Whatever the case, I was pleased to see that even the most routine happening in the music worldlike the start of the SXSW music festival in Austinis as a matter of course paired with a discussion of record executives jumping out of office windows to their deaths and RIAA lawyers furiously and laughably suing people they choose at random off the street.
The next interesting thing to see will be where bands are making money once physical media is purchased only by anachronistic hold-outs who get off on self-indulgent liner notes (ie, Gladstone). The consensus in rock journalism seems to be that we're going to return to the era of the wandering minstrel, when musicians earned their keep only through live performance and the occasional ballad about dragon slaying.
Which is romantic, but would probably lead to the premature dissolution of a lot of great, broke future bands. The more likely reality is that musicians will be getting a larger share of their own profits, and more directly, but they'll have to be a little more clever about finding ways to generate it:
Of course theyll have to offer a souvenir, like a nice signed photo of the sex act and a piece of chocolate with the band logo on it.
Speaking of Spitzer, theres the new paradigm in action for you right there. Governor fucks prostitute, prostitute releases R&B singles online, prostitute becomes rich 98 cents at a time. Thats very likely to become a classic story as home production and distribution gets easier.
So I guess what Im saying is entering a new age of music distribution isnt necessarily going to make any of it any better. Youll just get it differently. Like getting fucked in the ears with an ice pick instead of a seed drill. And thats nice, right?
Vote for Michaels entry in the YOUTUBE SKETCHIES II Semi-Finals by clicking this link, then next video on the randomizer until you see his (The Hot Farts), then on the thumbs up. Complicated, isnt it? Well, do it once per day per registered youtube account.