Any mentally unbalanced individual can come up with a creepy fan theory about your favorite cartoon -- that's why they're called "fan" theories. However, every once in a while we come across some that are just too compelling to ignore, even if reading them guarantees that we won't sleep for the next month.
So once again we dove into the massive cesspool of deranged interpretations, overanalyses, and obsessive rants that is the Internet and emerged with the most strangely plausible fan theories out there. May our sacrifice allow you to blow your friends' minds the next time you're stoned. (Also, spoilers ahead, dummy.)
5 Toy Story 3 Is an Allegory for the Holocaust
Toy Story 3 is arguably the darkest film in Pixar's flagship trilogy, but it's still a heartwarming tale about friendship, growing up, and sticking together through the hardest times (like, say, during a Randy Newman song montage). Oh, and also it's about the mass extermination of millions of people in concentration camps.
"Rex, why are you smiling?"
According to film critic Jordan Hoffman, Toy Story 3 is totally about the Holocaust. Then again, in the same article he goes on to make a case for the movie being Marxist propaganda, an existentialist film, and a metaphor for various world religions, so maybe he wasn't being completely serious there. The Holocaust theory is the one that caught the attention of the Internet, though, because of the surprising number of parallels between this lighthearted story about talking toys and one of humanity's greatest tragedies.
Why It's Not That Crazy:
Let's look at the plot: It starts when the Jewish people (represented by the toys) are left behind by their host nations at the onset of World War II (represented by Andy going off to get high and score in college). At this point the toys' leader, Woody, suggests hiding in the attic, Anne Frank style, but they get caught and shipped off to Sunnyside Daycare -- you know, a place where their kind is "concentrated" and routinely mistreated (only by little children instead of Nazis).
Although this kid is probably both.
The abusive toys who live in Sunnyside are the movie's version of the Jewish police who helped push their fellow Jews into trains for Auschwitz. Because of them, the main characters end up on a conveyor belt ... headed straight for the incinerator.
Holy shit, Pixar. There's even a sad scene where the toys grab hands and accept their fate.
"Goddammit, Rex! Why are you still smirking?"
And then, of course, they get saved by toy aliens, who obviously stand for the Allies. The protagonists eventually relocate to a new place where "many of their kind already live and have an established foothold" (Israel/a little girl's house). So there you go: The next time someone tells you they heard an awesome theory about the identity of Andy's mom, you can tell them, "Oh, I know. She's the Gestapo who sent the toys away."
4 Who Framed Roger Rabbit Is About Segregation
Who Framed Roger Rabbit, better known to kids as "that movie with Mickey Mouse and Bugs Bunny" and to teens and adults as "that movie with Jessica Rabbit's gazongas," is set in a world where humans interact with cartoon characters. The film follows human PI Eddie Valiant as he investigates a murder involving Roger Rabbit, which leads us to discover that Judge Doom (a corrupt official played by Christopher Lloyd) wants to kill all the cartoons by submerging them in his "Dip" concoction.
"It's my special blend of meth, angel dust, and 'Judge juice.'"
The plot we just described is a metaphor for the gentrification and segregation of blacks in Los Angeles, or so claims renowned film scholar "reddit account deleted."
Why It's Not That Crazy:
Short of the filmmakers including a talking crow called Jim to spell it out, the clues couldn't be more obvious. The movie takes place in 1947, at the height of the Jim Crow era, where mandated state and local laws prohibited whites and blacks from having the same shit or being in the same places. Doesn't Toontown, the city where the toons live near Hollywood, feel a little more sinister in that context?
The cutscene with Eddie and the offensive sandwich board was later used for Die Hard 3.
The villain, Judge Doom, wants to tear down the trolley system to force the toons out of their home so they can build a freeway for the wealthy humans -- that's called gentrification, an issue that remains controversial in LA to this day. Also, most of the cartoons are performers, which of course was one of the "acceptable" occupations for black people at the time. You don't see any cartoon doctors or lawyers ... unless they're pretending to be human, like Judge Doom himself. That makes Doom an Uncle Tom character: a minority who sells out his own race for his personal benefit, like Samuel L. Jackson in Django, only less cartoonish.
Then there's Jessica Rabbit, to whom Eddie is clearly attracted, despite his claims that he hates cartoons. His confusion is representative of the confusion of many white males who lusted after black women despite seeing blacks as inferior.
Which means your childhood boner was awkward and racist.
And finally, in the movie the word "toon" is treated like a racial slur that humans use to offend cartoon characters. Now say the word out loud but replace the first letter with a "C."
We're telling you, once you start noticing this shit, the world becomes a darker place.