According to Donovan, he was inspired to write the song after seeing a print advertisement for a yellow dildo called "Mellow Yellow." So the "electric banana" that's "bound to be the very next phase" is a not-so-subtle reference to a very futuristic (by 1967 standards) vibrator. And now there's a song about a vintage sex toy on the Minions soundtrack. Then again, those little yellow guys in that movie kinda seem like freaks, so maybe it was all intentional.

When "Heroes" was released, Bowie stated that it was about two lovers kissing in front of the Berlin Wall whom he spotted outside the window of his recording studio. The lyrics directly reference this moment when Bowie mentions "lovers" who are "standing by the wall." And even makin' out is a little bit heroic when you're doing it in sight of the dreaded communists, right?

But the song omits some key facts about the identity of the lovers, and Bowie would not reveal it for years. These weren't two heroic Germans protesting the division the wall represented by shoving their tongues down each other's throats; it was his producer, Tony Visconti, making out with his mistress. Bowie didn't want to reveal his buddy's infidelity to the world, so he omitted the identity of the "heroes" in the song. It wasn't until years after Visconti divorced his wife that Bowie let the cat out of the bag.

In conclusion, it's probably better for all parties involved that we ignore the "cheating on your wife" thing, lest we confront the fact that we've been equating first responders to guys with hoes in different area codes.

In 1991, during Operation Desert Storm (the prequel to Iraq War: The Neverending Story), "Rock The Casbah" became a massive hit with U.S. military forces. Popular U.S. Army DJ Rick Yanku frequently played the song during his morning radio show from his base in Saudi Arabia, and the soldiers took the Clash's mention of dropping bombs "between the minarets" as a literal pro-war, anti-Arab statement -- again proving that musicology should really part of the core syllabus at West Point. After the war, the conservative magazine National Review included it in their "Top 50 Conservative Songs of All Time" list. We assume the remainder was country.

However, someone wasn't a big fan of the song's resurging popularity: the Clash. The band hated that they'd provided the unofficial anthem for invading military forces, which frontman Joe Strummer called "just typical and disgusting." Being the hard-rocking liberal pacifists they were, the Clash never meant "Rock The Casbah" to vilify Arabs or serve as a call for violent conflict. The song was intended as a middle finger to Iran for banning Western music after the Islamic Revolution. It's all about the power of artistic expression and common people resisting the oppressive militarism of the 1 percent trying to keep them down. You know, typical Republican fanfare.

According to Styles, the narrator in the song is a woman who has recently given birth, and she's about to die due to complications. Styles narrates the last things the mother says to her newborn baby before passing, which for some reason she does in pop-sensible rhyme form. Despite this downer theme, Styles insists that there's ultimately a positive meaning: Times can be tough, but we have to be brave and "just stop your crying." Stop crying, newborn baby.

"Mahna Mahna" first appeared in an Italian porn film called Sweden: Heaven And Hell, a documentary-style exploitation flick focused on sexuality in Sweden. "Mahna Mahna" was but one of composer Piero Umiliani's hastily cobbled together tracks, meant to accompany statuesque Scandinavian babes frolicking around nude. Not a very Muppet-appropriate scene, unless Swedish Chef was somewhere in the background doing some unspeakable things to pay his rent.

After the release of the film, the song became a minor hit in the States, reaching #55 in the charts -- high enough to catch the attention of young puppeteer Jim Henson. Henson thought the song would be great for one of his skits, so he made a puppet called "Mahna Mahna" to gruffly sing the tune, accompanied by two very feminine Muppets called "Snouths." Henson's "Mahna Mahna" debuted on The Ed Sullivan Show, and it was such a hit that they had him do it again for the first season of Sesame Street -- as in for kids aged 2-7, Brought to You by the Number 6 Sesame Street. Now the song is so closely associated with the Muppets that there's hardly any of its original sexiness left. Unless you're into anthropomorphic animal puppets, in which case you've found your new anthem.

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For more, check out 8 Romantic Songs You Didn't Know Were About Rape and 6 Famous Theme Songs With Secret (Horrifying) Lyrics.

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