The foreigners don't speak; they horde, charging in mobs to murder any poor innocent white person they meet, rampaging through hotels apparently drawn to the scent of poor defenseless white women. Which is the entire second act of trailer. No Escape makes it clear that foreigners are a new type of fast zombie that can't even say "brains."

The Weinstein Company
"KHUOROKBAL!"

It's like Resident Evil 5 (the game about a white guy going to Africa to shoot everyone), except at least that had one black person on the player's side while the white hero mowed down the local population. No Escape imports another white guy to be the local expert. Pierce Brosnan plays the part of the trusted adviser, because in No Escape people are like fantasy dragons -- color-coded by good or evil.

The Weinstein Company
Connery was a better dragon.

Zombies have a better motivation than these people. At least zombies are hungry. The "foreigners as mindless hordes" theme is so thoroughly installed that the first trailer's big scary final reveal is that the foreigners know how to use tools. I wish I was joking. The white people cheer to see a helicopter approach, and the big slow-motion Inception-noise scare is that it's not a white person inside.

The Weinstein Company
"They're adapting! To our American tactic of violent suppression from the air!"

Terminators have been rendered more sympathetically. You get the impression that the movie only hired foreigners at all because they're cheaper than buying enough boot polish for white extras.

Even the "friendly introduction" scenes at the start of the trailer are scared shitless of foreigners. These scriptwriters boil their hands after using a remote to change away from foreign-language movies. Street scenes in Asialand get the same brooding background music normally heard as sexy teens sneak into the abandoned zombie-virus laboratory. Owen stumbles around the baffling and foreign mysteries you could see in any city's Chinatown. Apparently that plane that took him around the world also carried him a few centuries back in time. The foreboding music escalates to fiveboding, maybe even sixboding, when a vendor brutally beheads a fish with a cleaver.

The Weinstein Company
"AVENGE ME!" (Translated from fish, which is more translation than anything else in the trailers gets.)

Not like in the USA, where fish presumably have the vote and use sheer can-do attitude and free market economy to turn themselves into processed fish fingers for consumption. Which is actually more accurate a model of American capitalism than I intended.

In even the worst disaster movie you usually have a local dog, but I'd be terrified of what this writer thinks happens to dogs in Asiatlantis. The only downside of this country's utter destruction is ruining Owen Wilson's trip. You can almost see him prissily thumbing in his Yelp Review: "The Entirety of Asia: Locals can't even speak English, and they murder everyone who can for no reason. Also, no Starbucks. Zero stars."

The Weinstein Company
Owen Wilson realizing he can't pay with Bitcoin.

Revolutions certainly aren't violent horrors that the majority try to survive. No, in Mysterious Asialand, they've got their squiggled moon-calendars marked clearly: First-day wish you were American, other-day publicly execute a fish, too-many-calendar-overflow-ERROR GRAB MACHETES AND PISTOLS AND RAMPAGE TREATING AMERICANS LIKE FISH.

Apparently, foreigners usually reproduce by sporing or by mitosing into more murderous mobs. The American kids are more sought after here than they are in Children Of Men. They're blonde Holy Grails filled with precious U.S. blood, with every character utterly devoting their lives to getting them one way or another. The clear implication is that if you have a kid you're allowed to kill anyone you want, and that girl-children are the most precious, in possibly the purest expression of the tribal-caveperson id ever committed to film. Their fate soars above that of an entire country.

The Weinstein Company
We didn't slow that down for dramatic effect; "the visage of the white child"
is dramatically slowed in the movie.

Modern movies give more explanation for why the zombies are eating people than this. They have an entire scene explaining the curse, or the T-virus, and another explaining the remaining urge to feed. But foreigners? Apparently they're a species of bull whose red flags got bleached in the wash. Even the movie's title is color-coded.

The Weinstein Company
WHITE GOOD. OTHER COLOR BAD.

This utter obliviousness is embodied in the star, Owen Whiteguy. The entire country apparently goes from "idyllic holiday" to "insane bloodbath" during a single trip to the shops. He didn't suspect a thing. Foreign nations are just drunken tightrope walkers constantly one step from screaming while clutching broken sticks. True, Owen seems so utterly immune to learning from his environment that he'd queue to view the corpse at a wake and then loudly complain that his cappuccino order was taking too long, but this is insane. Though Owen's utter obliviousness could just be method acting. Because he read this script and thought, "Yep, no problem there; I'll put my face on that for global release."

The Weinstein Company
TWO WHITE GUYS in SOME DAMN FOREIGN COUNTRY OR OTHER

There's no reason given in the trailer, but there's plenty of possible implications. Countries don't normally rise up to slaughter the ghostfaces because foreigners have been particularly nice to the locals. It's usually the result of a few centuries of dehumanization and exploitation. And No Escape apparently decided to get one last payoff out of it.

The studio attempted to fix the problems of racism by releasing a second trailer. But their releasing trailers is what caused all the problems in the first place, and this didn't help. They "fixed" the racism by removing almost all the non-white people. Which a moment's thought would reveal as the most racist possible solution. Now non-Caucasians exist only as hordes, shown in the same way trailers usually show approaching tidal waves or volcanic flows, while Owen Whiteman and family run around an otherwise deserted country yelling and screaming in response to random objects and moving vehicles. At least in the previous trailer the foreigners were zombies. Now they're an outright natural disaster: a vast force you can't even look in the face but which causes immediate pain and must be escaped.

The Weinstein Company
"Run!"

The San Andreas movie showed more of the antagonist, and that was a tectonic fault. Maybe because it was an American tectonic fault. The second No Escape trailer is cut so perfectly around the edges of white skin that we even see Owen beating up a foreigner without ever seeing the foreigner. Just a famous white man using cunning media techniques to act like a justified victim while beating down at someone unseen, forever.

The Weinstein Company
"Which direction am I meant to punch again?"

Thanks to Saladin Ahmed for the tip. If you like non-Americans who can not only speak in complete sentences but use them to incant fireballs against unliving ghouls in the midst of desperate swordfights, check out his book, Throne Of The Crescent Moon.

For more media education, enjoy 5 Shockingly Racist Scenes In Famous Superhero Comics and 8 Racist Ads You Won't Believe Are From The Last Few Years.

Luke has a website, tumbles, and responds to every single tweet.

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