This is as good a time as any to point out that I haven't actually seen this film, and don't intend to. Why? Because this isn't that kind of website and because you can't make me. But it turns out that I probably didn't have to see it to comment on it because of the fact that it features a man dressed as a woman. Having grown up in an era when VHS cassettes were the only form of non-book entertainment available, I've stood witness to many other cross-dressing based comedies before, and can report that this is not a genre known for its startling originality.
I know you refuse to believe that the Corey Haim would deign to star in a derivative piece of trash, but it's true.
It turns out that every single film which decides that a dude wearing pantyhose is a funny idea routinely relies upon six tiring cliches. These have been collated below for the benefit of bored office workers and archaeologists of the trivial.
#6. A Real Sturdy Woman
This is the most primitive level of humor related to cross-dressing, sight-gags featuring a burly man with his burly features, donned in a lady's accouterments. The audience is expected to react as thus:
Audience: Ahh, look at this lovely woman with her dress and blouse and humongous hands and mustache? BWAAAAAH??????
This is sort of funny the first time you see it, especially if you're watching in a movie theater and everyone around you goes "BWAAAAAH??????" at the same time (it's kind of contagious). And then, like every joke ever before, it becomes less funny when you see it again. And again. And again. This is well known, and few directors will dare use the same joke multiple times in a film, but the thing that many forget is that this same effect occurs even when watching different movies. It's why test audiences loved it when Cameron Diaz got semen in her hair in There's Something About Mary but hated it when the same thing happened a couple months later to Cate Blanchett in Elizabeth -- an embarrassing realization which forced an 11th hour scramble to fix the scene.
"Well then put a tiny little hat on her instead. No, tinier."
But this isn't a lesson that cross-dressing filmmakers seem to get. They don't realize that Adam Sandler in a dress = Rob Schneider in a dress = Martin Lawrence in a dress = Robin Williams in a dress = Dustin Hoffman in a dress. We get it. We get that ladies don't normally have broad shoulders, or massive packages, or throat testicles. Stop rubbing our faces in it. Nothing gives you that right.
#5. Lady Activities
Ladies, bless them, have vastly more involved grooming routines than men, many of which involve products and equipment unfamiliar to the average male. Each individual body part has its own set of waxes and scrubs and pneumatic chisels, the application of which is necessary lest a woman become ostracized from society. Consequently, there isn't a single cross-dressing movie that doesn't have at least one scene of the hero messing around with wax, or nearly sheering his knee caps off with some kind of high pressure depilatory jet.
I think women use this one to make their eyes twinkle more.
"Men Are Idiots," these scenes say triumphantly, and although most of my adult life suggests that's not too far off, it's unfair to suggest that all men are as dim as me. Ripping hair out hurts -- it's the most fundamental aspect of that activity, something that we all know at a primal level. The world doesn't need another scene where some guy figures that out in a 3-minute montage set to Girls Just Wanna Have Fun.
#4. Fucking Aerosmith Songs
Actually, scratch that. If there is a montage in a cross-dressing film (there is [probably several actually]) it's almost guaranteed that it will be set to Aerosmith's "Dude (Looks Like A Lady)." This is the one where the chorus goes "dude looks like a lady" which is a handy way for an audience to be reminded that the director is a fucking moron. It's the least original choice for a soundtrack ever, having been featured in every cross-dressing movie, novel, movie novelization and other gender bending work for the past 500 years. Scholars have found references for it in the margins of some of Shakespeare's original folios.
Chorus: "She hath the figure of fair Venus, Lord imagineth mine surprise!"