Recently, movieland has given us a wave of historical war movies about Greek and Roman times that carefully extract any traditional or mythological elements from the stories and replace them with "accurate" history. This is perfectly fine, assuming that you don't want your movies to have boring shit like "wizards" and "demigods," and instead really want to see people gazing seriously at each other under a heavy blue filter. Even the success of 300 didn't do much to buck the "history should be dull as hell" trend. Take these scenes from Centurion (2010) and The Eagle (2011):

Shown: the dark period of human history before the invention of the color red.

Servile War: Rise of the Magic Fire Breather Slave King Guy would give us an excuse to turn over a new leaf and keep all those mythological elements, as well as adding in a rosy hue or two. Just imagine a movie poster of Roman soldiers facing off against a human flamethrower and tell me this isn't a good idea.

At first, the most ridiculous thing about the Emu War seems to be that it unfairly set animals against modern weaponry. Putting not-very-smart birds up against machine guns is like shooting fish in a barrel full of anti-fish poison. But then, in a "nature-finds-a-way" message right out of a far less scary version of Jurassic Park, the humans lost. As we've said before, by virtue of being fast, flightless birds that were more familiar with the terrain than the hapless soldiers, or maybe just by virtue of being animals in Australia, the emus defeated the humans after only two short, embarrassing campaigns.

How has mankind come this far without a single dramatic portrayal of the eternal battle between man and emu? Have you ever seen an emu? Didn't you immediately wonder if you could take it? If an Emu War movie is made, you'll be able to answer that question without getting arrested again. Plus, it would be fiction, so the filmmakers could even spice the story up a bit. Maybe add in some cassowary shock troops. Or a giant mechanical spider that turns out to be a giant real spider. After that, all you need is a tough-talking veteran who just wants to save his family farm from the emus, and a young army officer with a dark secret about why he hates emus so much, and the rest writes itself.

Australia.

Via Wikipedia

This epic 2008 movie stars Nicole Kidman and Hugh Jackman, is set in the early 1940s, and is about ... a whole bunch of stuff, I guess. I fast-forwarded through a lot of this film because it is 18,000 hours long, and the seasons were beginning to change, and I had to go prepare my livestock for the winter. According to the movie poster though, there are some planes, so I think it probably featured the Japanese bombing of Darwin during World War II. The movie only got 55 percent rating on Rotten Tomatoes, so clearly things would have worked out better if it had focused on one of Australia's other violent conflicts, and replaced those planes with emus. In fact, there's still time for a special edition.

In 1921, thousands of "we don't really like being murdered" miners gathered at the foot of Blair Mountain in West Virginia, where they were met by an alliance of state police officers and mining officials that would have made Ralph Nader's head explode. Both sides were armed with machine guns, and private planes were called in to drop homemade bombs on the miners. The battle lasted five days, and ended only when the President sent in federal troops: the miners, many of them veterans themselves, had no desire to face off against the United States Army. In a movie, this could perhaps be shown by two guys on opposite sides hugging on a battlefield, and then a daisy blooming in the foreground to represent the slow eventual progress of the labor movement.

Hollywood is full of activist liberals who love nothing more than starring in message movies, so you'd think a story about evil big business teaming up with the government to crush workers would have caught someone's eye by now. But a quick Google search reveals a wasteland of strip-mined nothingness. Instead, we just have a bunch of endless movies about McCarthyism:

OK, some people in Hollywood are still upset about the whole communist hunt thing, but you know what Sen. Joseph McCarthy didn't have? A machine gun. (Note: A movie about an alternate history where McCarthy actually did have a machine gun is also an acceptable idea for a movie.)

First, the Americans resettled the Seminoles to a new reservation in Florida. Then, right when the Seminoles had just gotten their stuff unpacked and had their USB cords set up the way they wanted them, America suddenly decided that they wanted that land as well, and told the tribe to fuck off to Oklahoma. Seriously America, we all appreciate you inventing the Internet and the breakfast burrito and everything, but that shit isn't cool.

The Seminoles were as pissed as anyone would be about being forced to move to Oklahoma, and in 1835 they revolted, teaming up with escaped slaves, known as Black Seminoles, who had been living alongside the tribe for decades. Did I mention that one Seminole technique during the uprising was to destroy slave-owning plantations and then recruit the freed slaves for their army? Shit, the only thing missing from this potential script is a bunch of dragons.

Avatar.

Via IMDB

Look, I know many people enjoyed Avatar for its visual effects and 3-D and whatever. I know that some people even forgave it for using Papyrus font in its posters. But it was also praised as a metaphor for America's past oppression of Native Americans, and it could have done this so much better.

Instead of a race of made-up space kittens mind-raping animals and showing off their weird, non-mammalian lady-breasts, we could have had a movie about Native Americans teaming up with escaped slaves to fight genuinely oppressive people in a way that in no way involved anyone mentioning the word "unobtanium." Sure, there might have been less visually impressive space stuff, but you could make up for that by putting in a few scenes of bad guys getting comically eaten by alligators.