And those cops on Law and Order could solve a couple rapes and a homicide case before lunch if they weren't using a Chinese Google knockoff ...

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It's not just search engines. It's everything on the Internet.

Want to befriend someone in the Supernatural universe? Find them on BFFLink.net, a social networking site that somehow gained in popularity in spite of its third-world-dot-net status.

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If you want to watch an Internet video on Castle, you can head over to YouWillViewIt.com, which seems to have been launched circa 2006 and abandoned by its owners circa early 2006, but people just kept posing stuff to it ...

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But They Have to Do It Because ...

Google will probably sue them if they use their logo, or the Bing people will soil their pleats and bitch about how it's unfair that Google gets all that free publicity, even though Google is so ubiquitous it's a verb now and "Binging" probably describes the acts committed by an obscure group of fetishists who fuck-dressed as '90s-era Matthew Perry, as if there were any other era of Matthew Perry and if there were anything else you could do in that state of dress other than get pussy.

The characters in the new Kevin Bacon show The Following get their news from a network newscast that appears to be broadcasting in front of a green screen in the producer's basement, surrounded by boxes filled with the remains of abandoned hobbies ...

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On Arrow, the only news program anyone watches has the same production value as a North Korean propaganda video ...

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Even the newscasts on Arrested Development went from being filmed in a studio with a physical set in the first three seasons ...

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... to a set so fake the desk is probably a binary code/balsa wood-blend in season four.

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The old saying "Dress for success" applies to more than just clothes. If you want people to take you seriously -- especially in a profession like news reporting, where seriousness reigns supreme -- you have to put your best foot forward. That starts with not looking like a movie villain who has commandeered the airwaves to deliver a scary yet theatrical threat to blow up the moon.

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In these worlds filled with newscasts that have low production values, you have to wonder how many corners news programs are cutting elsewhere. If all they can afford is a desk and a green screen, how much are they spending on reporting?

But They Have to Do It Because ...

After running a cost-benefit analysis, Hollywood has determined that physical backgrounds have no business being around humans. Wood, a few nails, and some paint is too much to ask when you can just put some fake stuff on a green thing to give a news anchor that trustworthy cable-access-preacher-at-2 a.m. feel.

And on How I Met Your Mother, the graphics department decided that the giant screens we watch shows on are not big enough to read a text on an iPhone, even when the shot is so close to Neil Patrick Harris' hand, that channel-flipping homophobic palm readers prayed for his soul at the mere glance of his love line.

But none of these come close to being as shitty as the phone screens on Dexter, where every incoming call is a Jeopardy! category ...

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... and every text message is a "Final Jeopardy!" answer.

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"Your answer: 'From Quinn.' I'm sorry. The correct answer was 'Mongolia.'"

But They Have to Do It Because...

People won't be able to read the tiny text on a screen, even though we live in the HDTV era and that tiny text is actually 47 inches long. It can be argued that it's also to protect the intellectual property rights of the company that made the phone, but that theory is obliterated by giant company logos no one cared to cover up.

... and with absolutely no graphical downgrade ...

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... can also be played on a smartphone. The faces on the characters are stylized replications of their respective in-show characters. In order to do that the developers who made the game would have had to custom render their faces into it, which means they'd need to do that for everyone who plays the game. That's an incredible amount of work. None of us are worth that shit.

In this article, John Cheese talked about an embarrassing chase scene from CSI: New York where a blue fox on a hover board is chased by a generic white man with a jet pack, and it all took place in the MMO Second Life and in your mind during your last aneurism. What he didn't mention are the few minutes that led to that chase, when a member of the CSI team takes part in a series of in-game gladiatorial battles.

During the fights, the camera cuts to a new angle approximately three times a second. In a lot of games -- MMOs in particular -- there's no such thing as a camera cut; just a lot of third-person ass and neck. If a game actually played that way you'd vomit and quit just after telling some poor kid from Milwaukee that you violated his mom.

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Quick, he's attacking you, in this first-person shoo-

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Oh, sorry, not first person, now we see him from behind while you kill him ... for whatever reason.

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And now a shot of the crowd? Why?

The Big Bang Theory doesn't exactly get the nerd seal of approval for its portrayal of geeks, and this clip, wherein Penny plays Age of Conan, really takes their suck up a few notches.

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Motion sensors inside your microphone will know to tilt the head of your avatar if you tilt your head, because the writers of this show have never played a video game.

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And if the player wants to stroke her chin condescendingly, press and hold "B."

If the technology to have in-game avatars understand language and immediately perform gestures appropriate for the words spoken by the players, every Halo deathmatch you've ever participated in would have included a moment where a Master Chief rage-screamed homophobic slurs while pointing to a non-existent TV, which would be followed by the genetically modified super-human Spartan solider cowering in fear as his father pummeled him with a belt. Then you'd watch Master Chief type an angry status update.

But They Have to Do It Because ...

They're trying to tell a more dynamic story, so they bend the rules of video games until they're a mangled, useless heap of digital bullshit that resembles nothing that can be found in a real game. Only then is their totally rad and hip reference to modern technology ready for the screen.