Take the Infamous series. It was great fun, but it's also a fine example of creative laziness. The main character, Cole, starts off with a pretty badass power already: He masters electricity. Sure, he starts off kinda weak, but his powers quickly grow stronger and stronger until you, the player, are flying across the city, unleashing massive lightning storms that devastate whole blocks. I'd like to see a game along the lines of Infamous, but about a dude like Aquaman: the superhero world's unpaid intern. The main character has to be somewhat useless at first glance, because the game isn't a brawler, it's a puzzler -- you have to be clever with your abilities, not just punchy. You start out with one power -- something kind of dumb, like the ability to speak with fish, or seeing two seconds into the future, or complete control of unvarnished wood -- and it will never grow. That's it. That's all you get: You're The Planer, master of rough wooden surfaces, and it's up to you to take this city back from the hordes of murderous criminals. But while your power is shitty, the way you use it doesn't have to be. Talking to fish is lame? Sure, if your imagination sucks. If you want to get a little creative, though, you could do stuff like this:

"WHO SMELLS LIKE YOUR MOM'S VAGINA NOW, BRAD?!"

The key is that you're not given incremental upgrades to your power; it's all available to you right at the start, and your effectiveness relies entirely on how you use it. If you're a bit on the dull side, maybe you'll just hop out there on the streets and start impotently throwing splinters at fleeing, laughing criminals. But if you're clever, you'll be snapping telephone poles down on top of their car, whipping sheets of plywood like 6-foot-wide shurikens and swinging uprooted trees like baseball bats. Unlimited power is only interesting for a few minutes -- that's why every video game is a progression of increasing strength that ends with your character at their most powerful phase. Once you get over the novelty of that deadly new super-move, though, what's the point? Nothing can stand in your path; you are a god among men. And you are bored. Limitations are much more interesting than abilities, and there's nothing more satisfying than overcoming them. Which is the greater accomplishment: the man with bulletproof skin and super-strength who stops a bank robbery, or the despot who rules an entire city with an iron fist despite only ever possessing the ability to invert men's penises with the power of his mind?

Eventually, depending on how clumsy you are, how high suspicion levels rise and how many people see you, the town will have to believe them and come after you. But the rest of the game is a fine dance of maintaining doubt as you try to evade, capture or kill Mulder whilst simultaneously watching Scully undress from inside of her refrigerator.

By Typebro

You wake up and have a time limit (a day) to experience the world. A not too large, open world, with independent and advanced AI within it, all starting with the same disposition each day. When you wake up, it starts again. Instead of just exploring locations like you normally do in games, you'd be exploring events, and how you impact them. There could be SO many non-rigid stories taking place within the world that you could watch one day, change the next, or just watch how small changes affect events in an unscripted way.

How would the game end? Maybe it never would.

Good Idea!

I am now and will forever be in favor of all things Groundhog Day. I will buy Groundhog Day: The Game, Groundhog Day: The Cereal and Groundhog Day: The Menopausal Hot-Flash Cooling Pillow. I don't give a shit: The phrase "Groundhog Day" is like my "Would You Kindly." You speak those words aloud and I will do whatever you say after them, up to and including killing a man. It is a dangerous psychological condition, and I would thank you not to exploit it, my fellow Internet sociopaths.

But What If ...

You could keep one small change per iteration of the game day? I'm not exactly sure how the mechanic would work -- maybe you'd get five seconds per diem to save changes -- but giving the player the ability to not only repeat a day, but persistently influence how that day plays out over time would both separate this from the existing property and add a new spin on interactivity. I really think you need this other mechanic in there, though. Because otherwise, isn't every game with a save/reload function already Groundhog Day?

Oh shit! What if that's what Groundhog Day was really about: God saving and reloading Bill Murray's life over and over again until he beat the level?

Aaaaand now I've started bleeding from the nose. Does anybody else hear horns? Goddammit: I've broken my own mind.

[Cut to you] in the hospital and you still see the shadows. As you fight your way through the hospital, none of the NPCs are reacting to the monsters around them. Now the player could rationalize this as just lazy coding of the AIs, think that the PC is a chosen one that is the only one that can see them or ask themselves if the monsters really exist in that world at all. Eventually the NPCs might take notice of the player who's attacking nothingness and talking to his shadow and go after him.

Good Idea!

There are two things we need very badly: new villains in horror, and new gameplay mechanics in games. The living shadows are a really neat concept that straddles the fine line between novelty and familiarity: They're not yet so overused as to be boring, but they've made enough prominent appearances in pop culture to be accessible villains for almost anybody. I think the concept of alternate universe shadow men is one of the few new monsters our generation will contribute to the lasting lore -- well, that and Mario Lopez, of course.

But What If ...

You really focus in on the second half of that idea -- the crazy hospital stuff?

This could be The Fisher King: The Video Game!

Wow, Robert: You really are balls-deep in the cultural zeitgeist, with references like that.

OK, for those of you who don't know, The Fisher King is a movie about crazy hobo Robin Williams (the most believable type of Robin Williams) rampaging through modern day New York City because he believes he's a medieval knight on an important quest. That could make a killer game: You set up the standard horror plot, but at some point, it becomes totally clear that you're just a crazy person, and that this whole shadow-person quest is your madness. Inevitably, the real world starts to intrude -- in the form of policemen and doctors -- as your psychosis becomes more pronounced. So you're trying to strike a delicate balance, freely fighting the shadowmen late at night, in sewers and abandoned alleyways where nobody of consequence can see you flailing at nothing, while trying to subtly avoid them in public without evoking suspicion. Shit, maybe we could get Robin Williams to voice the lead character!

Never mind, I ruined it. Sorry, guys, that just ruined the idea forever. My bad.

By Milkybarkid

My perfect game would be one set in a normal city, in a similar way to GTA, but instead of [the police coming after you when you do things "wrong"], the thing you just did becomes acceptable. For example if you drive a car into a supermarket, a couple of in-game weeks later you might see someone else do the same. Eventually, assuming you're a psychopathic criminal/serial killer, the whole city you're living in will disintegrate into chaos with people torturing and murdering people left right, with your life being in constant danger from all the crazed killers you've sort of inspired. I think the best bit of this game would be that you could go on a run of shooting prostitutes, and then spend some time picking up litter from the road, and a few months later you'd get a huge abundance of dead prostitutes, but really clean streets.

Good Idea!

You start the game expecting a GTA clone, which we all know how to play: hilariously violently. But there's no reloading of old saves, so every action sticks. Slowly, your antics convince everybody in the city that total fucking murderous anarchy is like, the new dubstep.

And what does the world become when literally everybody is Niko Bellic?

But What If ...

You flip the script halfway through the game? Maybe it's a sudden revelation on the part of your character that the world simply cannot continue with everybody's grandmother ramping flaming ice cream trucks into the local library every other hour, or maybe you're just suddenly ripped out of your character and put into the shoes of the only cop who's still doing his job. The first half of the game is your average GTA/Saints Row havoc-causing sandbox, with the world slowly descending into insanity, and then the last half is you dealing with the psychotic universe your actions have created. Sure, it's annoying that you keep getting ripped out of your car by random pedestrians who immediately drive it into a wall and then run away giggling, but it's made all the worse by knowing that it was you who taught them how to do it. It's the "I learned it by watching you, Dad!" gameplay mechanic.

You don't get any guns that fire conventional bullets; if you have guns, melee weapons or anything else, they cause explosions. Some minor, maybe sending a person reeling back a few feet, like a machine gun that fires tiny bombs; some moderately powerful, like a grenade that sends you flying in the air before landing in a heap; some really fucking strong, like a mine packed with so much ordnance that if someone steps on it, the victim goes flying at over 100 mph and slams into the ceiling, leaving a collection of splattered blood and giblets rain downing from above.

You'll have a lot of your conventional weaponry, like machine guns firing bombs, pistols firing bombs, shotguns firing bombs, etc. But you'll also have some more creative weaponry, like missiles that can turn corners; RPGs that hone in on a person once they get close enough, so the victim thinks he dodges it only to have it smack into him from behind; and of course the default melee weapon of your fists, which causes a grenade level explosion upon contact.

Obviously you can't have people take the damage they normally take in other multiplayer games when hit with explosives, nor the extensive waiting times when one dies. Instead, everyone has enough health to take, say, 50 machine gun-bombs, and have them quickly respawn, being dead only one or two seconds, long enough to see what surface their remains slam against.

Finally, the players will be affected by the physics of any explosion, and with so many, they either need to avoid being shot (with this amount of explosions, unlikely) or learn how to adjust to the disorientation of the explosions. Levels will be wide open and sprawling, to allow a degree of maneuverability in the face of so many large-radius explosions, as well as to make a satisfying visual indicator of how far a body falls.

Because goddammit, games don't have enough explosions.

Good Idea!

Roughly half of the concepts that I've highlighted here address some heavy issues: They're games that deal with not overcoming, but embracing your own limitations, coping with pending insanity and coming to terms with the consequences of your actions in the total absence of societal morality. And lofty concepts like those can make for some amazing games.

But if everything always means everything, then meaning itself becomes meaningless. Remember when you went through your "deep stoner" phase? Discussing Wittgenstein over bong tokes like your limited, masturbatory teenage experience in the world could possibly contribute something meaningful to any conversation? That was fun. But eventually, the conversation always turned back to Dr. Mario and titties, because "deep" has an expiration date, but retarded bullshit is forever.

Sometimes, gamers just have to admit that our favorite part of a game is the part that went "boom," and wouldn't it be great if it all went boom? Wouldn't it be great if it all went boom, all the time?

But What If ...

You actually just made that game, developers? What if you just shut your fucking idea-holes for a second and gave us Multiplayer Boom-Boom: Explosion Edition? What would happen?

You would make a billion goddamn dollars. That's what would happen.

...

So there you go: That's a small sampling of the best games never made, as put forth by a random assortment of Cracked readers. And it's nothing special. Nobody's saying that these are the greatest ideas that will ever exist. If you think you can do better, smart guy, well -- OK. That's probably fair. Give it a shot! Spout your idea loud and proud, and let us all wallow in your nerd-droppings.

Get the first episode of Robert's Sci-Fi Serial Novel, Rx: A Tale of Electronegativity, right here, or buy Robert's other book, Everything Is Going to Kill Everybody: The Terrifyingly Real Ways the World Wants You Dead. Follow him on Tumblr, Twitter and Facebook.

For more from Brockway, check out 5 Reasons GTA IV Is The Worst Great Game Ever Made and In Defense of Games as Art.