8.) CROCKETT & TUBBS

Don Johnson & Philip Michael Thomas
Miami Vice (1984-1990)

Working the Miami beat in the '80s was a tough task, but Crockett and Tubbs let the criminals know they meant business by wearing pastel blouses, sporting women's blazers, and chuckling at their pet parrot. Fortunately, the Miami Vice writing staff loaded the show with sarcastic dialogue in order to distract viewers from the fact that these two slapdicks would be castrated immediately if they ever actually ran into the likes of Tony Montana.

Crockett: Man, it's so hot you could fry an egg on my face.
Tubbs: Hope I never get that hungry.

Check Out a Video of These Clowns
http://youtube.com/watch?v=LHwd4739mWQ

7.) BUTLER & McKENNA

Burt Reynolds & Norman D. Golden II
Cop and a Half (1993)

Okay, so we've never seen Cop and a Half. No one we've ever met has seen Cop and a Half. We're not even sure that Burt Reynolds ever took the time to see Cop and a Half. But the fact still remains that the only reason it was made was so that Burt Reynolds could spend 90 minutes looking surprised and talking s**t to a little black kid. And there's simply nothing that Burt Reynolds does better than talking s**t to little black kids.

Butler: So what you got under the hood?
McKenna: I got an engine, and in a minute, you.

Check Out a Video of These Clowns
(be sure not to miss a disturbing clip from their sex scene at 1:37): http://youtube.com/watch?v=-Que-7kzfSU

6.) (tie) AGENT J & AGENT K

Will Smith & Tommy Lee Jones
Men in Black (1997), Men in Black II (2002)

Man, if there's one thing that gets a hip young black fella's sarcasm motor going, it's aliens. And it there's one thing that gets a seasoned white cop's going, it's a hip young black fella being surprised about aliens. Also, the slang pisses him off.

An interesting historical footnote: several teens died of alcohol poisoning in the late '90s while attempting to play the MIB drinking game, in which participants take a shot every time Will Smith lifts one eyebrow and says, "DAMN!"

Agent K: I don't suppose you know what kind of alien life form leaves a green spectral trail and craves sugar water, do you?
Agent J: Aw, man, that was on Final Jeopardy last night. Damn, what did Alex say?

Check Out a Video of These Clowns
http://www.evtv1.com/player.aspx?itemnum=2310

6.) (tie) CARTER & LEE

Chris Tucker & Jackie Chan
Rush Hour (1998), Rush Hour 2 (2001)

In each of the two Rush Hour movies, Carter speaks to Lee in a manner that would get literally any employed person fired. (Unless, of course, your job was writing mildly amusing ethnic slurs.) But since the racial hatred is presented alongside wacky explosions and slick editing, it's passed off as sarcastic banter. Thanks, Rush Hour movies, for showing us that xenophobia can be a real hoot! Chan may not be technically white, but Tucker makes it abundantly clear that Chan isn't welcome in the black community.

Carter: Oh, hell no! You didn't just touch my goddamn radio!
Lee: The Beach Boys are great American music.
Carter: The Beach Boys gonna get you a great ass whuppin'.

Check Out a Video of These Clowns
http://youtube.com/watch?v=WaZ-JIY9j0A

5.) FOLEY & ROSEWOOD

Eddie Murphy & Judge Reinhold
Beverly Hills Cop (1984), Beverly Hills Cop II (1987)

In the Beverly Hills Cop movies, Eddie Murphy wears uncomfortably tight jeans, says hilarious one-liners, and makes you cringe every time he tries to emote. But the real tour de force is turned in by white buffoon Judge Reinhold, who apparently researched his role by watching black comedians impersonate white guys.

Foley: You just hit a squad car!
Rosewood: It's okay, I know the guy. He's a jerk.

Check Out a Video of These Clowns
http://www.ifilm.com/video/2673281

4.) CATES & HAMMOND

Nick Nolte & Eddie Murphy
48 Hrs. (1982), Another 48 Hrs. (1990)

While Cates and Hammond may not be the most sarcastic of the white/black buddy cops, they're definitely the most awesomely filthy. One of their many back-and-forths has Hammond saying that he should have his "dick bronzed" because he's so good in the sack. And Cates is just as good in the racist p***k department as Hammond is in the f*****g department-at one point, he refers to Hammond as" an overdressed, charcoal-colored loser." Shortly thereafter, he calls Hammond the N-word and punches him in the face. Who doesn't love it when witty sarcasm borders on racially charged violence?

Hammond: Tell me a story.
Cates: f**k you!
Hammond: Oh, that's one of my favorites.

Check Out a Video of These Clowns
http://digitalhistory.uh.edu/trailers/48hours.asf

3.) McCLANE & POWELL

Bruce Willis & Reginald VelJohnson
Die Hard (1988)

Before they made the best action movie of the past 25 years, the makers of Die Hard had to solve a problem. In John McClane, they'd created the most sarcastic cop in the history of sarcasm and cops, but since the film's plot requires that he be alone for most of the movie, he didn't have any black people to make his sarcastic comments to.

Luckily, Die Hard was not made by inside-the-box thinkers. First, they gave McClane a jive-talking limo driver named Arguile who listens to Run DMC and makes Will Smith's performance in the opening credits of The Fresh Prince of Bel Air seem nuanced by comparison. Most importantly though, they gave the dad from Family Matters a walkie-talkie and told him to look up gravely and call McClane "Cowboy" a lot, thus allowing McClane to ooze sarcasm on the other end. Crisis averted. Still, despite what you might expect, they don't f**k in the end.

McClane: Is the building on fire?
Powell: No, but it's gonna need a paint job and a shitload of screen doors.

Check Out a Video of These Clowns
http://youtube.com/watch?v=sOOrY6Pvsv8

2.) HALLANBECK & DIX

Bruce Willis & Damon Wayans
The Last Boy Scout (1991)

This time, a hungover Bruce Willis is teamed up with Damon Wayans, who is hilariously miscast as one of the most talented quarterbacks to ever pick up a football. (If you're an un-athletic looking black guy and white people automatically assume you're good at sports, is it offensive, or just awesome? Sadly, we'll never know.)

Like Samuel L. Jackson in Die Hard 3, Wayans gets to pretend he's a cop even though he isn't. Even more mysterious-everyone keeps calling Willis' character Detective Hallanbeck even though he is very clearly John McClane-he's sarcastic when he's just killed someone, he gets even more sarcastic when he's in danger of being killed, he's always hungover even though he never seems to be drinking, and, most importantly, he's having trouble with his wife and smokes a lot.

Hallanbeck: This ain't no game, flash. Real guns, real bullets. It's dangerous.
Dix: Danger's my middle name.
Hallanbeck: Mine's Cornelius. You tell anybody, I'll kill you.

Check Out a Video of These Clowns
http://www.youtube.com/watch?v=GvxalCCgdjw

1.) RIGGS & MURTAUGH

Mel Gibson & Danny Glover
Lethal Weapon (1987), Lethal Weapon 2 (1989), Lethal Weapon 3(1992), Lethal Weapon 4(1998)

We've gotta go with Riggs and Murtaugh at number one if only because of their absolute centrality to the Lethal Weapon franchise. If you took away the black-white buddy cops from any of the other films on this list, you'd still have some movie leftover. Men in Black, for example, would still be a movie about aliens, and The Last Boy Scout would still have a convoluted plot about professional football and some fat guy in a cowboy hat.

But with Lethal Weapon, the pairing of a black cop with a white cop IS the premise of the movie. All four installments boil down to the same ingenious core concept: "Two cops solve crime while making sarcastic comments. One of them is black and the other is white. Also, Danny Glover says, 'I'm too old for this s**t.' Roll credits."

Riggs: You want me to drive?
Murtaugh: No, you're supposed to be suicidal, remember? I'll drive.
Riggs: Anybody who drives around in this town IS suicidal.

Check Out a Video of These Clowns
http://youtube.com/watch?v=-mifmhwAGkQ