Tyler Perry's latest movie, Tyler Perry's Madea Goes to Jail, opens tonight. The movie centers around a no-nonsense elderly black woman, Madea (played by Tyler Perry), who goes to prison, for some reason, and I assume something wacky happens when she gets there that inevitably ends in the empowerment of young black women everywhere. It is Perry's third feature film that focuses on Madea and it will, in all likelihood, make a whole lot of money. Do you know what I said back in February of 2005 when I saw previews for this new movie,
Sure, at the time, he had some successful plays under his belt, but so does
He's also written a book, Tyler Perry's Book About Madea The Title of Which I'm Too Lazy to Google But I Know Involves the Words 'Black Woman', delivered in the voice of the Madea character, and it topped the New York Times bestseller list. He's also got a show on TBS called Tyler Perry's House of Payne. After 10 episodes, Tyler Perry signed a $200 million deal with TBS for the show because it was such a hit. What the hell is going on? Now, lest you think I'm an uninformed hater, I want to make it clear that I'm not going into this blind. I've seen both
Do robots have butts? Whatever you have, this dude's gonna put a wiener in it. They're bad movies. But you know what makes this whole thing a little bit weirder? If you follow critical response, not just on Rotten Tomatoes, but everywhere, you'll see that critics are steadily increasing their approval for Tyler Perry's Tyler Perry movies. The bigger Tyler gets, the better the response, even if it comes from a critic who previously hated him. And that's insane, because the movies aren't getting better. In fact, the opposite's true. The few complexities of Tyler Perry's Diary have been replaced in Tyler Perry's Madea's Family Reunion with more sight gags and dry sex jokes. The movies are steadily getting worse, they're making more money and critics everywhere are just surrendering. Tyler Perry got a bunch of cranky white critics to throw up their hands and say "I guess you're right, these movies are great." How the hell did he do that? Critics went from panning his movies, to sort of seeing the merit in them, to flat out praising Tyler Perry for his knack for making Tyler Perry movies. If this trend continues, Tyler Perry's Madea's Class Reunion will win best picture in 2010; by 2015, all movies will be made by Tyler Perry and shortly thereafter, Tyler Perry will infiltrate all aspects of society.
And I don't buy the argument that it's a movie aimed toward a "black audience," as if white people in general wouldn't get it. For me at least, it can't be a race thing (some of my best friends liked Barbershop). As far as coming-of-age tales go, I've personally identified more with The Wood than I have with Stand By Me, or whatever else would pass for a "white" coming-of-age story (Flight of the Navigator?). So it's not something as simple as "white people be makin' comedy like this, but black people...," and it's not like I have anything personally against Tyler Perry. He's clearly a smart businessman, I've read that he's worked his way up from nothing and he's certainly overcome more adversity than I've faced. Also, he's incredibly tall. I have no negative feelings toward him personally (other than my persistent suspicion that he's some rare breed of wizard), and I wish him all the luck in the world. I'm just confused, because this dude came out of nowhere with a bunch of bad, redundant movies, slapped "Tyler Perry" on the box, as if it were a big deal, and somehow convinced the world that he was a big deal. I feel like that guy (every guy) in the Twilight Zone, except instead of waking up in a world where everyone has a pig face except me, I'm waking up in a world where everything is brought to me by Tyler Perry and everyone is thrilled about it.
Get your bookmarks ready, set your alarms, because DOB will be live blogging the Oscars with G-Stone, Brockway and Swaim right HERE!
Whose job is it to solve crimes?
There is much to show you.
The cops will come swooping in the seconds the credits roll.
If there's any institution that doesn't want us to know how much it messes up, it's the military.
The most unrealistic thing about fictional villains is that they don't get arrested until the plot calls for it.