It happened with Middle Earth: Shadow of Mordor, which was a great game until you went to do any of the Lord of the Ring-sy stuff, like face down Sauron. But doesn't Sauron die at the end of the book/film series? So in this game, do you kind of just...let him go? Yeah, sort of. There's a lot of stuff wrong with making your final battle with the Dark Lord hinge on your ability to click "A" really fast. But even more feels wrong with the fact that, because Shadow of Morder can't step on any Hobbit toes, you're stuck with a non-finish. You didn't land the knockout blow. You just poked him in the eye, so he said "You dang ol' jerk!" and locked himself in his tower.

Warner Bros. Interactive Entertainment
Your quick time event skills! They're just...too powerful.

And while we talk a lot about video games surpassing movies in terms of how fantastical they can get, making a game about a movie means that you have to at least keep up with the bare minimum of the excitement that you saw onscreen. This is something that no Harry Potter game has even attempted to accomplish. Harry Potter games have been fun in the same way that a litter box is a salad. Marvel as you take Harry Potter through seven years of Hogwarts, seven years that apparently solely consisted of slowly levitating boxes in order to solve door-opening puzzles. Say what you will about the Dursleys, but at least they never subjected Harry to a near decade of being the chief organizer of wizard storage.

Warner Bros. Interactive Entertainment
"No, trust me, Harry. ALL wizards have to take General Hogwarts Maintenance and Clean Up."

Why It Doesn't Work For Anyone Else

Not every action franchise needs a comic book tie-in, though, especially franchises that are built around one out-of-the-ordinary thing, surrounded by very ordinary things. For more than twenty years, the logo for Jurassic Park has been slapped onto colorful pieces of paper, and while it's not in my personality to demean anything with the premise of "Look at all of these damn dinosaurs," it is clumsy when it tries to pull the comic trope of "They're actually alive!" Robert "Clever girl" Muldoon had his intestines turned into jungle decor in Jurassic Park, but he seems downright chipper about the whole experience later:

Topps
"No worries, Math Nerd. If any dinosaurs attack us, I'll simply defy my own mortality again."

Peter Ludlow, the flimsy businessman from The Lost World also survived, despite being attacked by a T-Rex and a baby T-Rex, which is 1.15 T-Rexes if you do your math correctly. This assault left him as a wheelchair-bound James Bond villain, but totally not dead, since Tyrannosaurus attacks aint what they used to be, am I right?

IDW
That's a face that has "Classic, Timeless Jurassic Park Character" written all over it.

The remakes of the Texas Chain Saw Massacre had a tie-in series as well. This satisfied the wishes of everyone who saw those movies and felt that the only thing stopping them from critical success wasn't the absence of a decent story or character, but the absence of a motherfucking hook hand. Now, Leatherface could finally fit in with every comic character invented in the 90s that was given the art direction of "Weapons."

However, I will say that it's playing with a potentially very awkward fire. That Justified theme has the benefit of being attached to a show that I love, and also being thirty seconds long in its TV incarnation. There are way too many country/rap songs that don't have critically acclaimed drama shows to grip onto. Waaaay too many. And that honestly might be why they all sound like someone's desperate belly flop onto a pile of demographics.

Why It Doesn't Work For Anyone Else

Take Nelly's "Over And Over Again," which featured Tim McGraw. It sounds like something you'd prank your friends with, right before breaking out a, "Naw, I'm just fuckin' with you" and putting on "Flap Your Wings." A little over a minute into a pretty standard Nelly song about sad stuff, Tim comes in with "I CAN'T GO ON NOT LOVING YOOUUUUUUU," an unrequested bonus that has been edited to sound like it's coming from a haunted record player in another room.

If that doesn't scratch your itch for Nelly/country collaborations, allow me to present the work he did with Florida Georgia Line, a team-up so transparent that the music video starts with Nelly calling the band to tell them that they need more Nelly.

And that's the problem with all of these. No matter how much producing time gets put into them, they all feel like a guy burst into another guy's office to tell him that he was stupid for not seeing this money-making opportunity sooner. "Don't you get it? If we can get it to play on 102 JAMZ AND 104.1 NEW COUNTRY, we'll be rich, you fool. I once was blind, but now I see."

The undisputed champion of these still remains Pitbull showing up on Jerrod Niemann's "Drink To That All Night." Jerrod's Nashville robot meets a Pitbull that can't be bothered to even stick to the original point of the fucking song, and, depending on your attitude, it all either sounds like a party or what you'd hear if you had a stroke behind Cracker Barrel.

Why It Doesn't Work For Anyone Else

If you refrain from thinking about the future of Bruce Wayne in any way, Gotham isn't a terrible show. I'd be into a police show where all of the criminals have some kind of exaggerated attribute or odd taste in jackets. Sadly, Gotham makes Bruce impossible to forget, because it's constantly reminding you that this show is on the road to Batman, but you're just going to have to deal with it not being Batman time yet. And that's the worst wait of all.

Warner Bros. Television Distribution
Every "waiting for Batman" year is like seven regular years.

Thus, you start to get the feeling that by the time Bruce does get into the suit, there won't be a bunch of stories left for him. The Joker is threatening Gotham? Good luck stopping him, Batman. Hopefully, you manage to nab him, like the cop that already did nab him, multiple times, years ago. Smallville never had that problem because it started when Clark Kent was already at punching age. Though, it did feel like it was constantly circling the same end result, waiting for someone at a network to say "There have been ten seasons of this? Christ. Get on with it already."

Warner Bros. Television Distribution
"It took a whole decade to get here? What have we been paying you for?"

Another big thing to grapple with is the fact that you want to tell different types of stories than the original movies told. TV has a lower budget than movies, usually, so it doesn't make sense to frame your show around explosions and ass kicking when it's just going to be outdone by films in terms of spectacle. No one told the Taken prequel series this, though, so it constantly elicits the reaction of "Oh, that's cute. He ran around with a gun. But remember when Liam Neeson basically fought a whole country's worth of terrorists? No, by all means, keep going with your little shoot-em-up. It's adorable."

Why It Doesn't Work For Anyone Else

The wave of video game movies feels like something that should've peaked around 2005, with The Rock grunting his way through DOOM and Uwe Boll seemingly basing his scripts off of what he skimmed on the back covers of Xbox releases. But 2016 actually saw the release of more video game movies than any year before it in America, and two of them (Assassin's Creed and Warcraft) revealed something troubling: the people making these films have formed a plan, and it's not a good one.

Taking a page from the superhero genre, both films are not completely satisfying tales. Instead, they present numerous ways that sequels could erupt should the films be overwhelmingly successful (they weren't ... at least not in the US). If this is a trend, we don't just have to deal with bad video game movies that stand alone in their supreme awfulness. And hell, video game movies have been setting up sequels since every protagonist struck stereotypical martial arts poses at the end of Mortal Kombat. But these are attempts to set up whole universes, where any likable character could potentially star in their own equally heinous spinoff.

New Line Cinema
"Audiences liked the lady on the left. She will get five prequel films and Executive Producer credit."

History has shown that making video game movies is tough, and that we haven't even nailed down the formula of making a single one truly work. Even when I talk about Resident Evil, it sounds like I'm apologizing for my spouse throwing up at a party. "No, but she's great. I swear." And I don't know how long it would take to find that formula. That said, I know that the formula isn't "Make a video game movie that is just the first piece of a big, stupid video game movie flowchart." If I haven't even gotten to first base, I'm not gonna try to steal third.

Daniel has a blog.

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