Dangerous Minds was a big commercial hit but was almost universally derided by critics for taking an uplifting story about inner city kids and turning it into a movie about a bunch of improbably attractive juvenile assholes and their patronizing asshole teacher.

The Soundtrack:

The Dangerous Minds soundtrack album went triple platinum thanks to "Gangsta's Paradise" by Coolio, and almost 20 years later we still know all the words to that goddamn song. It was everywhere -- the video was in constant rotation on MTV, and it got played twice an hour on literally every radio station. I'm pretty sure Billy Graham's radio ministries were taking breaks to spin that jam. Everyone walking the planet in 1995 loved "Gangsta's Paradise."

MCA Records/Hollywood Pictures via YouTube
Although I am convinced the video's popularity had more to do with L.V.'s impassioned sweaty goldfish face.

The song went on to sell over 5 million copies worldwide, earning Coolio a Grammy and a permanent place on the back of a Trivial Pursuit card.

MCA Records/Hollywood Pictures via YouTube
And a rare immunity to leather jacket karate.

Coolio tried to repeat this success two years later with "C U When U Get There" on the Nothing to Lose soundtrack, but that paradisiacal gangsta lightning bolt would only be trapped inside a bottle one time. "C U" still went gold, but it was arguably overshadowed by the late 1990s' fascination with writing terrible lyrics to Pachelbel's "Canon in D Major" (see also "Graduation" by Vitamin C) and never reached the heights of "Gangsta's Paradise." Within that same year, Coolio also hosted an art deco motorcycle race for Alicia Silverstone in Batman and Robin and issued a bitter public denouncement of Weird Al Yankovic, which is something only monsters do.

MCA Records/Hollywood Pictures via YouTube

Batman Forever was a big financial success, and the critical response at the time of its release was evenly divided among people who liked campy ridiculous nonsense and people who liked good movies. But you would be hard-pressed to find anyone who will defend Batman Forever nowadays, particularly in the wake of Batman and Robin, when Joel Schumacher definitively proved that, unlike Ben Affleck or Zack Snyder, he really was trying to make Batman as stupid as he possibly could.

Warner Bros.
Exhibit A.

The Soundtrack:

However, everyone, without exception, loves the Batman Forever soundtrack, because of these four words: "Kiss from a Rose."

Warner Bros./Atlantic Records via YouTube
Four sexy words.

Seal's magnum opus, the song that most people aged 25 to 40 know every single word to, was first unleashed on the world at large as a single off of the Batman Forever soundtrack. I have no idea what schizophrenic marketing genius assembled this record (it contains songs by PJ Harvey, the Offspring, and Brandy, three grossly disparate entities apparently united by their common passion for Batman), or who thought the best way to promote their retooled superhero franchise was to take a British R&B vocalist with a more prominent facial scar than the one Tommy Lee Jones wears in the fucking movie and have him sing a love ballad in front of the Bat signal with his shirt blowing around like a wailing poltergeist.

Warner Bros./Atlantic Records via YouTube

Whoever it was, that person hit a home run of pure victory, because "Kiss from a Rose" was a goddamned monster. The next time you have a group of friends gathered at your house, just start playing "Kiss from a Rose" without preamble or context and try to count the frowns. You can't, because there won't be any. (If by some freak occurrence someone does make a sad fart-crease with their face, kick them the hell out of your house, because that person is likely a robot.) That song won Seal three Grammys, millions of dollars, and Heidi Klum (although he eventually had to give Heidi Klum back, because he's apparently kind of an asshole).

Warner Bros./Atlantic Records via YouTube
"Don't cry, Seal. We'll let you keep the shirt."

Batman Forever: Original Music from the Electrifying Motion Picture Masterpiece also has "Hold Me, Thrill Me, Kiss Me, Kill Me" by U2, a much less ubiquitous song that still managed to sell enough copies to be certified gold. That's two No. 1 singles on one soundtrack, and it was for a Batman movie that most Batman fans prefer to pretend never existed.

The Soundtrack:

I am convinced the reason this fondness exists is because of the Space Jam soundtrack.

Warner Sunset/Atlantic Records
Released in a time when Jay-Z got second-to-last billing right before Bugs Bunny.

Think about it -- when you hear someone say something positive about Space Jam, the conversation usually goes something like this:

PERSON ONE: Hey look. Space Jam is on television, or is otherwise being referenced in some immediate way.

PERSON TWO: Oh, I love Space Jam!

PERSON TWO begins singing R. Kelly's "I Believe I Can Fly," or alternately "Space Jam" by the Quad City DJ's.

That soundtrack went platinum six goddamned times. It was like a lightning rod for successful '90s soundtrack contributors -- Seal recorded a respectable cover of a terrible Steve Miller Band song, and Coolio lent his voice to two different tracks (see "trying desperately to replicate 'Gangsta's Paradise,'" above). More importantly, it turned R. Kelly into a worldwide star, throwing wide the doors of possibility for his face-pissing antics and earning him three Grammy awards, which he has probably also peed on.

Warner Sunset/Atlantic Records via YouTube
Presumably while making airplane arms.

If Space Jam hadn't given us all those songs we still enjoy singing, nobody would be talking about Space Jam anymore, and R. Kelly could never have released a 33-chapter music video about hiding from a cuckolded husband in a closet full of his own sex mist.

Warner Sunset/Atlantic Records via YouTube
But he'd still have his airplane arms. Nobody can take those from him.

The movie itself features over 30 songs from a handful of moderately obscure rock bands of the mid-'90s, so watching it is like stepping inside a Gen-X time capsule with Matt Pinfield. If the movie wasn't drowning in a nostalgia-laden licensed score and was about a bunch of kids trying to save a rec center instead of a record store, nobody would care about it, and Empire Records would have dwindled into VHS oblivion. Just like all those movies they made about kids trying to save rec centers in the 1980s.

Warner Bros./Regency Entertainment via YouTube
If those movies taught me anything, it's that nothing staves off financial ruin like irreverent dancing.

The Soundtrack:

The one and only single from the With Honors soundtrack, "I'll Remember" by Madonna, reached No. 2 on the Billboard charts and sold over 500,000 copies.

Maverick/Sire/Warner Bros. Records
Notice that Brendan Fraser does not appear anywhere on this packaging.

Additionally, it received both Grammy and Golden Globe nominations, making it one of the most critically and commercially successful releases of Madonna's career, which isn't bad for the official theme song to a 20-year-old movie about the lessons of homeless Joe Pesci.

Warner Bros. via YouTube
Lesson 1.

Oddly, a few of Madonna's biggest songs ("Live to Tell," "This Used to Be My Playground") came from soundtracks, which suggests that either A) Madonna is a genius who realizes that film studios will market the shit out of her songs for free or B) Madonna is some kind of vampire wizard who draws her power from the motion picture industry. Her marriage to Guy Ritchie and the quality of his subsequent films lends credibility to that second theory.

Maverick/Sire/Warner Bros. Records
"Great take, Madonna! Also, why the fuck are you dressed like Anne Rice?"

The Bodyguard is one of the worst movies I have ever seen, ever, in the history of light entering my eyeballs and being translated into images. It was made during that confusing window of the early '90s when people thought that Kevin Costner was incredible, and that Bobby Brown was the only person in Bobby Brown's marriage doing drugs. Whitney Houston spends much of the movie dressed like she is about to host a monster truck rally in Thunderdome:

Warner Bros. via YouTube

However, the film's most fanciful moment occurs when her character wins an Academy Award for Best Actress at a ceremony hosted by Robert Wuhl. There are so many things wrong with that picture; it's like the back cover of Highlights magazine.

The Soundtrack:

The Bodyguard soundtrack is one of the most successful albums ever recorded. Whitney Houston's version of "I Will Always Love You" went quadruple platinum, and the soundtrack album itself was certified 17 times platinum just in America. Worldwide it sold 45 million copies. That means one out of every 160 people on the entire planet bought that freaking album.

Warner Bros./Arista Records via YouTube
Sitting on a chair in the middle of a forest is an unspoken requirement of R&B singers.

Even more incredible is the fact that "I Will Always Love You" is a song Dolly Parton wrote in the 1970s. Dolly's version wasn't a rare B-side or anything, either -- it was a No. 1 Billboard hit. Whitney Houston's version was so good that it erased people's memories, and it was recorded for a movie widely considered to be one of the shittiest things the human race has ever created.

Warner Bros. via YouTube
"Don't look at it, Whitney! For God's sake, don't look at it!"

Tom will defend the Jerky Boys soundtrack to his dying breath. Read his novel Stitches and follow him on Twitter and Tumblr.