthawks. This piece, a favorite of the CMoFA (trademark not pending), blends the humble tones of classic Americana with the bold surrealism of bloodthirsty zombies that want to chew your brain fat. You may be wondering "What is the cultural significance of zombies?" and "How can we use that to inform our understanding of the artwork?" Both wonderful questions!