Actually, a stint in the military would explain a lot of other things about the character, like the, well, military precision of his tactics, including the time he killed a guy using a precisely timed school bus. Plus, there's this seemingly random piece of dialogue the Joker says in the movie:

"I tell the press that, like, a gang banger will get shot, or a truckload of soldiers will be blown up, nobody panics, because it's all 'part of the plan.'"

Of all the things he could have used as an example, it's interesting that the Joker would bring up soldiers getting blown up, especially as shrapnel wounds would be the perfect explanation for his scars. Add some inevitable PTSD into the mix and suddenly you see Ledger's Clown Prince of Crime for who he really is: an ex-soldier who became disfigured, snapped, and later spent the entire movie killing mayors, district attorneys, and police commissioners, aka people who in his troubled mind were representatives of the government that sent him to war.

Warner Bros.
The clothing choices of a man who's sick of camo.

In this deleted scene, we see Cutler Beckett, president of the East India Trading Company, talking to Sparrow about their shared past. From their short conversation we learn that, many years before the events of the first Pirates film, Jack was working for the EITC until he was trusted with transporting "cargo" that turned out to be a shipment of slaves. So, being Jack Sparrow, he set them free, simply telling Beckett in the deleted scene that "People aren't cargo, mate."

Walt Disney

There. Right there. Just as he says that, you can see the exact moment when Jack Sparrow goes from a morally ambiguous asshole to an all-around decent person. When he delivers the line, he doesn't ruin it with any of his trademark silly gestures, instead saying it in a kind of sad, matter-of-fact way, almost as if he had to explain to another person that water is wet.

Even though what he did resulted in being branded a pirate, you don't hear any hesitation in his voice, because for all the shitty things Jack Sparrow might have done, he'd never condemn an innocent person to a lifetime of slavery. It's probably the most character development he's gotten throughout all four Pirates movies, and it made him look so cool that of course they had to cut it, otherwise no man would ever have sex without having to put on a Jack Sparrow mask. And speaking of sex ...

The Lion King has left such a gigantic impact on our childhoods that if you asked 10 random people in their late 20s if they still remember the songs from the movie, eight would say yes, and two would break into "Hakuna Matata." But while we're on the topic of The Lion King songs, did you know that one of them is about rape?

The song in question is called "The Madness of King Scar," and it's all about how hot Scar is for Nala (Simba's childhood friend) and how he'll mate with her whether she likes it or not.

"The Madness of King Scar," which was cut from the movie but kept in the stage adaptation, was supposed to take place after Scar killed his brother and finally became king. It starts off with Scar singing about how nobody likes him before deciding that what he truly needs to be happy is a queen. And luckily, just then Nala enters the scene to bitch Scar out for not controlling the hyenas. The king, who has known the lioness since she was a cub, takes one look at her and goes ...

"Ah, Nala ... Your timing couldn't have been more perfect. My how you've grown."

Walt Disney
Gross.

As Nala continues talking, Scar instead proposes that they skip all this foreplay that Nala wasn't even aware they were having and go create a host of little Scars. Not waiting for a proper answer, Scar then pounces on Nala and gets his fuzzy ass kicked before rolling out one of the creepiest lines in a Disney movie ever:

"Oh, Nala ... you know how I loathe violence ... One way or another, you will be mine."

Walt Disney
And that's pretty much your face hearing that, too.

The song was originally meant to explain why Nala left the Pride Lands before eventually encountering the grown-up Simba and trying to convince him to take his rightful place as king. But apparently Disney decided that plot holes were a small price to pay to keep the audience from ever uttering the words, "Wait, did Disney actually make a song about rape?!"

... are related in some way. But that's enough about ridiculous theories and Star Trek.

And with that episode, the great puzzle that's been James T. Kirk finally stopped resembling a giant, erect penis. The whoring, the insubordination, the apparent disregard for his own life ... who wouldn't turn out like that after his friends and family were killed by a space Nazi? And having to go through all of that when he was just 12? Kirk never had a chance, leaving him with only two ways to silence the traumatic voices in his head: living life to the fullest or manning up and boldly going to the nearest therapist's office.

CBS Television Distribution
He went with the first option.

In the Season 2 episode "War Dawn," a group of Autobots travel 9 million years to the past to Cybertron, where they encounter a naive dock worker named Orion Pax, who appears to be wearing lipstick for some reason.

Hasbro

That robot naturally turns out to be Optimus Prime before he rebranded himself and sanded off a few wrinkles here and there to hide the fact that he's over 9 million years old.

It turns out that a handful of ice ages ago, Orion Pax was a typical a blue-collar guy with a girlfriend named Ariel and a raging hard-on for Megatron, part of the new generation of flying robots. But all of it changed when Pax stupidly led Megatron into the warehouse he was working in, which also housed massive energy reserves. Megatron then promptly killed Ariel and Pax before taking off with the contents of the warehouse, teaching kids everywhere a valuable lesson about never meeting your heroes (because they might kill you).

Hasbro
"I sure hope I'll never have to go through this again."

But as luck would have it, the Autobots from the future came upon Pax and carried him to a machinesmith, who brought him back from the dead as a kickass warrior capable of defeating the traitorous Decepticons. "How did he do it?" and "Why couldn't he do it again to a whole army of Autobots and end the brewing civil war on Cybertron?" are questions that just get in the way of giant robots punching each other.

I'm sure that this origin has been retconned in the comics or other Transformers properties over the years, but going only by the cartoon, it means that the Optimus Prime you know is pretty much a robo-zombie mixed with the alien version of Lee Majors from The Six Million Dollar Man. Huh, no wonder girls never watched this show.

Cezary Jan Strusiewisz is a freelance Cracked columnist and editor. Contact him at c.j.strusiewicz@gmail.com.

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Imagine being trapped aboard the doomed Titanic on an icy Atlantic. . . with the walking dead. Check out Chris Pauls and Matt Solomon's Deck Z: The Titanic.